Stereophile's Products of 2012 Loudspeaker of the Year

Loudspeaker of the Year

Vivid Audio Oval K1 ($24,990/pair; reviewed by John Marks, Vol.35 No.10 Review)

This race was tight. Of the 11 worthy contenders in our "Loudspeakers" category, seven—from the overachieving Joseph Audio Pulsar to the otherworldly MBL Radialstrahler 101E Mk.II—garnered first-place votes. But no loudspeaker impressed our writers more than Vivid Audio's Oval K1, an unusual-looking design with an unusually powerful and compelling sound.

Though it's been a while since I last heard the Oval K1, I'm very well acquainted with its little brother. Vivid's Oval B1 is outwardly similar to our winner, but has a shorter cabinet and two fewer woofers. At the 2012 Newport Beach Show, the B1 nevertheless knocked me out with its crazy ability to project scale, its superfast transient response, and, most of all, its wonderful, musical bass. Vivid's US importer, Philip O'Hanlon, had showgoers packed into his room and crowded round its door, happy to hear pop hits by Beyoncé and Michael Jackson. It's hard for me to imagine greater bass impact than that offered by the B1, but according to John Marks, that's exactly what we can expect from the Oval K1.

And while JM was indeed satisfied by the Oval K1's remarkable low-end performance, it was the speaker's midrange and lower-treble character that most impressed him: Voices and stringed instruments floated solidly and effortlessly in space, the K1 showcasing the kind of transparency and three-dimensionality common to the best electrostatic designs. JM was happily mystified. How could a couple extra woofers have such a positive overall effect on the music? According to O'Hanlon, the magic comes from the K1's unique crossover design and its higher minimum impedance (4.8 ohms vs the B1's 2.8 ohms), making the speaker an easier load for partnering amplification.

But should we dwell on why the K1 sounds so good? Halfway through his review, JM stopped talking about speakers almost entirely, and devoted his attention to the music. He promptly busted out the guilty pleasures—Julie London and Alannah Myles, among others—sat back in the Eames Lounge Chair of his mind, and let the music take him away.

"Vivid's Oval K1 is one of the best loudspeakers I have ever heard," he said. "If you can afford it, I think it delivers even better value for money than the Oval B1. Bravo."

Runners-up (in alphabetical order)
ADAM Audio Classic Series Column MK3 ($7000/pair; reviewed by Kal Rubinson, Vol.35 No.8 Review)
Aerial Acoustics Model 7T ($9850/pair; reviewed by Kal Rubinson, Vol.35 No.3 Review)
GoldenEar Technology Triton Two ($2998.98/pair; reviewed by Robert Deutsch, Vol.35 No.2 Review)
Joseph Audio Pulsar ($7000/pair; reviewed by Michael Fremer, Vol.35 No.6 Review)
MartinLogan Montis ($9995/pair; reviewed by Robert Deutsch, Vol.35 No.9 Review)
MBL Radialstrahler 101E Mk.II ($70,500/pair; reviewed by Michael Fremer, Vol.35 No.4 Review)
Sonus Faber Amati Futura ($36,000/pair; reviewed by John Atkinson, Vol.35 No.3 Review)
Sony SS-AR2 ($20,000/pair; reviewed by John Atkinson, Vol.35 No.10 Review)
TAD Compact Reference CR1 ($42,000/pair; reviewed by John Atkinson, Vol.35 No.1 Review)
Wilson Audio Specialties Duette ($13,900/pair; reviewed by John Atkinson & John Marks, Vol.35 No.6 Review)

mrplankton2u's picture

Instead, I'd list websites like Gearslutz, AV Science Forum, and a few others where professionals exchange ideas and experiences. As an example, I'd suggest you google Gearslutz and Jon Risch.  Jon Risch is a public person who "moderates" at the Audio Asylum - a website that frequently promotes a great deal of "questionable" tweak products and what a lot of "us" consider to be snake oil sham products. If you google Gearslutz and Jon Risch, it will take you to a page that has this quote about Jon Risch:

"Oh he's serious. I've had many run-ins with him. He's a bonified crackpot."  


Now you may disagree with the credibility of Gearslutz members. That's certainly your perogative. However, they constitute mostly industry professionals who are heavily engaged in producing/recording live music. I could list other people specifically as I said above but I would need their permission to quote them. It is pretty pointless to doubt that a large percentage of the population think today's typical "audiophile" is a nutjob. As I said earlier, "audiophool" is in the urban dictionary. I didn't make it up and it is a term that is frequently used on websites that pertain to music reproduction systems and music reproduction techniques.

seank's picture

Once again, no recognition for my Bose Wave Radio.  Sad.

Ariel Bitran's picture



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