LATEST ADDITIONS

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Jon Iverson Posted: Sep 03, 2000 0 comments
Spotting another online niche, Hifi.com announced the debut of CustomHifi.com last week. The new site is aimed at custom installers. HiFi.com claims that CustomHifi.com is the first "comprehensive national, Internet-centric marketplace to offer custom electronic design and installation professionals access to leading audio/video products, information, and installation support."
Larry Greenhill Posted: Sep 01, 2000 0 comments
Bright April Sunday sunshine beams through the bay window of my listening room. The light catches four loudspeakers on stands, two stacks of electronic equipment, a small video monitor, black cables strung behind furniture, and a pile of freshly opened DVDs. I sit in the center in a large, overstuffed chair covered in blue velvet, listening to an array of six loudspeakers and a TV monitor playing The Haunting's DTS soundtrack. The floor rumbles as the sounds of creaking timbers come up from below.
Brian Damkroger Posted: Aug 31, 2000 0 comments
Bonnie and I decided to avoid the crowds last weekend, and instead settled in at home to watch the recent remake of Great Expectations, with Ethan Hawke and Gwyneth Paltrow. It seemed like a pretty good movie, but before long I found my thoughts drifting to the review I had in progress: my audition and analysis of the Magnepan Magneplanar MG3.6/R. True, Great Expectations is a little slow, and a few explosions or car chases might have better held my attention, but if ever there was an audio product to which the phrase "great expectations" applied, it's the Magnepan 3.6/R.
David Patrick Stearns Posted: Aug 30, 2000 0 comments
MAHLER: Symphony 6
Manhattan School of Music Symphony Orchestra, Glen Cortese (cond.)
Titanic 257 (CD). 2000. Charles G. Thomas, exec. prod., Jerry Bruck, eng., Michael Karas and Eric Wagner, assoc. engs. AAD? TT: 76:27
Performance: ****?
Sonics: *****
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Barry Willis Posted: Aug 29, 2000 0 comments
The public auction of the assets of Wadia Digital Corporation has been postponed for at least two weeks, according to an employee of the Minneapolis law firm Siegel, Brill, Greupner, Duffy & Foster, P.A., which is handling the liquidation.
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Stereophile Staff Posted: Aug 27, 2000 0 comments
Back in 1997, DVD-Audio was still miles away—and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The dCS Elgar D/A processor was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.
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Hervé Delétraz Posted: Aug 27, 2000 0 comments
Editor's Note: There is a large contingent of Stereophile readers who design and build their own equipment—the DIY (do it yourself) crowd. Hervé Delétraz from Switzerland has been e-mailing us photos and stories over the last year about his own ambitious DIY amplifier design, so we asked him if he'd be willing to share a chronicle of his progress, starting from the beginning. This is the first in a six-part series written by Mr. Delétraz.
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Stereophile Staff Posted: Aug 27, 2000 0 comments
Late August news bites: Texas Instruments announced August 25 the completion of its acquisition of chipmaker Burr-Brown Corporation in a stock swap. Burr-Brown is highly regarded in the audio industry for its low-noise, high-speed digital/analog converters and digital signal-processing (DSP) ICs. The company also makes ultra-high-quality analog components, a segment of the semiconductor industry expected to grow by 25% in the coming year, according to industry analyst Dataquest.
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Jon Iverson Posted: Aug 27, 2000 0 comments
Last week, BMG Entertainment, the music and entertainment division of Bertelsmann AG, revealed that it will join several other major labels (see previous stories EMI and Universal) by bringing its own digital downloads to the Internet this September. The company says that it will start with approximately 50 songs and 50 complete albums, to be made available via several retail Web outlets at prices ranging from $1.98 to $3.49 per song and from $9.98 to $16.98 per album.
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Barry Willis Posted: Aug 20, 2000 0 comments
The Secure Digital Music Initiative (SDMI) will soon move into Phase II of its evaluation of digital audio watermarking, following listening tests conducted in early July at Sony's Whitfield Street Studios in London and administered by Sony VP of engineering Malcolm Davidson. A soon-to-be-published report from Paul Jessop of the International Federation of Phonograph Industries reveals that the participants in the tests—almost all of them audio-industry professionals or journalists—averaged just slightly better than 50% in their abilities to detect the watermarks.

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