Kalman Rubinson Posted: Mar 30, 2002 0 comments
What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch. So when Jonathan Scull asked if I could help out by taking on the Rotel RB 1080, which another reviewer hadn't been able to get to, I accepted the assignment. Before I could click my heels and say "FedEx!" twice, Rotel's 200Wpc RB 1080 had appeared.
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Jon Iverson Posted: Mar 24, 2002 0 comments
Both SACD and DVD-Audio have been slow finding their way into higher-end players. Sony dominates the market for SACD, and the other major consumer electronics manufacturers are trickling out DVD-A and universal players. The few exceptions include SACD machines from Classé and Accuphase. Soon to be added to the list: Linn.
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Robert Deutsch Posted: Mar 24, 2002 0 comments
Is it the low exhibitor rates? The excuse to visit Montreal, perhaps North America's most cosmopolitan city? The efficiency and charm of organizer Marie-Christine Prin and her assistants? Whatever the reason(s), Montreal's Festival Son & Image has become a real success story, attracting an ever-increasing array of exhibitors and audiophiles from far and wide. Last year, the Festival spilled over from the downtown Delta Hotel to the Four Points Sheraton across the street; this year, there were exhibits in the Holiday Inn next door as well.
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Barry Willis Posted: Mar 24, 2002 0 comments
EMI Group PLC has gotten serious about surviving in a depressed market. In the wake of a disastrous multimillion-dollar payout to pop singer Mariah Carey, the UK music label has announced sweeping cutbacks in its workforce—including many American executives—and in its roster of artists.
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Barry Willis Posted: Mar 24, 2002 0 comments
If Senator "Fritz" Hollings has his way, coming generations of electronic products will monitor their users' behavior and report possible copyright violations to some governmental regulatory agency. That's one of the more ominous provisions in Hollings' Consumer Broadband and Digital Television Promotion Act (CBDTPA), introduced for consideration by the US Senate the third week of March. The bill goes far beyond the Digital Millennium Copyright Act, passed in 1998.
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Stereophile Staff Posted: Mar 24, 2002 0 comments
"Even right out of the box, it's obvious that the Wadia Digital 861 CD player is something special," writes Brian Damkroger in this month's issue. "Its heft and finish are beyond the usual high-end standards." But how about the sound?
Brian Damkroger Posted: Mar 24, 2002 0 comments
My life is characterized by periods of relative calm interrupted by huge transitions. This last year has been a doozie, with changes in just about every aspect of my life: new cars, motorcycles, and guitars, new jobs and relationships, and, finally, the contemplation of a cross-country move. With a little bit of luck, all of this upheaval will end in a long period of relative calm.
Wes Phillips Posted: Mar 24, 2002 0 comments
When I read John Atkinson's reviews of the Digital Audio Labs CardDeluxe (Vol.23 No.9) and RME Digi96/8 Pro (Vol.23 No.11 and Vol.24 No.1), I realized that soundcard technology had matured far faster than I had been aware. For about the price of a mainstream CD player, anyone with a reasonably powerful computer could add multitrack digital recording technology to his bag of tricks.
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Barry Willis Posted: Mar 17, 2002 0 comments
Copy-protection hysteria in the entertainment industry is driving possible changes in copyright laws that could make what is legal today illegal tomorrow. Legislation such as Senator "Fritz" Hollings' to-be-introduced Security Systems Standards and Certification Act could erode long-established "fair use" provisions that allow consumers to make compilation CDs and video recordings of favorite TV shows.
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Jon Iverson Posted: Mar 17, 2002 0 comments
Chad Kassem is a true audio renaissance man. For years he has headed Acoustic Sounds, supplier of select recorded musical treasures from a variety of audiophile and specialty labels. Kassem also has his own label, Analogue Productions, which produces reissues, revivals, and a series of original recordings under the label APO Records.


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