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Stereophile Staff Posted: Apr 21, 2002 0 comments
In his review of the Music Reference RM-200 power amplifier, Michael Fremer claims, "Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people." MF explains why he reviewed the RM-200 despite the inevitable public humiliation.
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Jon Iverson Posted: Apr 21, 2002 0 comments
Like the companies in most high-tech industries, audio businesses are a volatile lot, with startups, mergers, acquisitions—and the occasional bankruptcy or flame-out—not uncommon. In that ongoing tradition, at the 2002 Consumer Electronics Show in Las Vegas, Ultralink Products announced on January 7 its intention to purchase the assets of cable manufacturer XLO Electric.
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Wes Phillips Posted: Apr 21, 2002 0 comments
XM Radio held a press conference in New York City Thursday, April 18. The event was heralded with great secrecy—attendees were enticed with promises of "major news," but no one leaked details beforehand, and the press arrived expecting something juicy indeed.
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Barry Willis Posted: Apr 21, 2002 0 comments
No one knows what online music services may ultimately look like, but new models continue to pop up for consumers to test-drive.
Sam Tellig Posted: Apr 18, 2002 0 comments
It was 1988. What to do about digital?
Michael Fremer Posted: Apr 18, 2002 1 comments
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
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Jon Iverson Posted: Apr 14, 2002 0 comments
There are probably only a handful of recorded works which could successfully survive the transition from the original two-channel release to a 5.1 surround remix. Queen's 1975 release A Night At The Opera is certainly one of them, and, in fact, the recording was originally scheduled to hit the streets last November as a 5.1 DVD-Audio disc from DTS Entertainment.
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Stereophile Staff Posted: Apr 14, 2002 0 comments
"No doubt about it—Linn's top-of-the-line Komri loudspeaker is a queer-lookin' duck," says Jonathan Scull as he set up a pair in his listening lair. The claimed frequency response for the Komri extends out to 40kHz. "Why even bother going out that high, where even the most beautiful of women cannot hear?" J-10 explains why.
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Barry Willis Posted: Apr 14, 2002 0 comments
As normally conceived, loudspeakers use electrodynamic forces to control the movements of their diaphragms, which in turn move air. Matsushita Electric Industrial Co., Ltd. has come up with an interesting twist on this principle, one in which air pressure itself ("aerodynamic-drive technology") is used to control the diaphragm. The result is a transparent panel speaker called the "Sound Window," announced by the Japanese industrial giant March 27.
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John Atkinson Posted: Apr 14, 2002 0 comments
Following the tragic events of September 11 last year, Audio Asylum and Audiogon co-sponsored a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities. Manufacturers, dealers, magazine writers and editors, and audiophiles donated equipment, recordings, and memorabilia for sale, and as reported on this website, the auction ultimately raised almost $175,000 for 9/11-related charities.

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