LATEST ADDITIONS

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Stereophile Staff Posted: Jun 21, 2004 0 comments
TrueSound Lounge: Headphone giant Sennheiser has opened an online music destination, the Sennheiser "TrueSound Lounge", providing web-surfers an entertaining selection of new music from company-supported emerging artists like Sugarcult and Jody Whitesides. The site also provides "fun, quick-witted web-video shorts from top commercial filmmakers and producers, fruits of the Sennheiser Invitational Film Project," and "concise info on Sennheiser's unequalled selection of personal listening products," according to a recent announcement.
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Jon Iverson Posted: Jun 21, 2004 0 comments
The RIAA foresees that digital audio broadcasting (DAB) will represent a fundamental change in the radio industry. "It is not just a means of offering higher quality broadcast sound. DAB could transform radio into a vehicle for the distribution of huge amounts of information in digital form, including recorded music," says the trade organization. As a result, the group is supporting regulatory restraints on digital audio broadcasting (DAB) in reaction to a Federal Communications Commission (FCC) Notice of Inquiry (NOI) regarding DAB content control.
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Barry Willis Posted: Jun 21, 2004 0 comments
The proposed merger of the music divisions of Sony Corporation and Bertelsmann AG may win approval from European Union regulators, according to reports from Brussels on June 18.
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Jon Iverson Posted: Jun 21, 2004 0 comments
On June 16, the US Consumer Product Safety Commission (CPSC) announced a product recall in voluntary cooperation with equipment manufacturer and distributor Linn. The notice asks that consumers stop using the recalled products immediately, unless otherwise instructed.
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Stereophile Staff Posted: Jun 21, 2004 0 comments
In his review of the Velodyne Digital Drive DD-18 powered subwoofer, Larry Greenhill comments, "When I've tested other 'breakthrough' subwoofers, I've been disappointed. All the convenient fine-tuning in the world won't matter if I end up with the same nasty old room modes and woofer bloat." But as LG discovers, the DD-18 is indeed different.
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Jim Austin Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
I recently bought a turntable, the first I've owned in about 15 years. I had sold my vinyl collection—a mix of classic rock, early 1980s pop, and the odd jazz or classical LP—when I was in grad school, for economic reasons: I needed the money for rent, or food, or beer, or something. Nor do I know what happened to my old plastic turntable; more than likely, I left it curbside for anyone strolling by who was able to appreciate its value.
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Art Dudley Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
A grainy film is said to exist that proves the viability of a mechanical antigravity device. The inventor, a native of Syracuse, New York named Harry W. Bull (footnote 1) placed his so-called "bootstrap machine" on a bathroom scale, focused a borrowed home movie camera on the dial, powered up the machine, and watched as the numbers spun backward. This event, and the development work that led to it, were the basis for a series of articles—and a subsequent exchange of heated letters—in Popular Science magazine. The year was 1935.
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Kalman Rubinson Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
When PR guy Adam Sohmer first told me about the Fosgate Audionics FAP V1, I thought that the impressive-looking device would be the first all-tube preamp-processor—heck, the first tube anything—in my multichannel system. Then I looked closer at the user's manual I'd downloaded from Fosgate's website. Hmmm. No Dolby Digital, no DTS—just Dolby Pro Logic. Of course, the FAP V1 is Jim Fosgate's signature expression of Dolby Pro Logic, and I guess that counts for something. But the more I thought about it, the more interesting a prospect the FAP V1 seemed.
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Larry Greenhill Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
It's common to read ads for new audio hardware that crow about "revolutionary" breakthroughs in sound performance, and that's how Velodyne crowed about their new Digital Drive DD-18, servo-controlled, powered 18" subwoofer. The ads suggested that the DD-18 can be digitally equalized to one's room with a resultant in-room frequency response of 20-200Hz, ±3dB.
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Jon Iverson Posted: Jun 14, 2004 0 comments
Consumers prefer to get a good deal, and dealers like to maintain a healthy profit margin. Somewhere in the relationship is a perfect balance, where buyers get a legitimate product for the best price while dealers make enough money to ensure that the customer can be supported properly.

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