LATEST ADDITIONS

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Jon Iverson Posted: Mar 30, 2003 0 comments
Last year in late October, Universal Music Group finally announced its first set of SACD titles and the high-rez format's supporters jumped for joy. Then, at the January 2003 Consumer Electronics Show (CES) in Las Vegas, Universal stood on the podium next to Sony and announced several key SACD releases from the Police, Peter Gabriel, and others.
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Barry Willis Posted: Mar 30, 2003 0 comments
Alleged unauthorized copying of compact discs will cost Technicolor, Inc. approximately $2.3 million. On March 26, the Southern California disc replicator agreed to settle a case brought against it last year by the Recording Industry Association of America (RIAA), in which the RIAA charged that workers at one of Technicolor's disc plants had made and distributed batches of illegal copies. The total of the settlement was less than 10% of the amount originally sought by the RIAA.
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Barry Willis Posted: Mar 30, 2003 0 comments
The nascent satellite radio industry has entered a critical phase, with both XM Radio and Sirius Satellite Radio posting losses for the fourth quarter. Combined, the two companies have yet to sign up a half-million subscribers.
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Jon Iverson Posted: Mar 30, 2003 0 comments
It's no secret that the music industry has added watermarking to its arsenal in an effort to restrict how audio content is used. With SACD, DVD-Audio, and now CD, audio watermarking has been used mainly for digitally stored content. But the music business also has problems with live concert bootlegs as well as bootlegs surfacing after special broadcast events.
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Jon Iverson Posted: Mar 23, 2003 0 comments
Record labels have found that CDs with built-in restriction technologies have not worked in all CD players, have been incompatible with some computers, and have engendered considerable backlash from irate consumers. But why should that stop them?
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Stereophile Staff Posted: Mar 23, 2003 0 comments
Kalman Rubinson reviews the MSB Platinum Link Plus D/A processor, revealing, "I have a warm spot in my heart for MSB's approach to product development." With this latest product, will Rubinson's heart continue to glow?
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Barry Willis Posted: Mar 23, 2003 0 comments
The US music industry is fighting a war on several fronts—industrial piracy in foreign countries, casual piracy in the States, unhappiness among consumers, and disagreements with artists (see related story).
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Jon Iverson Posted: Mar 23, 2003 0 comments
Audiophiles know Linn as a high-end consumer electronics company, creator of such products as the legendary LP12 turntable, compact amps, preamps, and speakers, and the innovative Kivor hard-disk music server.
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John Atkinson Posted: Mar 23, 2003 0 comments
The listing for the Rogue Audio M-120 monoblock power amplifier in the current issue's "Recommended Components" includes the comment, "Specified output power is 120W; JA measured just 100W into 8 ohms at clipping," which seems to suggest that Rogue Audio is overstating the amplifier's output power. This is not the case. The M-120 can be operated in both ultralinear pentode mode, in which it delivers the specified 120W, and in triode mode, in which it is specified at 60W. Our measurements were performed in triode mode; thus the 100W clipping power does, in fact, exceed the M-120's claimed output power of 60 watts in triode mode. Our apologies to Rogue Audio and to anyone confused by our lack of clarity.
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Barry Willis Posted: Mar 23, 2003 0 comments
The music industry is again under legislative assault on both coasts.

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