Electrocompaniet Classic ECD 2 D/A processor Measurements
Sidebar 3: Measurements
I examined the Electrocompaniet ECD 2's electrical performance with Stereophile's loan sample of the top-of-the-line Audio Precision SYS2722 system (see www.ap.com and the January 2008 "As We See It"); for some tests, I also used my vintage Audio Precision System One Dual Domain. The ECD 2's performance via USB port was tested using my 2012-vintage Apple MacBook Pro.
Apple's USB Prober utility identified the ECD 2 as having the Product String "Electrocompaniet USB Audio 2.0" and confirmed that it operated in isochronous asynchronous mode with all sample rates from 44.1 to 192kHz, including 88.2 and 176.4kHz, with a 24-bit bit depth. The coaxial inputs locked to S/PDIF datastreams with sample rates of up to 192kHz; the optical inputs did also, though the TosLink specification is not intended to operate above 96kHz.
The ECD 2's volume control operated in accurate 1dB steps. I left it set to "100" for all testing. The maximum output voltage was to specification, at 4.57V balanced and 2.28V unbalanced, the latter 1.15dB greater than the CD standard's recommended 2V. Both sets of outputs preserved absolute polarity (ie, were non-inverting), the XLR jacks being wired with pin 2 hot. The ECD 2's output impedance was inconsequentially higher than the specified 300 ohms for the single-ended output and each phase of the balanced output, at 337 ohms. It was the same at all audio frequencies, however.
The ECD 2's impulse response with 44.1kHz data (fig.1) revealed its reconstruction filter to be a conventional, linear-phase FIR type. Wideband spectral analysis with white noise sampled at 44.1kHz (fig.2, red trace) indicated that this filter rolled off very rapidly above 21kHz with total suppression of any ultrasonic images of a full-scale tone at 19.1kHz (fig.2, blue trace, footnote 1). Fig.3 shows the ECD 2's frequency response with data sampled at 44.1, 96, and 192kHz. The response follows the same basic shape with all three sample rates, dropping by 0.24dB at the top of the audioband, with then a very steep rolloff just below the Nyquist Frequency (half the sample rate) for each of the two lower sample rates. Note the superb channel matching in this graph. Channel separation (not shown) was superb, at >120dB in both directions below 2kHz and still 107dB at 20kHz.
For consistency with my tests of digital products going back to 1989, my first test of a DAC's resolution is to feed it dithered data representing a 1kHz tone at 90dBFS with 16- and 24-bit word lengths, and sweep a 1/3-octave bandpass filter from 20kHz down to 20Hz. The result is shown in fig.4, with the 16-bit spectrum the top pair of traces and the 24-bit spectrum the middle pair. The increase in bit depth drops the noise floor by up to 25dB in the treble, which suggests that the Electrocompaniet processor offers 20-bit resolutionexcellent, and easily enough to allow it to resolve a 24-bit tone at 120dBFS (bottom traces).
Repeating the spectral analysis with a narrowband FFT technique (fig.5), for which I extended the graph floor to 160dBFS (!) to show the ECD 2's output, confirmed the superbly high resolution, though now a trace of odd-order distortion is evident with the 24-bit representation of the 1kHz tone at 90dBFS. Repeating this test with USB data confirmed that the ECD 2's USB input correctly accepts 24-bit data, though the odd-order harmonics were slightly higher in level (fig.6).
Linearity error with 16-bit data (fig.7) was negligible to below 100dBFS, and with its very low level of analog noise, the ECD 2's reproduction of an undithered tone at exactly 90.31dBFS was superb (fig.8). The waveform is symmetrical, and the three DC voltage levels described by the data are well defined. The result with undithered 24-bit data was an excellent-looking sinewave (fig.9).
Harmonic (fig.10) and intermodulation (fig.11) distortion were very low, the former dominated by the subjectively benign low-order products. These two graphs were taken into the high 100k test load. Dropping the load impedance to the punishing 600 ohms didn't change the picture, suggesting that the Electrocompaniet's output stage is bombproof.
Testing the ECD 2 via a TosLink input for its rejection of word-clock jitter, using a 16-bit version of the Dunn-Miller J-Test signal, all the narrowband spectral analysis showed was the presence at the correct levels of the high-order odd harmonics of the low-frequency, LSB-level squarewave (fig.12). A few very low-level sidebands are evident at 140dBFS, but these disappeared with 16-bit USB data (not shown). Tested via its USB port with a 24-bit representation of the J-Test signal (fig.13), the ECD 2's output was virtually free of jitter-related sidebands, and the spectral spike that represents the tone at one-fourth the sample rate was well defined, lacking the "shoulders" that would indicate the presence of random low-frequency jitter.
Summing up the Electrocompaniet ECD 2's measured performance is easy: It's close to the state of the art for a digital/analog processor!John Atkinson
Footnote 1: My thanks to Jürgen Reis of MBL for suggesting this means of displaying the performance of a DAC's reconstruction filter.