LATEST ADDITIONS

Filed under
Barry Willis Posted: Mar 22, 2004 0 comments
Launched with a bang last April, Apple Computer's iTunes Music Store has steadily gained popularity with music fans, but it won't reach its projected goal of selling 100 million songs online within its first year.
Filed under
Jon Iverson Posted: Mar 22, 2004 0 comments
While Apple's iTunes and RealNetworks Rhapsody are battling it out in the music download ring (see related story), and Microsoft is rumored to be eyeing a corner, Sony has now decided to join the fray with a new music service announced last week in Europe.
Filed under
Kalman Rubinson Posted: Mar 22, 2004 0 comments
Some months back, a poll at the Naxos of America website asked visitors about their preferences among high-resolution and multichannel formats. At that time, Naxos had been releasing DVD-As (and DVDs) in the US, but only released SACDs elsewhere.
Filed under
Art Dudley Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
One of the nicest things about communicating online is the potential for immediacy. One person can offer up a statement, another can respond within seconds, and voilà: instant town hall.
Art Dudley Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
Anyone over 40 who's worked in a hi-fi or record store will remember the Pfanstiehl catalog, a pulpy thing that most shopkeepers chained to their counters, like a phone book. Pfanstiehl made replacement styli for virtually every record-playing device of the day, and their catalog contained page after page of tiny line drawings of nothing but phonograph needles, all lovingly rendered in three-quarter view. You couldn't browse it without being brought up short: My God, how many different needles are there? And how is it possible that a single company could tool up for so many products and still make a profit?
Paul Bolin Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
For better or for worse, appearances can make a profound first impression. Think of the bold, muscular curves of an Audi TT coupe, the planes and facets of a Lamborghini Murcielago, the sleek lines of a Gulfstream jet. In these vehicles, function and art are combined with smooth facility and perfect aesthetic balance.
Michael Fremer Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's. Over the past six months I've had the Parasound Halo JC-1, the Halcro dm68, the Pass XA-160, the Musical Fidelity kW, and now these 300W (into 8 ohms), $4500-each beauties from Theta Digital. All of these amps sounded as different as they looked, which was no surprise; too bad the "measures the same, sounds the same" dogmatists remain open for business.
Filed under
Barry Willis Posted: Mar 15, 2004 0 comments
Starbucks is taking its signature compilation CDs to the next level—the personal one.
Filed under
Barry Willis Posted: Mar 15, 2004 0 comments
Tower Records should be back in fighting form on Monday, March 15 when a Delaware bankruptcy court rules on the company's reorganization plans.
Filed under
Stereophile Staff Posted: Mar 15, 2004 0 comments
From the March 2004 issue, John Atkinson finally gets to listen to the Sonus Faber Cremona loudspeaker and explains, "it took rather longer than I had expected to set the Cremonas up in my listening room. But, like everything worth experiencing, the wait was worth it."

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading