LATEST ADDITIONS

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Chip Stern Posted: Aug 10, 2000 0 comments
Ideally, through the medium of a synergistically balanced set of high-resolution components, we seek to re-create an acoustic event with a palpable sense of realism—as in timbre, dynamics, room cues, and dimensionality. Have I ever experienced a system commensurate with the experience of sitting 12th-row-center at Carnegie Hall for Boulez conducting Stravinsky? Close, but...
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Jonathan Scull Posted: Aug 10, 2000 0 comments
I had a fascinating conversation the other day with George Cardas about slap-echo. (See Fine Tunes #1 and #2 for other Cardasian room treatment and speaker placement tips.) I know, it is amazing what audiophiles get excited about.
John Atkinson Posted: Aug 08, 2000 0 comments
Dynaudio's $2399/pair Contour 1.3 Mk.II follows on from the Mk.I, which grabbed Russ Novak's enthusiastic attention in November 1996 (Vol.19 No.11). Because a full description was included in the original review, I will only touch briefly on the differences between the original version and the sample reviewed this month. A Special Edition of the Contour 1.3 is also available for $3499/pair. Sam Tellig's comments on the sound of this loudspeaker appeared in the December 1999 Stereophile and are included at the end of this review.
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Stereophile Staff Posted: Aug 06, 2000 0 comments
In his review of the Sharp SM-SX100 digital integrated amplifier, Michael Fremer asks: "why would a sharp mind offer a $15,000 integrated digital amplifier to a reviewer who has been characterized in the audio press as the 'self-proclaimed Analog Messiah' and a 'hyper-Luddite'?" Would Fremer actually cotton to a digitized vinyl recording? Read Fremer's report for the startling conclusion.
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Stereophile Staff Posted: Aug 06, 2000 0 comments
The good news keeps coming. According to the lastest figures from the Consumer Electronics Association (CEA), the month of May echoed previous months' continuous increase in audio product sales, with monthly revenues up 11% and year-to-date revenues up 12%, to $3.1 billion.
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Barry Willis Posted: Aug 06, 2000 0 comments
Real businesses are moving into territory explored by the upstarts. On August 2, Universal Music Group, the world's largest record label, announced that it will begin offering, on a trial basis, digital downloads of recordings from its massive catalog. The experiment is scheduled to begin this week, with an initial offering of about 60 songs from artists in several genres, including operatic tenor Luciano Pavarotti, jazz guitarist George Benson, and pop band Blink 182.
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Barry Willis Posted: Aug 06, 2000 0 comments
The consumer-electronics industry is riding the wave of a still-booming economy, according to most mid-year reports. Although the generally rosy picture is marred by a few glitches, both equipment makers and retailers say that sales continue to soar.
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Jon Iverson Posted: Aug 06, 2000 0 comments
Longtime audiophiles no doubt remember Hafler for their early amp and preamp kits, which offered excellent value for the money. The company soon dropped the kits, but continued production with a complete line of popular amps and preamps throughout the '80s and early '90s, only to hit hard times as the audio recession kicked in.
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Jon Iverson Posted: Jul 30, 2000 0 comments
The recent struggle between the RIAA and Napster may seem like a distant battle rumbling off in some foreign realm, far removed from most audiophiles: about once a week we get e-mails asking why a high-end audio website should even cover such stuff.
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Barry Willis Posted: Jul 30, 2000 0 comments
In December, after months of conducting listening tests with audio professionals in the US, the Secure Digital Music Initiative (SDMI) choose a watermarking technology from Verance Corporation for DVD-Audio copyright protection. Test results had indicated that Verance's system was the least detectable of the contenders under consideration.

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