Sam Tellig. I've had the pleasure of meeting Sam on a couple of occasions, and have found that he is not only well read and has a "golden ear," but is also a humanitarian who possesses an acute sense of humor and has a kind word for all.
Which Stereophile writer would you want to visit?

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Visiting a reviewer would be much more interesting than being visited. But which one? Art Dudley, to hear Lamm SETs drive his renno'd ESLs and to get his take on equipment racks, since a photo on this site seems to indicate that he eschews them. Mikey, to hear that amazing system and find out how he hears around the pops and clicks that can leave me white-knuckled with my own system. Kal, to understand his dismissal of break-in, a phenomenon suggested consistently by all my equipment and confirmed by my Naim amp. Sam, so I can ask why he ever gets back on that plane leaving fair Italia. Wes, to witness the intellect that comes up with such literate reviews. John Marks, to find out, in a friendly way, what part of greenhouse gas reduction wouldn't be preferable to what we have now, and how much better our wines might be if our air and soil were clean. Jon, to witness his Martin Logans before that great view. But my first choice would have to be John Atkinson, to help me get my mind around phase, reactive impedance loads, and to hear those MBLs for an evening.

Art Dudley. I know he can talk about more than audio. I can also keep quiet and listen to him about the Listener days. And most of all I can show him my new radical tonearm design which even the Clearaudio guys haven't thought about. I don't want Fremer to see it yet. I will surely take the best wine I can get. Ah,the Quads and those amps and the flora and fauna and all that sincerity.

None of you guys. I've stopped buying equipment and decided to enjoy the music and/or make my own music. If one or more of you want to come over just to listen and enjoy, you're welcome. I have lots of music that I like and a few bottles of wine that I like. I have very few audiophile approved recordings and even fewer audiophile approved wines. Just stuff I like.
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