Westlake Audio Lc5.75F loudspeaker Measurements part 2
The complex manner in which the Westlake's response changes above and below the tweeter axis is shown in fig.5. Sit way too high or low and big suckouts appear at the crossover frequency and in the upper midrange. But over quite a wide (±10 degrees) vertical window you can fine-tune the speaker's perceived balance by adjusting the listening height.
Fig.5 Westlake Lc5.75F, vertical response family at 50", from back to front: differences in response 45 degrees-5 degrees above tweeter axis, reference response, differences in response 5 degrees-45 degrees below tweeter axis.
The Lc5.75F's lateral dispersion is shown in figs.6 and 7. Fig.6 shows how the actual response changes as you move away from the tweeter axis to the speaker's sides, while fig.6 shows just the differences between the on- and off-axis responses. Despite the woofer being taken an octave higher than is usual, there is only a moderate amount of beaming apparent above 2kHz. Other than in the top octave, where the tweeter gets quite directional, the speaker's dispersion is generally wide and even.
Fig.6 Westlake Lc5.75F, lateral response family at 50", from back to front: responses 90 degrees-5 degrees off-axis, tweeter-axis response, responses 5 degrees-90 degrees off-axis.
Fig.7 Westlake Lc5.75F, lateral response family at 50", from back to front: differences in response 90 degrees-5 degrees off-axis, reference response, differences in response 5 degrees-90 degrees off-axis.
The Westlake's step response (fig.8) indicates that the tweeter is connected in inverted acoustic polarity, the woofer in positive polarity. The waterfall plot on the tweeter axis (fig.9) is mainly clean, but is marred by delayed energy at 2kHz—there again is that residual "cupped" coloration—and in the upper region of the woofer's passband. Perhaps this behavior correlates with MF having found that a little hollowness set in at high playback levels.
Fig.8 Westlake Lc5.75F, step response on tweeter axis at 50" (5ms time window, 30kHz bandwidth).
Fig.9 Westlake Lc5.75F, cumulative spectral-decay plot at 50" (0.15ms risetime).
As I've said before, designing a good-sounding speaker to sell at a real-world price is all about balance. As MF found, the Westlake Lc5.75F may appear to have some measured blemishes, but these have been arranged not to interfere with the manner in which the speaker reproduces music.—John Atkinson