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Barry Willis Posted: Apr 15, 2001 0 comments
It's a season of mixed results in the electronics industry. On April 9, Peabody, MA–based Boston Acoustics announced that it has slashed jobs due to a slow fourth quarter, reducing its workforce from 389 to 327 as a result of slowing sales. The loudspeaker manufacturer expects earnings of more than $4.2 million for the year ending March 31, a figure that puts the company in a profitable position despite a loss of close to $1 million for the final quarter.
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Barry Willis Posted: Apr 15, 2001 0 comments
During the past year, hardly a day has gone by without headlines announcing the latest twist in the fate of embattled free music service Napster.com. Lost in the hysteria was Napster's tiny rival Emusic.com, a three-year-old online music venture that always charged its subscribers for downloading tunes, and always paid the copyright holders. For news appeal, Emusic's paltry 10,000 subscribers and languishing stock price didn't compare to Napster's reported 75 million users and major league court battles.
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Jon Iverson Posted: Apr 15, 2001 0 comments
In the perfect digital future, audiophiles would be able to drink from the purest of high-resolution audio datastreams with no worry that someone upstream had polluted the current. But in the real world, content providers and hardware manufacturers increasingly conspire to dirty the flow a little and limit unauthorized consumption by controlling the technology needed to filter out their toxic additives.
Michael Fremer Posted: Apr 15, 2001 0 comments
Give an engineering team a blank page and a blank check and there's no telling what they'll come up with. At the Consumer Electronics Show in Las Vegas in January, for example, one company showed a $25,000 CD transport with laser-pickup mechanism that was separate from its disc drive—almost the cosmic equivalent of having the sun revolve around the earth.
Chip Stern Posted: Apr 12, 2001 0 comments
Having the Philips SACD1000 in my system promoted me to spill some ink about the Sony SCD-777ES. In the months I've had this SACD player in my system, my experience of music has been enhanced to the point where I feel more and more confident about the aural judgments I'm called on to make—because I'm convinced that I'm listening to a digital source on which I can bet the ranch.
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John Atkinson Posted: Apr 12, 2001 0 comments
This letter from Mike Pageau appeared in the April 2001 issue, and triggered the following "As We See It" essay:
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Stereophile Staff Posted: Apr 08, 2001 0 comments
John Atkinson finds that the Dynaudio Contour 1.3 Mk.II loudspeaker—a completely overhauled iteration of the original Contour 1.3 Mk.I, released several years back—reveals details in recordings that most speakers smooth right over. JA reveals other details about the Contour in his review, complete with comments on the Contour 1.3 Special Edition from Sam Tellig.
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Stereophile Staff Posted: Apr 08, 2001 0 comments
New York City, one of the world's most diverse and eclectic cities, will play host to an outstanding group of musicians, who will perform live at the Home Entertainment 2001 Show, May 11-13, 2001 at the Hilton New York & Towers.
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Barry Willis Posted: Apr 08, 2001 0 comments
Now there are three—Cello spinoffs, that is. More than two years ago, prior to Cello Technologies' ill-fated expansion, company founder Mark Levinson departed to create Red Rose Music. Late in 2000, former vice president of business development Jim McCullough formed Matthew James LLC, which will make and market a new generation of Cello electronics. In early April, Viola Audio Labs announced its debut.
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Barry Willis Posted: Apr 08, 2001 0 comments
Large companies may be chopping jobs by the thousands, but there are signs elsewhere that the economy is still booming. Recent figures from electronics retailers Best Buy and the Tweeter Home Entertainment Group and from Sony Electronics indicate only a partial slowdown in spending for quality audio/video gear.

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