LATEST ADDITIONS

Wes Phillips  |  May 27, 2007  |  0 comments
When we last heard from Linn, The Scotsman reported layoffs, restructuring, and a hoped-for resurgence. On May 25, we received a note from Ivor S. Tiefenbrun, Linn's founder, that he had returned to the positions of chairman and managing director, after an absence of four or five years due to serious health problems, thanks to new medications that have "returned [him] to fitness and restored energy levels."
Art Dudley  |  May 27, 2007  |  0 comments
Today is Monday, February 5, and it's so buttercupping cold outside that the custodian couldn't get our school's oil burner started. Consequently, my daughter is home for the day, playing on the rug in front of the fireplace. (Santa brought a wooden castle and a fine selection of medieval figurines, some of which are headed for the dungeon as we speak.) I'm at my desk in the music room, on the upwind side of the house—and the wind is murder. The west wall is cold. The north wall is cold. The floorboards are cold. But the air inside is warm as toast: I'm driving my Quad ESL speakers with a Joule Electra VZN-80 amplifier ($12,000) that isn't at all bashful about squandering a goodly amount of energy as heat. I can't think of a more delightful quality for an amp to have, at least on a day like this.
Kalman Rubinson  |  May 27, 2007  |  0 comments
Good things come in threes, they say. Well, three-channel power amps suit me just fine. My main component rack is at the back of the room, so I split power duties between a two-channel amp under the rack to drive my rear-channel B&W 804S speakers and, way at the front, either three monoblocks or a three-channel amp for the front three B&W 802Ds. I do this to ensure that the timbre of the front three channels is consistent. The outstanding performance of the Simaudio Moon W-8 dual-mono power amp (Stereophile, March 2006) almost tempted me to go with a stereo amp and a monoblock, but voicing and balancing a multichannel system with equanimity makes me want as much simplicity as possible. I guess manufacturers and users see it the same way; many new three-channel amps are coming on the market.
Wes Phillips  |  May 27, 2007  |  First Published: Jun 27, 1997  |  0 comments
In his impassioned "As We See It" in May (Vol.20 No.5, p.3), Robert Harley pleaded that the Compact Disc is actually quite a bit better than it sounds, and requested that audiophiles focus instead on the significant improvements wrought in digital sound since its inception. Bob's point—that picking on CD's shortcomings has become a ritual bloodsport within the High End—is well taken: witness my own catty swipe at it in the first sentence. The fact is that the glaring imperfections of the first generation of digital products are now mostly distant memories. Most of us do derive hours of musical pleasure from our CD players and CD collections.
Robert Harley  |  May 27, 2007  |  First Published: Mar 27, 1997  |  0 comments
Just about everyone knows that a new high-quality digital audio disc, called DVD, is being developed by the world's electronics giants. What few realize, however, is how politics and corporate politics influenced the format's technical specifications. The result may be unnecessary sonic degradation for millions of music listeners.
John Atkinson  |  May 27, 2007  |  First Published: Nov 27, 1996  |  0 comments
You would have thought the hardware companies who trumpeted at the January 2006 Consumer Electronics Show that their video DVD players would be in US retailers' showrooms by September 1996 would have learned an important lesson from the bungled DAT launch almost 10 years ago: Without first getting complete agreement of the software industry on substantive issues, it's foolish to announce a firm launch date for a new medium. September came and went without DVD discs or players being available in US stores. In fact, all that happened was that the bottom fell out of sales of 12" laserdiscs and laserdisc players.
Jason Victor Serinus  |  May 27, 2007  |  0 comments
The Chicago Symphony Orchestra has taken its first giant steps into the digital domain. Hard on the heels of launching the orchestra's new in-house CD label, CSO Resound, it has announced a partnership with digital distributor IODA that will make CSO Resound recordings available for download via iTunes, Yahoo! Music, Rhapsody, Napster, Verizon, Sprint, and other online retailers.
Stephen Mejias  |  May 25, 2007  |  3 comments
A couple of nights ago, walking down Madison Avenue, on my way home from work, I had to stop and enjoy this view.
Robert Baird  |  May 25, 2007  |  0 comments
Of the many advantages of living in NYC, Doctors has got to be one of the biggest. Many, many good, no nonsense ones to choose from, if you or your insurance can pay. Cosmic Justice. I survived HE 2007 only to fall prey to my own impatience. Instead of sliding the vegetable drawer in my refrigerator out slowly like a normal person, my tired, irritable and schmoozed out self jerked it and it jumped its track and smashed my foot. Damned apples and carrots weigh too friggin' much. After three days of denial and whistling in the graveyard about how it was gonna be fine, I finally broke down and dipped a damaged toe in the health care system. One scalpel slice later and things are looking up on the sore paw front.
Wes Phillips  |  May 25, 2007  |  2 comments
Huckleberry finds humans amusing.

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