Music? Or Sound? JVS Elaborates

When I reread my February “As We See It,” Music? Or Sound?, my first thoughts about a piece I had written a while ago were: (1) I wish I’d devoted less space to telling the story and more to expanding upon my thesis; and (2) I’m afraid that my motivation will be misconstrued. Indeed, the flurry of furious comments makes clear that I failed to make the best case for my argument.

I regret that, to some, I came off as arrogant or condescending. It’s not that I have a golden ear; rather, I’ve had sufficient experience with the particular performers and compositions in the recordings used at the demo to have developed a set of expectations as to how those recordings should sound. The reason why others at our listening sessions weren’t immediately “able” to hear the imbalances I heard is that I had the advantage of hearing the recordings in widely varying contexts over years of blogging audio shows.

People tend to trust reviewers who have devoted considerable time to amassing a storehouse of listening experiences that enable them to make valuable critical calls about equipment and recordings. It’s not that these reviewers necessarily have superior judgment; it’s rather that they’ve established standards by which to evaluate the material at hand. They have learned how to both focus on specific elements, and to sit back and take in the big picture. IMHO, those reviewers who are equipped to assess how the entire listening experience makes them feel have an obligation to educated readers and elevate discourse by discussing how equipment can present music in ways that transcend the sum total of its parts.—Jason Victor Serinus

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