We Don't Get No Respect
There are all sorts of ways of having fun, and just as many ways of spending money. Most of the time, spending money is necessary to have fun; whether it's going to a movie, having dinner out, scrapbooking, playing video games, whatevernothin's free.
Some people like fancy watches. I like to look at Rolexes and Patek Phillippesbut the idea of wearing something costing 20 grand or more, maybe a lot more, at the end of my simian arm where I can bang it to bits on a doorframe, strikes me as insane. Oh, well; I don't badmouth people who buy or wear such things, just because I choose not to. The prices might make me gasp in disbelief, but that happens with a lot of things.
Speaking of which: what about that Hermes bag recently shown in a Hong Kong shop windowpriced at the equivalent of $70,000 US? Is it more functional than a $70 bag? Likely not. Is it stunningly, heart-stoppingly beautiful? Ehh, not to me. Does the material or worksmanship justify the price? Not so much. I don't get it, but I don't hate someone who buys and carries such a bagunless she happens to be a Kardashian.
What about cars? Almost everybody loves cars. Unless it's horrifically whorified like the Beebs' leopard-print Audi R8, no one abuses the buyer of an expensive or exotic car, even ones which cost millions. There might be a head-shake or a "Really??", but reactions to expensive cars generally tend towards admiration or amusementnot violent rage.
Enter the audiophile. Short of announcing that you're an officer in NAMBLA, you've just gotten back from bow-hunting baby seals with Ted Nugent, and you've decided to cast Grandma adrift on an ice-floe in the "time-honored" wayalmost nothing you can do will guarantee a shit-storm of abuse like referring to yourself as "an audiophile."
Granted, anything ending in "-phile" tends to sound a tad precious and twee; how many wine-lovers refer to themselves as "oenophiles" without irony? But it's not just that damned pretentious word. It's...it's...well, what is it?
Music is everywhere. The iPod makes it possible for anyone to carry a zillion songs they might've liked once, anyway, everywhere they go. Fine. Carrying a 'Pod, wearing headphoneseven around the neckis acceptable. In certain circles, it's almost mandatory.
So why is it unacceptable, weird, even, to have a bunch of music at home, along with the gear needed to listen in a social environment where the pleasure of listening can be shared? Wouldn't you think that sharing music in one's home would be more socially acceptable than the act of walking around in public, isolated from others by piped-in sound?
Is it that collecting thousands of LPs and CDs smells a bit of hoarding? Or that monolithic speakers speak to overcompensation of personal shortcomings? Or that We don't get no respect! Or that those who indulge in either are occasionally, shall we say, deficient in areas pertaining to personal style, fitness, and hygiene?
I don't know, and I don't get itbut there is no abuse greater than that cast upon audiophiles. Take a look at the comments following recent articles about audio enthusiasts on the New York Times and Wall Street Journal websites. You'd think that the subjects had held Girl Scouts captive in their cellars, rather than inviting people into their homes for a pleasant evening listening to music.
I like listening to music. I even like the equipment I use to do that. "Is that so wrong??"