Jon Iverson Posted: Feb 08, 2004 Published: Feb 01, 2004 0 comments
THE BEATLES: Let It Be...Naked
Apple/Capitol CDP 5 95227 2 (2 CDs). 2003. George Martin, orig. prod.; Glyn Johns, orig. eng.; Paul Hicks, Guy Massey, Allen Rouse, reissue prods., mix; Steve Rooke, reissue mastering. AAD. TT: 57:00
Performance *****
Sonics *****
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Barry Willis Posted: Feb 08, 2004 Published: Feb 01, 2004 0 comments
To every action there is always opposed an equal reaction.—Sir Isaac Newton, 1687
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Keith Howard Posted: Feb 08, 2004 Published: Jan 01, 2004 0 comments
The Compact Disc clearly hasn't read the script. At a time when, in the autumn of its commercial life, the format is supposed to be stepping aside to allow younger blood to succeed it, CD has instead in recent years enjoyed something of a revival in audiophile opinion. While SACD and DVD-Audio, rather strutting and fretting their hour upon the stage, are doing more plain fretting than anything, the best in CD sound quality has improved sufficiently for some to question whether we need the new media at all.
Martin Colloms Posted: Feb 08, 2004 Published: Oct 01, 1998 0 comments
In conversation with Cary founder Dennis Had at a recent audio convention breakfast, I learned that he had a long career in electronics, specializing in military/industrial high-power radio-frequency amplification and transmitters. However, his dream was always the re-creation of single-ended tube amplifiers, especially zero-feedback designs.
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Stereophile Staff Posted: Feb 02, 2004 0 comments
FM fans alert: Tuner specialist Magnum Dynalab has introduced its "Triode Series," led by the $3995 MD-106T triode tube tuner. The MD-106T is said to combine great signal sensitivity and selectivity in channel reception with "exceptional build quality and musical realism." One design feature that's something of a throwback to tube electronics of the 1950s and early '60s is a glowing "Magic Eye" tube indicator for fast, precise tuning. The MD-106T also features "a precisely aligned tunable five-stage RF front end, and a double-thick, gold-plated circuit board to minimize vibration," according to a company announcement. Stereophile's Larry Greenhill is about to embark on a review of the MD-106—stay tuned!
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Barry Willis Posted: Feb 02, 2004 0 comments
The rumored economic recovery may not be simply spin and hype, if recent reports from the consumer electronics industry are any indication.
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Stereophile Staff Posted: Feb 02, 2004 0 comments
From the January 2004 issue, Michael Fremer writes about the "SUV-like, limited-edition, 20th-anniversary" Musical Fidelity Tri-Vista kWP preamplifier & Tri-Vista kW Monobloc power amplifier. No doubt the "bank-vault-like" designs will get your attention, but as Fremer discovers, after you close your eyes, it's "sheer sonic pleasure."
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Jon Iverson Posted: Feb 02, 2004 0 comments
Denmark's Peak Consult is well known in the European market as a loudspeaker brand, but the company has received scant notice elsewhere. To remedy its low profile Stateside, Peak Consult reports that it has signed with Stereovox to distribute its products in the US.
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John Marks Posted: Feb 01, 2004 Published: Jan 01, 2004 0 comments
To the great surprise of not that many people at all, at Home Entertainment 2003, as at the two immediately previous shows, the room featuring loudspeakers by Joseph Audio was voted by showgoer ballot "Best Sound of Show" (see September 2003, p.62). I'm not going to pick a fight over that. Not only was the sound very, very good; the entire vibe was confidently relaxed, while at the same time being purposeful in a manner businesslike yet friendly.
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Art Dudley Posted: Feb 01, 2004 Published: Jan 01, 2004 0 comments
When some people record music, they make an effort to record the ambient sound of the hall or other performing space along with it. On the other side of the coin, some engineers work to capture only the sounds of the performers, so the recordings they make sound comparatively dry. And, of course, there are engineers who don't make an effort one way or the other, and whose work contains whatever hall sound does or does not come their way by accident.


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