But with rare exceptions, only SACDs.
Do you buy classical music?

- Login or register to post comments

I don't buy much music of any genre, but I do enjoy listening to a wide variety of classical music. For those who answered "What is classical music," I would refer them to this example: http://www.youtube.com/watch?v=w0diDwHtATw&feature=related

New releases of classical music don't provide new classical music. They provide the same old music with new "geniuses" with a "totally new interpretation" of the old music I already have on the shelf. The most important thing in the classical business of today isn't about music, but about new and sexy-looking stars. Even on posters for live performances, you find big letters for the stars and small letters for the musical content of the evening. So I prefer to buy jazz CDs and go to jazz performances with new and fresh music. (This all from the German viewpoint, but I assume it is the same in the US.)

Classical music is nice for background, but I can't say that I've ever listened to it—I mean, really listened to it. Having said that, I certainly understand how so many audiophiles like it. (Wish there was more rock music used for equipment reviews.)

For classical music I prefer DSD-recorded SACDs. However, I also like high-resolution music files. I never could tolerate the strident sound of strings (which are so important to classical music) on CDs. I wonder if the sound of CD, which is more problematic with classical music than other types could be the real reason for the lackluster sales of classical music? Perhaps if listeners discovered SACD or rediscovered LP they would buy classical music more?

But consider which labels really produce new, exciting, vibrant records: The likes of Alpha, CPO, Naïve/Opus111, Hyperion, Dabringhaus+Grimm, ECM, Linn. See a pattern? Whatever happened to record labels controlled by Vivendi Universal, EMI, Sony? The quarterly bottom line megalomania has fatally stifled the spirit of discovery and adventure which is vital if classical music is to survive and thrive. The big record companies are just milking their stale Karajans and Pavarottis and Netrebkos to death, killing the industry in the process. HD direct distribution via the Internet is the only hope of escaping their death grip. We need hungry, curious, tech-savvy upstarts to keep this part of our culture alive.

This is a more interesting and professional article about the sales of classical music albums. I am a die-hard hard-core classical music lover, and I buy classical music albums every month, 95% of them are from my very beloved Deutsche Grammophon & Decca. A few others are from the more conservative and less creative EMI Classics, the cute Naïve and the dying Telarc. Sony Masterworks is useless and it is more like a audio-division of Sony Pictures, which loves producing heaps of movie albums as well as the awful "classical" crossovers (with such "talents" as Yo-Yo Ma). I haven't bought any albums from Sony Classical for a long long time.

I started buying classical titles back in 1970—there used to be cut-out LPs at drug stores and department stores. No more—new issues come out unannounced and you have to hunt for new titles online. No one listens to classical music anymore.
- All Headphones Ship Free!
Shop a Huge Selection of Top Quality
Headphones at Great Prices!
www.Headphones.com
| Loudspeakers Amplification Digital Sources | Analog Sources Accessories Featured | Music Columns Features | Show Reports | Show Reports |
Recommended Components Blogs Latest News Community |
Shop Resources Subscriptions |


