It's not the problem of the audio system per se, but the recording method. If we recorded in 12 channels and had 12 speakers it might get close. I gave up long ago attempting to make my system sound like the real thing. It sounds good, true, but it simply doesn't sound like the real thing. Ever heard a garage band? A piano in a house? A full blown symphony orchestra? Etc.
Can an audio system ever be perfect?

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Will the perfect audio system ever exist? I doubt it very much. Does the perfect audio system exist for an individual? Most definitely. We all have different tastes and different ways we hear things. so the perfect system is out there for everyone. It's just different for everyone.

The playback system is like a projection lens, with each component and cable being a different element in that lens (the software being played is like the 35mm film, and the room itself is like the screen). Just as no multi-element lens is perfectly clear, introduces no light scatter or distortions, so too are all audio systems flawed. However, a audio system featuring good equipment well matched can get close enough to deliver great enjoyment.

Everything can be perfect for certain amount of time, or even forever. Audio systems are no exception.The real question would be: Are people conscious and smart enough to recognize that they have something perfect,something to hold on for a long period of time?

No, but... The exact replica of the originary vector field, i.e. (pressure, pressure gradient) is clearly out of question. Maybe you can approximate something derived from the originary vector field, paying attention to some psychoacoustically relevant set of features. This could be a problem of differential mapping between differentiable manifold, with some assumptions about which features you want to represent and preserve, again taking in account which dimensions in the originary manifold can be "safely collapsed," given the very complex non linear mechanisms involved by human hearing. This is the good news: there will always be market for many of us.

First, I do not know the sound created in the recording venue, so how could I know what exactly I should be hearing? What I hope for is a nearly accurate reproduction of an event I would have not heard and that experience is what I want. Horowitz at Carnegie Hall or Callas signing Norma.

I would submit the extent to which you are dissatisfied with your audio system is directly proportional to the amount time you spend reading Stereophile and other audio publications. These magazines put a lot of effort into convincing us that our five-year-old gear is out of date and needs to be replaced with the latest and greatest, even though newer models often offer only small marginal improvements.

If perfection is defined as duplicating the original performance. By its very nature, audio is a reproduction. It can not equal the original. The word "perfect" will also depend on the person doing the defining. Will some people think their system is perfect for them? Possibly.

Your system can be perfect only for a while. Sooner or later you get used to it and then you want some more. If you want to be satisfied with your system, you just have to stop wanting for more. You just have to accept that it could be better, but so what?

Probablly not...there are too many factors to deal with, including each individual's sonic perseption. My personal reference is live music drawing back to my late teens and early twenties. At that time there was a small saloon just outside downtown Buffalo NY that featured a small jazz/pop group... bass, piano, drum set, occasional trumpet and the featured male vocalist. The front of stage was surrounded, 180 degrees, by the bar. The only amplification used was for the vocalist, and it was minimal and sonically excellent... very natural sounding. I've never again heard music sound this good... open, spacious, detailed and dynamic with a natural roll off and decay. Man, you really knew what those instruments sounded like. Perhaps the rumored digital recording breakthrough by Doug Saxx and Bill Schnee will get us closer to that kind of live sound... I'm rooting for them.
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