For years, credit cards have allowed people to earn points toward air travel and automobiles, so earning credits for audio and video gear seems a no-brainer. Last week, Sony Electronics and Citibank launched the Sony Citibank Card, a co-branded credit card that allows consumers to earn points toward the purchase of a variety of Sony entertainment and merchandise.
James Bongiorno needs your help. The legendary electronics designer, whose pioneering work with fully complementary solid-state amplifiers has become part of engineering's standard lexicon, is battling liver cancer.
Saturday, September 26, thousands of enthusiastic audio-savvy attendees began swarming through the massive cavern of the Moscone Center's North Hall in San Francisco. They will continue to swarm until late Tuesday, September 29, the last day of the 105th Audio Engineering Society Convention. The convention has attracted hundreds of companies whose products are extravagantly displayed in the huge space beneath the Yerba Buena Gardens. Demonstrations of new products and technologies also take place in smaller rooms off the main floor. Research papers are being presented in meetings throughout the four-day event.
It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.
Are there differences between an American hi-fi show and the British variety? A few---the biggest is the extent to which all the real business takes place at the bar. This is true for the audio press (okay, not all that different from an American show), but it's true for manufacturers as well. After Show hours, the boozer is jammed with everybody in the business sharing a few pints, smoking, and talking shop. It's not unusual to see business rivals chatting amiably about the state of the industry---and even discussing distribution in some detail.
Wandering around the halls of the Heathrow Renaissance Hotel, I saw and heard a lot more affordable audio on display than I've seen at most American shows. This makes sense. After all, this is a consumer show (or it will be tomorrow---yesterday and today were trade days), and, while consumers want to fantasize about the state of the art, they also like to see kit they can actually own. Me too.
The HI-FI Show 98, the sixteenth put on by UK audio magazine Hi-Fi News & Record Review, sedately opened its trade days this morning in the Renaissance and Excelsior hotels on Bath Road near London's Heathrow International Airport. No, that's not a change in venue, it's yet another name change for the hotel that first hosted the "Penta Show" and, more recently, the "Ramada Show." However, this year's show will be the last at the site, as the new owners do not seem interested in hosting large-scale events at all. Next year the show will be moving---to a destination that nobody's revealing in advance of Friday's official announcement.
It was one of those uncommonly warm late winter Sundays when you hardly need a coat. The fine weather had set aside any critical listening sessions, the door to the kitchen was open, and I was playing my audio system—then equipped with a pair of Spendor BC-1 loudspeakers—at moderate levels. Playing on the Linn turntable was an LP that the kids loved—"The Magic Garden Song," sung by the two female leads from the children's television show of the same name (footnote 1), My wife doesn't often comment positively on audio equipment, but that day she walked in from the kitchen to say, "Those voices sound real—as if two people just walked in our living room and started singing."
On August 25 and 26, John Atkinson and Wes Phillips were in Salina, Kansas. They were recording what will be Stereophile's first jazz album, at the deconsecrated downtown church Chad Kassem of Acoustic Sounds has transformed into Blue Heaven Studios. The band, led by acoustic bass guitarist Jerome Harris, featured alto saxophonist Marty Ehrlich, trombonist Art Baron, vibraphonist Steve Nelson, and percussionist Billy Drummond. Over the two days, the quintet recorded a striking set of original compositions by Harris, as well as a superb tribute to Duke Ellington in one of the great bandleader's signature tunes, "The Mooche."