LATEST ADDITIONS

Kalman Rubinson Posted: Mar 28, 2004 Published: Mar 01, 2004 0 comments
For me, the iconic Adcom power amplifier was the GFA-555. As an aspiring audiophile, I was deeply impressed with Tony Cordesman's review in Stereophile in 1985 (Vol.8 No.4). That did it! After years of kit-building and doing it myself, the '555 was the first factory-built amp that I wanted and could afford. Over the years, I changed speakers several times, and even added a fully regulated power supply to the '555, but it never balked. At the end of its tenure at my house, it had been demoted to my third-string backup; today it's making someone else tap his toes.
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Stereophile Staff Posted: Mar 26, 2004 0 comments
The Home Entertainment Show (HE2004), the largest and most comprehensive showcase of consumer electronics and imaging products in America, returns to New York City May 20–23, 2004 at the Hilton New York Hotel—the site of two popular HE Shows held in 2001 and 2002. Over 15,000 attendees are expected to visit the NY Hilton, optimized for the ultimate user experience. Unlike typical trade shows, HE2004 provides visitors with the opportunity of seeing and hearing the finest products in upscale hotel rooms, creating the best-sounding environments for demonstrating high-performance gear.
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Barry Willis Posted: Mar 22, 2004 0 comments
Financially, the winter months have been all over the map. Some electronics companies have reported upswings in revenue, but others are experiencing a decrease.
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Stereophile Staff Posted: Mar 22, 2004 0 comments
From the March 2004 issue, Michael Fremer goes a couple rounds with the Theta Digital Enterprise monoblock power amplifier, exclaiming, "Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's." So how does the Theta stand up to the competition? MF lays it out.
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Barry Willis Posted: Mar 22, 2004 0 comments
Launched with a bang last April, Apple Computer's iTunes Music Store has steadily gained popularity with music fans, but it won't reach its projected goal of selling 100 million songs online within its first year.
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Jon Iverson Posted: Mar 22, 2004 0 comments
While Apple's iTunes and RealNetworks Rhapsody are battling it out in the music download ring (see related story), and Microsoft is rumored to be eyeing a corner, Sony has now decided to join the fray with a new music service announced last week in Europe.
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Kalman Rubinson Posted: Mar 22, 2004 0 comments
Some months back, a poll at the Naxos of America website asked visitors about their preferences among high-resolution and multichannel formats. At that time, Naxos had been releasing DVD-As (and DVDs) in the US, but only released SACDs elsewhere.
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Art Dudley Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
One of the nicest things about communicating online is the potential for immediacy. One person can offer up a statement, another can respond within seconds, and voilà: instant town hall.
Art Dudley Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
Anyone over 40 who's worked in a hi-fi or record store will remember the Pfanstiehl catalog, a pulpy thing that most shopkeepers chained to their counters, like a phone book. Pfanstiehl made replacement styli for virtually every record-playing device of the day, and their catalog contained page after page of tiny line drawings of nothing but phonograph needles, all lovingly rendered in three-quarter view. You couldn't browse it without being brought up short: My God, how many different needles are there? And how is it possible that a single company could tool up for so many products and still make a profit?
Paul Bolin Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
For better or for worse, appearances can make a profound first impression. Think of the bold, muscular curves of an Audi TT coupe, the planes and facets of a Lamborghini Murcielago, the sleek lines of a Gulfstream jet. In these vehicles, function and art are combined with smooth facility and perfect aesthetic balance.

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