LATEST ADDITIONS

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Barry Willis Posted: Mar 24, 2002 0 comments
EMI Group PLC has gotten serious about surviving in a depressed market. In the wake of a disastrous multimillion-dollar payout to pop singer Mariah Carey, the UK music label has announced sweeping cutbacks in its workforce—including many American executives—and in its roster of artists.
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Stereophile Staff Posted: Mar 24, 2002 0 comments
"Even right out of the box, it's obvious that the Wadia Digital 861 CD player is something special," writes Brian Damkroger in this month's issue. "Its heft and finish are beyond the usual high-end standards." But how about the sound?
Brian Damkroger Posted: Mar 24, 2002 0 comments
My life is characterized by periods of relative calm interrupted by huge transitions. This last year has been a doozie, with changes in just about every aspect of my life: new cars, motorcycles, and guitars, new jobs and relationships, and, finally, the contemplation of a cross-country move. With a little bit of luck, all of this upheaval will end in a long period of relative calm.
Wes Phillips Posted: Mar 24, 2002 0 comments
When I read John Atkinson's reviews of the Digital Audio Labs CardDeluxe (Vol.23 No.9) and RME Digi96/8 Pro (Vol.23 No.11 and Vol.24 No.1), I realized that soundcard technology had matured far faster than I had been aware. For about the price of a mainstream CD player, anyone with a reasonably powerful computer could add multitrack digital recording technology to his bag of tricks.
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Barry Willis Posted: Mar 17, 2002 0 comments
The affordable universal disc player may yet become a reality—if Royal Philips Electronics has anything to do with it.
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Stereophile Staff Posted: Mar 17, 2002 0 comments
Michael Fremer gets a chorus of oohs and ahhs as he sets up the Hovland Sapphire power amplifier in his listening lair. While the Hovland is certainly a sweet-looking amp, MF rightly points out that "looks alone don't sell hi-fi equipment in the specialty audio market—especially when you're asking $7800 for a 40Wpc two-channel amplifier."
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Jon Iverson Posted: Mar 17, 2002 0 comments
Chad Kassem is a true audio renaissance man. For years he has headed Acoustic Sounds, supplier of select recorded musical treasures from a variety of audiophile and specialty labels. Kassem also has his own label, Analogue Productions, which produces reissues, revivals, and a series of original recordings under the label APO Records.
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John Atkinson Posted: Mar 17, 2002 0 comments
As I explain in the current issue's "As We See It" column, I decide on the ratings of the equipment featured in Stereophile's "Recommended Components" listing after consultation with the reviewers, taking into account the original review comments and, sometimes, my own experience.
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Barry Willis Posted: Mar 17, 2002 0 comments
Copy-protection hysteria in the entertainment industry is driving possible changes in copyright laws that could make what is legal today illegal tomorrow. Legislation such as Senator "Fritz" Hollings' to-be-introduced Security Systems Standards and Certification Act could erode long-established "fair use" provisions that allow consumers to make compilation CDs and video recordings of favorite TV shows.
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Jon Iverson Posted: Mar 17, 2002 0 comments
The record companies have declared war on their customers when it comes to the fair use rights of purchased music, and it would appear that they want the government to enlist in their crusade. Previous weeks have seen South Carolina senator Ernest Hollings propose draconian copyright legislation as well as recent pro-Hollywood remarks from California's senator Diane Feinstein.

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