LATEST ADDITIONS

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Stereophile Staff Posted: Aug 18, 2002 0 comments
John Atkinson gets his hands on "the very strange-looking" MBL 111B loudspeaker to determine how "upper-frequency drive-units resembling an array of orange segments" could possibly sound. As JA discovers, thinking different can sometimes be a plus.
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Barry Willis Posted: Aug 18, 2002 0 comments
Questionable accounting practices were at the heart of the collapse of energy conglomerate Enron and telecommunications giant WorldCom. Apparently, they are also rampant in the music industry—or at least pervasive enough to command the attention of California state legislators, who have scheduled a second hearing to examine the situation.
Michael Fremer Posted: Aug 18, 2002 0 comments
Antares is a giant red star in the constellation Scorpio. According to Rockport Technologies' Andy Payor, the $41,500/pair Antares loudspeaker is the "ultimate" reasonably sized, full-range loudspeaker, and is built to a standard "unequaled in the industry." Rockport's $73,750 System III Sirius turntable came with equally boastful claims that turned out to be anything but hyperbole. Has Rockport done it again with the Antares?
Robert Levine Posted: Aug 18, 2002 0 comments
SCHOENBERG: Gurrelieder
Karita Mattila, soprano; Anne Sofie von Otter, mezzo-soprano; Thomas Moser, Philip Langridge, tenors; Thomas Quasthoff, bass-baritone, speaker; Gentlemen of the Ernst Senff Choir, Berlin Radio Chorus, Leipzig Mitteldeutscher Rundfunk Chorus; Berlin Philharmonic Orchestra, Simon Rattle
EMI 5 57303 2 (2 CDs). 2002. Stephen Johns, prod.; Graham Kirkby, Andy Beer, Mike Cox, engs. DDD. TT: 110:14
Performance ****
Sonics ****
John Atkinson Posted: Aug 18, 2002 0 comments
It was almost five years ago that I first spent some serious auditioning time with an omnidirectional two-piece speaker from German manufacturer MBL: the four-way MBL 111. When I reviewed the 111 in the April 1998 Stereophile, I had been extremely impressed with the speaker's stereo imaging, which was superbly stable and well-defined, with images that floated completely free of the speaker positions. The tonal balance was also excellent, with a rich midrange, superbly clean highs, and extended lows. "This Radialstrahler is one of the best tweeters I have experienced," I wrote. In fact, the 111 was let down only by bass frequencies that tended to lag behind the music slightly.
Robert J. Reina Posted: Aug 18, 2002 0 comments
I have always had an affection for speakers designed and manufactured by the Canadian conglomerate Audio Products International Corp. (API), which markets speaker designs under the names Mirage, Energy, Sound Dynamics, and Athena. In fact, it was 20 years ago that API created the first budget speaker that caught my attention, the Mirage 350. At the time, the 350 was the only speaker I'd heard that cost less than $300/pair. It sounded open, musical, and detailed without seeming bass-shy. (A larger successor, the 460, was for many years my reference home-theater speaker.) Although I've been impressed with many other API designs I've heard over the years at friends' houses, press events, and hi-fi shows, it had been more than a decade since I'd formally reviewed an API product.
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Barry Willis Posted: Aug 11, 2002 0 comments
The Super Audio CD is gaining serious momentum.
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Jon Iverson Posted: Aug 11, 2002 0 comments
Issues surrounding the music industry are heating up, and most stories revolve around the record labels, musicians, congress, consumers, and music pirates. Often lost in the noise is the importance of another major player in the business: the technical folks who make recorded music happen.
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Stereophile Staff Posted: Aug 11, 2002 0 comments
"You'd be hard-pressed to find a company more protective of its reputation than Krell," says Wes Phillips, as he heads off to evaluate the Krell KAV-300cd CD player. WP ponders whether that reputation is still intact as the company tries to save its customers some money.
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Barry Willis Posted: Aug 11, 2002 0 comments
The music industry's ongoing copyright and royalty battle took a refreshing turn Wednesday, August 7, when EMI Group PLC filed suit against AOL Time Warner, Inc. over the unpaid use of songs from Metro-Goldwyn-Mayer movies. Filed in US Court for the Southern District of New York, the suit seeks unspecified monetary damages and an injunction barring AOL Time Warner from playing songs from MGM classics such as Singin' in the Rain and The Wizard of Oz.

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