LATEST ADDITIONS

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Jon Iverson Posted: Jan 02, 2000 0 comments
It's been a tough year for some of the audiophile record labels, as witnessed by the demise in late November of Mobile Fidelity Sound Lab (see previous story). The shock of MoFi's sudden departure even prompted Kimber Kable's Ray Kimber to fire off an e-mail to everyone within virtual reading range, urging them to buy a few audiophile CDs and LPs right now, before it's too late.
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Barry Willis Posted: Jan 02, 2000 0 comments
Owners of Threshold electronics will soon have an expert service organization available for their amplifiers and preamps. Threshold Corporation national sales manager Chris English reports that he has assumed the presidency of a new company to be devoted solely to servicing Threshold equipment. Based in Texas, Threshold Service Company will employ factory-trained technicians and engineers, and will offer warranties on all their work.
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Stereophile Staff Posted: Jan 02, 2000 0 comments
Now that the big odometer has finally turned over, John Atkinson takes a moment to look back at the last 50 years of music reproduction—the era of high-end audio. Writing in "Happy New Audio Millennium," JA offers a little perspective on where audiophiles have traveled this last half century, and where we haven't.
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John Atkinson Posted: Jan 02, 2000 0 comments
The January 2000 issue of Stereophile is actually the last to be published in 1999, so, at the risk of adding to your millennial fatigue (footnote 1), it is appropriate to devote much of this month's magazine to navel-gazing. Robert Baird, Chip Stern, David Patrick Stearns, and Larry Birnbaum examine the state of recorded music, while in the first of two articles, Markus Sauer questions the beliefs that underpin the audiophile world. And this "As We See It" offers an overview of what used to be called "high fidelity."
Michael Fremer Posted: Dec 27, 1999 0 comments
Nothing like scarcity to create demand, right? Well, there's been a scarcity of Nuvistors out there for decades, and hardly any demand. Do you know about the Nuvistor, aka the 6CW4? It was a tiny triode tube smaller than your average phono cartridge. Enclosing its vacuum in metal rather than glass, the Nuvistor was designed as a long-lived, highly linear device with low heat, low microphony, and low noise---all of which it needed to have any hope of competing in the brave new solid-state world emerging when RCA introduced it in the 1960s.
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Barry Willis Posted: Dec 26, 1999 0 comments
Do high-end cables make an audible difference? Or are they cosmetic enhancements, like fancy wheels on high-performance cars? The New York Times, the nation's foremost newspaper, took up the issue in a December 23 piece in "Circuits," its weekly technology section.
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Barry Willis Posted: Dec 26, 1999 0 comments
Despite the recent defeat of DVD-Audio's copy-protection scheme (see previous story), Pioneer Electronics has decided to move forward with its plan to release two models of its high-resolution players in Japan. The announcement was made December 14 by company executives in Tokyo, who said that delaying the format's launch at this late stage could do irreparable damage to its acceptance by music fans. Super Audio Compact Disc, a competing format developed by the Sony/Philips alliance, is already beginning to win converts.
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Stereophile Staff Posted: Dec 26, 1999 0 comments
FireWire's prospects got a little hotter last week, as equipment manufacturers Denon Electronics and Onkyo announced new license agreements with Digital Harmony Technologies. The companies say that they have selected Digital Harmony to add standards-based IEEE-1394 (aka FireWire or iLink) interfaces to their product lines, and both companies expect to release Digital Harmony-powered products in 2000, each certified for compatibility with a number of 1394-based products made by other Digital Harmony partners in the US and Europe.
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Jon Iverson Posted: Dec 26, 1999 0 comments
In a move that is sure to enrage users of blank digital media, Canada's Copyright Board has finalized plans to add a levy of 5.2 Canadian cents on CD-Rs and CD-RWs, 23.3 cents on audio cassettes over 40 minutes in length, and 60.8 cents on MiniDiscs and recordable audio CDs. In a market in which blank CD-Rs used for computer backup typically cost less than C$1 each, this represents an increase of at least 5% per disc. Interestingly, DAT tapes are excluded from the tax, as they are not seen as a threat to the music business.
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Barry Willis Posted: Dec 19, 1999 0 comments
We've all heard of the entrepreneur who liked a product so much that he bought the company. Such bold steps are sometimes wildly successful. Case in point: Mark Levinson and his high-end startup, Red Rose Music.

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