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Barry Willis Posted: Mar 04, 2001 0 comments
It's well known that women have better high-frequency hearing than men do, as well as a lower threshold of sensitivity. What's loud to most men is louder to most women.
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Jon Iverson Posted: Mar 04, 2001 0 comments
If you've visited this website before, you'll notice that we're sporting a new look this week. You'll also find that, in addition to the new sheet metal and colors, there are also plenty of changes under the hood. The Stereophile site was originally launched on December 1, 1997. The old model lasted over three years, but three years is an eternity in Internet time, and we couldn't resist taking all of the comments readers have sent in over the months and sorting through them for fresh ideas.
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Jon Iverson Posted: Mar 04, 2001 0 comments
Last week, Philips Electronics and Marantz Japan jointly announced that Marantz Japan intends to buy the Marantz trademark, as well as the European and American sales organizations, from Philips. The companies say that the transaction is due to take effect in the coming months. In addition, Philips says it intends to sell shares equal to 1.5% of all shares held in Marantz Japan, effectively reducing its ownership percentage from 50.5% to 49%.
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Stereophile Staff Posted: Mar 04, 2001 0 comments
Is there really a benefit to those pointy feet you have? Jonathan Scull has been surfing the Internet for cone-footer tweaks and theories and reveals his latest haul of hot finds in Fine Tunes #32.
Kalman Rubinson Posted: Mar 04, 2001 0 comments
The word on Bel Canto's upsampling DAC was already out when I visited their room at the 2000 Consumer Electronics Show looking to get one of the first samples. But despite my protestations, all Bel Canto's Mike McCormick wanted to talk about was their company's new digital amp, the eVo 200.2. Sure, there's a future out there in which all sources will be digital and D/A conversion will occur in the speaker (or later?). But today, I see no practical advantage in a digital amplifier with only an analog input. It may be more efficient and it may be new technology, but the amplifier has got to stand on the same footing as any analog design and justify its existence by the way it sounds. The eVo did make a good case for itself at the demo, so I signed up to get one for review.
Michael Fremer Posted: Mar 04, 2001 0 comments
Keith Herron plopped himself down in my listening chair and smiled, clearly pleased with the sound of my system now that his M150 monoblock power amplifiers had been substituted for my Musical Fidelity Nu-Vista 300. He began to tell me why.
Kalman Rubinson Posted: Feb 28, 2001 0 comments
I've been attending the annual Consumer Electronics Show for years, and usually come away with the impression that there are too many "me-too" products. I see a numbing similarity of approach of manufacturers within a chosen discipline: solid-state power amps in black and silver bristling with heatsinks, single-ended triode amps with their glow reflecting from bronze or wood panels, MCPU/DSP-centered devices with sleek, flat cases and intimidating remote controls, etc.
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Stereophile Staff Posted: Feb 25, 2001 0 comments
The Consumer Electronics Association has at last quantified common knowledge: An overwhelming majority of Internet users download news stories, product information, pictures, graphics, audio files, and video clips—all for free. Furthermore, Internet users want and expect to continue getting all this content at no cost, and they are opposed to any kind of governmental regulation or interference that will prevent their doing so.
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Jon Iverson Posted: Feb 25, 2001 0 comments
Although it sounds like a disease resulting from poor dental hygiene, Bluetooth is a recently established wireless standard aimed at small-form–factor, low-cost, short-range radio links between mobile PCs, mobile phones, and other electronic devices such as speaker systems. Although there were a few bumps in the road as the standard became established, Cahners In-Stat Group predicts that 1.4 billion Bluetooth-based devices will be shipping annually by 2005.
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Barry Willis Posted: Feb 25, 2001 0 comments
Will music fans willingly pay for what they've been getting free? With the shuttering of free music site Napster a strong probability, two giants of the music industry are moving forward with plans to roll out a subscriber-based online music distribution plan.


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