LATEST ADDITIONS

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Hervé Delétraz Posted: Sep 24, 2000 0 comments
Editor's Note: This is Part Five of a six-part series from reader Hervé Delétraz of Switzerland, who is chronicling the development of his DIY (do-it-yourself) audio amplifier. Part One of the series is here, Part Two is here, Part Three is here, and Part Four is here.
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Stereophile Staff Posted: Sep 24, 2000 0 comments
Choice is good, or so would go the common wisdom. But as John Atkinson points out in "The Crazy You Get from So Much Choice," when applied to diapers and DVD-Audio, choice can quickly develop into a nightmare in which comsumers simply walk away from the shelves, unable to make a decision. Will DVD-Audio suffer such a fate?
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Jon Iverson Posted: Sep 24, 2000 0 comments
We reported last year about the new direction that Bang & Olufsen America has taken in distributing its products: the company has recently opened a series of branded BOA stores around the US. The strategy seems to have paid off. The company reports increased sales of more than 60% in the first quarter of its current fiscal year, and claims that individual shops reported an average sales increase of 20%.
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Barry Willis Posted: Sep 24, 2000 0 comments
Italian audio journal Fedelta' del Suono (Sound Fidelity) has honored American startup Red Rose Music with "Product of the Year" awards for the company's Model 3 preamplifier and Model 2 power amp. The award is especially noteworthy in view of the fact that the monthly publication, based in Terni, Italy, does not normally fête products from new companies.
Jonathan Scull Posted: Sep 24, 2000 0 comments
At last, a SACD machine from someone other than Sony! This time, it's a Marantz—the Reference Series SA-1, described as a no-compromise "ultimate-quality" player.
Thomas Conrad Posted: Sep 23, 2000 0 comments
CHARLES LLOYD: The Water is Wide
Charles Lloyd, tenor saxophone; Brad Mehldau, piano; John Abercrombie, guitar; Larry Grenadier, Derek Oleszkiewicz (one track), bass; Billy Higgins, drums
ECM 1734 (CD). 2000. Manfred Eicher, prod.; Michael C. Ross, eng. AAD. TT: 68:29
Performance *****
Sonics *****
John Atkinson Posted: Sep 22, 2000 0 comments
Convergence. There, I've said it. I swore I wasn't going to use the "C" word, but when you're faced with writing about a product that smashes the boundaries between component categories as completely as the CardDeluxe does, you have little choice.
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John Atkinson Posted: Sep 20, 2000 0 comments
I left you last month 104 miles from Santa Fe, New Mexico, heading east on I-40 accompanied by a dog and two cats, with 1946 miles to go to reach Stereophile's new editorial home, New York City. To cut a long story short, I did arrive in New York (covered in dog and cat hair). After a nerve-wracking delay, so did our furniture. We will be living out of boxes for a while chez Atkinson, but that's a mere inconvenience compared with the Great Adventure of setting up a new listening room.
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Michael Fremer Posted: Sep 19, 2000 0 comments
Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995. As in ARC's Reference phono section, the Reference Two's pair of vertically mounted circuit boards results in a single, relatively tall chassis.
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Stereophile Staff Posted: Sep 17, 2000 0 comments
Michael Fremer writes, "I've never heard a pair of the Italian Sonus Faber speakers I didn't like. What I've never liked was the US price: too high. And then you have to put them on costly stands." In his review of the floorstanding Sonus Faber Concerto Grand Piano loudspeaker, Fremer grapples with the price/performance ratio of this $3500/pair speaker and answers the important audiophile question: Enough magic for the money?

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