2014 Recommended Components Surround-Sound Components

Music Surround-Sound Components (other than speakers and disc players)

A

Anthem Statement D2v 3D: $9499 ✩
The latest enhancement of the Statement D2 audio/video processor is the Anthem Room Correction kit (ARC), which includes a calibration microphone and stand and all necessary software and cables. Its versatile controls allow the user to modify the recommended crossovers, insert a variable room-gain bump, and set the upper-frequency limit for corrections. With the ARC's settings in place, soundstages were wider and more open. "Using the optimized ARC Advanced settings elevated my system's performance to a new level," said Kal. The "honest immediacy" of ARC's v1.2.5 upgrade benefited movies and video, but for music Kal preferred the Audyssey's "silky smoothness and harmonic integration." Latest version adds HDMI 1.3 port and includes 3D and new passthrough. (Vol.31 Nos.9 & 11 WWW)

Bryston SP-3: $9500
The SP-3 combines a true analog preamp and a full-featured multichannel digital audio processor in a beautifully built, relatively compact (17" W by 5.75" H by 14.25" D) case. It uses Bryston's high-quality 24-bit/192kHz DACs and offers a full suite of connections, including: eight HDMI inputs, two HDMI outputs, a 7.1 set of analog inputs and two 7.1 sets of outputs, four S/PDIF inputs, two AES/EBU inputs, and USB, RS-232, and Ethernet jacks. The sound from the SP-3's analog stereo inputs was "absolutely pristine, powerful, and a breath of fresh air," while digital S/PDIF or TosLink datastreams sounded transparent and convincing, with especially detailed and extended treble. "I think the Bryston SP-3 is the first great audiophile preamplifier-processor," KR concluded, "It almost redefines Class A sound for a surround processor." (Vol.35 Nos.5 & 7 WWW)

Bryston 9B-SST2: $8095 ✩
The 9B-SST2 power amplifier (called 9B-THX at the time of the review) boasts five channels, 120Wpc into 8 ohms, and is built like pro gear; ie, like a tank. Hand-soldered, double-sided glass-epoxy boards and elaborate grounding scheme front special-grade steel toroidal transformers. According to JA, "the excellent set of measurements indicates solid, reliable engineering." LG was impressed by this amp's speed, power, extension, its tightness and definition in the bass, and its "excellent" midrange. Fully the equal of more costly amps, with wide dynamic contrasts and "involving" vocals, and sonically similar to previous Bryston ST amps. THX conformance, a 20-year (!) warranty, and a reasonable price make this beefy, reliable amp an attractive package—a perfect choice, suggests LG, for home-theater and multichannel music systems. KR's long-term multi-channel reference. (Vol.23 No.9 WWW)

Classé CT-SSP: $9500 ✩
With its clean front panel boasting only a small touchscreen and a single knob, the solidly built CT-SSP surround-sound processor has an all-business look and is extremely simple to use while retaining complete control. It offers 10 output channels and multiple subwoofer configurations, and can support up to 20 audio/video source assignments and six different speaker configurations. Inserting the CT-SSP into KR's Connecticut system resulted in a deeper, wider soundstage, more impressive imaging, and seamless integration of the subwoofer and speaker outputs. "The performance of my system was elevated to a level beyond anything previous," said Kal. The CT-SSP sounded clean, tight, and powerful in KR's Manhattan system, with greater low-end weight and impact than the Meridian HD621/861 but a less expansive soundstage. (Vol.33 Nos.7 & 11 WWW)

exaSound e28 multichannel DAC: $3299
Like exaSound's e18, the e28 uses a Sabre32 D/A chip capable of handling almost any PCM format with resolutions up to 32-bit/384kHz; but, while the earlier model could play DSD files only in stereo and at the base sampling rate of 2.82MHz, the e28 handles DSD sampling rates of 2.82, 3.072, 5.64, 6.14, 11.28, and 12.28MHz without converting the signal to PCM. In addition, the e28 includes an enhanced headphone output, and is specified as having lower distortion and noise than its predecessor in every measured mode. The sound was smooth and balanced overall, with sweet highs, a decidedly pure midrange, and an exceptional sense of space, said Kal. "The exaSound e28 is a real-world, second-generation, cutting-edge, multichannel DAC. I wouldn"t hold my breath waiting for something better to come along any time soon," he concluded. (Vol.36 No.11 WWW)

Illusonic Immersive Audio Processor: 19,200 CHF
" Made in Switzerland, the unusually versatile—if very expensive— Immersive Audio Processor includes a five-band parametric equalizer in each of its 16 output channels. It processes two- and multichannel sources into one of 168 loudspeaker setups with the ability to manipulate the presentation's spatial distribution using three parameters: Center, Depth/3D, and Immersion. A superb control app provides an attractive graphic interface for accessing all of the IAP's functions, and works in real time so the user can immediately hear the effects of any adjustments. Though it lacks high-resolution decoding and doesn't accommodate multiple remote zones, the IAP has four HDMI inputs and one HDMI output, three coax and two optical digital inputs, three analog stereo RCA inputs, an XLR analog stereo output, and 16 additional XLR output connectors. Setup was relatively simple, operation was flawless, and the sound was remarkably clean, transparent, and balanced, said Kal. (Vol.37 No.1 WWW)

Integra DHC-80.3 preamp/processor: $3000 $$$
Though similar in appearance to Integra's DTC-9.8 and its successors, the DHC-80.2 preamplifier-processor adds a host of features, including: HDMI v1.4 (eight inputs, two outputs, Audio Return Channel and 3D), two USB inputs, two subwoofer outputs, a Universal Port for an iPod dock or HDRadio tuner module, network connectivity, and the latest versions of Audyssey MultEQ XT32, Dynamic EQ, and Dynamic Volume. Compared to the DTC-9.8, the DHC-80.2 had a more dynamic, better-balanced sound, with a fuller midrange and improved transparency. "The Integra DHC-80.2 redefines value in a multichannel preamplifier-processor for the serious music lover or home-theater fan," said KR. Early production samples suffered from an incorrect implementation of Audyssey's MultEQ Pro room correction software, resulting in a glassy midrange and dull treble; a later firmware update corrected the problem and produced smooth high frequencies and a balanced overall response. Current 80.3 version added new video circuitry and additional features. (Vol.34 Nos.7 & 9 WWW)

Marantz AV8801: $3599 $$$
The Audyssey-equipped AV8801 is an 11.2-channel preamplifier-processor with a hefty toroidal transformer and a heavy copper-plated chassis. Behind its front-panel dropdown door are a brilliant display and a plethora of controls and jacks, including ports for headphones, the Audyssey calibration microphone, iPod/USB and HDMI/MHL, as well as three jacks for analog audio and video. Around back, the AV8801 has a moving-magnet phono input and 13 XLR and RCA analog outputs. All 13 channels feature 32-bit/192kHz DACs driving proprietary Hyper Dynamic Amplifier Module circuits. Setup was simple. The Marantz offered a coherent, powerful sound with a smooth treble and clean midrange, said KR. "Overall, the Marantz AV8801 is the best-sounding preamplifier-processor I have heard at or below its price," he concluded. (Vol.36 No.3 WWW)

McIntosh MC303: $11,000 ✩
" The three-channel, 300Wpc MC303 amplifier measures 17.75" wide by 12.4" high by 22" deep and weighs 155 lbs. Its large front panel is home to three blue power-level meters, two gold-rimmed knobs for meter illumination and power, and two substantial handles. Driving KR's B&W 802D loudspeakers, the MC303 delivered "the relaxed spaciousness and transparency of master tapes." There was a smoothness that extended through the frequency spectrum and seemed to erase the 802Ds' crossover transitions. The Mac couldn't quite match the firm bass or natural treble of the Bel Canto Ref1000 Mk.II monoblocks, however. (Vol.32 No.5 WWW)

Meridian Reference 861: $18,995 ✩
Multimedia controller with video, DSP-based decoding for matrixed and discrete multichannel audio sources. Functions as analog preamplifier-controller, digital and video controller, and A/D–D/A converter. Built-in, reprogrammable decoding of multichannel sources (Dolby Pro Logic, Dolby Digital, DTS, Ambisonic, etc.), plus THX and Trifield output from two-channel sources. All inputs digitally processed. Of Trifield's synthesized front-three-channels output, KR observed, "I came to regard the loss of air and the narrower soundstage as acceptable concomitants of the richer, tighter, better-defined central images. 'Audiophile air' began to seem an artifact rather than an enhancement." DTS and Dolby Digital 5.1 music recordings "injected" ambiences whose acoustics superseded his room's. Multichannel is immersive, but our KR would rather not sit in the middle of a string quartet or orchestra. For two-channel, "equal to the best...beyond significant reproach." Multichannel, he declared, is the future, and Meridian is ready now. Logical but complicated setup and option procedures entered via PC; heavy dealer involvement is key to getting the best from this ultimate component. But when the 861 is programmed for precise time alignment and amplitude balance among the speakers, and the crossover and bass management adjusted independently for the main, center, and rear channels, "everything seemed just right, and it made for consistently satisfying listening," he decided."The TriField DSP is a greatly advantageous feature that deserves more recognition. I felt confident that whatever little silver disc I put into the 800-861, it would sound superb." Meridian's new MConfig program replaces pages of configuration options with a drag-and-drop graphic user interface, and offers guided channel-level settings and room-correction setup routines. KR: "The upgraded 861 Reference's sound was delightfully and characteristically transparent".Still Class A after all these years." The updates in Version 6 of the 861 preamplifier-processor include SpeakerLink connections for Meridian's DSP speakers, an "endpoint" card for optimal performance with Meridian's Sooloos music-server systems, a proprietary apodizing upsampling filter for all digital inputs, and 24-bit/192kHz DACs. The 861 v6 partnered a delicately pure and transparent midrange and treble with exquisite delineation of voices and instruments, said KR. "The 861 has always been and still is the best-sounding audio processor I have heard," he concluded. Price varies with options chosen. Outboard HD621 processor (see "Digital Processors") adds HDMi capability. (Vol.23 No.2, Vol.26 No.8, Vol.29 No.7, Vol.34 No.5 WWW)

Meridian HD621 HDMI Audio Processor: $2995 ✩
Meridian's HD621 HDMI Audio Processor smoothly integrates six HDMI inputs, HD audio processing, and SD upsampling with any Meridian processor that can handle a Smartlink/MHR, including the G61R, G68, C61R, and the 861. It extracts the PCM audio data from the HDMI input, FIFO-buffers the PCM, and up/downsamples it for output to the main processor. Upsampling is accomplished by "apodizing" filters identical to those used in the Meridian 808i.2 player-preamp. HDMI from the HD621 sounded "more detailed and open" than PCM data via the Oppo DV-980H's three S/PDIF connections, while "Red Book" CD sounded "superb" through the Meridian. "So rejoice—the HD621 brings HD audio to Meridian systems, and it sounds superb with non-HD sources as well," said KR. (Vol.32 No.9 WWW)

Parasound Halo A 31: $3295 $$$
Based on circuitry developed by John Curl for the highly praised Halo JC 1, the three-channel A 31 power amplifier is rated to deliver 250Wpc into 8 ohms or 400Wpc into 4 ohms. Like other Halo models, the A 31 is solidly built and has a clean, attractive, brushed-aluminum faceplate. On the rear panel are three groups of connectors/controls, one per channel, including balanced and unbalanced inputs and gain controls. Though it lacked some upper-bass richness, the A 31 had a "clean, luminous" overall sound, with a sophisticated, detailed treble; rich, clean midrange; and firm, extended bass, said KR, adding that "the sound is full, balanced and detailed and packs a wallop." (Vol.35 No.9 WWW)

Parasound Halo P 7: $2295 $$$ ✩
"The Halo P 7 is a full-featured analog stereo preamp with six stereo inputs, balanced and unbalanced outputs, front-panel headphone and MP3 jacks, and an MM/MC phono preamp. It also provides two 7.1-channel unbalanced inputs that can be set for home-theater bypass, optional bass management for all sources, and RS-232/12V connections to integrate with modern A/V systems. With its "delightfully open, balanced sound" and outstanding versatility, the Halo P 7 is "the category killer of analog multichannel preamps or HT bypass," raved KR. (Vol.32 No.1 WWW)

B

Anthem MRX 710: $1999
Made in China, the 90Wpc MRX 710 (originally called MRX 700) is Anthem's top-model audio/video receiver. It has all the requisite A/V connections, including USB and Ethernet inputs; is compatible with HD radio and iTunes tagging; comes with a complete Anthem Room Correction kit; and uses a large toroidal power transformer. Though it lacked the transparency of Integra's DHC-80.2 and couldn't match the bass clarity of Bryston's 9B-SST, the Anthem offered a warm midrange, well-focused images, and a deep soundstage, said KR. (Vol.35 No.1 WWW)

Marantz MM8077: $2399
The 150Wpc MM8077 is a seven-channel power amplifier. Each channel has selectable unbalanced RCA and balanced XLR inputs, driven by a common power supply equipped with a huge transformer and a generous capacitor reservoir. The MM8807 matched the much more expensive Bryston 9BST in terms of power, transient response, and imaging, but lacked some bass definition and control, said KR. An excellent multichannel amplifier, and a perfect partner for Marantz's AV8801 pre-pro, he concluded. (Vol.36 No.3 WWW)

NAD T 187: $2999
The versatile T 187 preamplifier-processor's modular construction enables various combinations of: 7.1-channel inputs and outputs, six pairs of stereo analog inputs and outputs, several video inputs, up to six HDMI inputs, three each coaxial and optical inputs, one each coaxial and optical output, an Ethernet jack, and a mini stereo jack for mobile players. Additionally, the NAD's unique application of Audyssey's MultEQ XT room-correction software includes a custom target curve developed by Paul Barton. Easy to set up and use, the T 187 offered a full-bodied sound with a smooth, detailed treble, said KR. Paul Barton's target curve added a touch of warmth, with stronger, tighter low bass. "Even if it doesn't do everything possible, the NAD T 187 does everything right," concluded KR. (Vol.36 No.1 WWW)

Rotel RSP-1572: $2199
This compact, handsome preamplifier-processor offers six HDMI, two component, and two composite video inputs; two HDMI, one component, and four composite video outputs; four optical and three coaxial digital audio inputs; eight stereo analog inputs; one 7.1-channel analog input; and one USB input. Audio outputs include one optical, one coax digital, two stereo analog, and one analog 7.1-channel preamp output with dual jacks for two center and two subwoofer outputs. While the RSP-1572 lacks auto-setup and room EQ capabilities, its variable filters allow the user to effectively deal with room acoustics. The Rotel offered transparent highs, a clean midrange, and full bass, said KR. "Those of us who don't mind getting our hands dirty with some measurement tools can have it all with the RSP-1572: great sound and great looks," he concluded, though he adds that the room EQ is a bit challenging. (Vol.35 No.3 WWW)

Yamaha Aventage CX-A5000: $2999.95
In addition to its 33 CinemaDSP modes and extensive video processing, the substantial (17" W by 7.5" H by 18" D, 30 lbs) Aventage CX-A5000 pre-pro offers 11 channels of balanced outputs, dual audio configurations, the ability to stream 24-bit/192kHz FLAC and WAV files, ESS Technology Sabre32 Ultra DACs for all channels, and Yamaha's parametric EQ room-optimization software with multi-point/speaker-angle measurement. Yamaha's graphic user interface was attractive and intuitive, and the included remote, though difficult to read, was powerful. Compared to the popular Marantz AV8801, the CX-A5000 lacked low-end resolution but extracted more information from the upper midrange and treble, said Kal. "Once they hear it, many listeners will pounce on this excellent pre-pro," he concluded. (Vol.37 No.3 WWW)

C

Nuforce AVP-18: $1095
Built into a slim, minimalist case, the AVP-18 multichannel preamplifier-processor offers two coaxial, one TosLink, one combination coax/optical, and four 24-bit/192kHz-capable HDMI inputs; USB A and B connectors; an output jack for a 12V trigger; an HDMI output; a TosLink output; and a 2x4 array of RCA jacks for the 7.1-channel analog output. An 11-filter parametric EQ is provided via a potent Cirrus chipset. Setup was relatively simple and operation was flawless. Although the NuForce lacked some soundstage depth and lower-midrange richness, its overall sound was well balanced and satisfying, with good detail resolution and image specificity, said Kal. "The all-digital NuForce AVP-18 is a good choice for an easy-to-use and easy-to-look-at preamplifier-processor," he summed up. (Vol.36 No.11 WWW)

Yamaha Aventage MX-A5000: $2999.95
Measuring 17" W by 8.25" H by 18" D and weighing 56 lbs, the MX-A5000 is a massive and versatile 11-channel amp rated to deliver 150Wpc into 8 ohms. Rear-panel Channel Select switches and front-panel Speaker Select buttons permit a wide range of configurations, including: five-channel biamping, five main channels with two independently amplified zones, a triamped center channel in a mono- or biamped five-channel system, and other, more specialized arrangements. A perfect sonic partner for Yamaha's Aventage CX-A5000 pre-pro, the MX-A5000 produced a clean, open overall sound, with a slightly soft treble, well-defined midrange, and solid bass, said Kal. "If you need 11 channels, regardless of how you choose to use them, I highly recommend Yamaha's MX-A5000," he concluded. (Vol.37 No.3 WWW)

Deletions
Emotiva XPA-5, exaSound e18 multichannel DAC, replaced by new version not yet auditioned; Krell Evolution 707 not auditioned in too long a time.

COMMENTS
billt1nh's picture

Aesthetix Atlas Amplifier : $8000 ✩has been a Class A recommended component for a few years including 2013 but does not show up this year. It is not mentioned under deletions for 2014. Was this a mistake?
 

John Atkinson's picture

billt1nh wrote:
Aesthetix Atlas Amplifier...has been a Class A recommended component for a few years including 2013 but does not show up this year. It is not mentioned under deletions for 2014. Was this a mistake?

Not a mistake. The Atlas was last included in the April 2013 "Recommended Components" but was deleted from the October 2013 listing on the grounds that it had been almost 4 years since anyone on staff had auditioned it under familiar circumstances.

John Atkinson

Editor, Stereophile

MikeMercer's picture

I've pulled an all-nighter writing, so I gotta be burnt-out.

How to get to the next page in the headphones section.

Is it only this one page???

Kal Rubinson's picture

Just click on the Headphone picture or on the "Headphones" in the list. 

MikeMercer's picture

ThanX Kal!!

That's how I got there.

I think it's only one page - which is a shame.  There's SO much great stuff for John and Co. to cover! Schiit Audio, Cavalli Audio, ALO Audio, Aurelic, JH Audio, Mr. Speakers, and DNA for example. 

John! If you EVER want any help covering the VAST personal audio universe?!?!?

My Sonic Satori Personal Audio Lab!!

BTW - we're havin a BLAST over at Audio360!!

Jason Victor Serinus's picture

Stereophile has an entire online sister publication dedicated to personal audio, innerfidelity.com. It also has another that covers computer audio, audiostream.com.

Azteca X's picture

ThanX Mike!!  I wonder if you've compared your writing style to Tyll at InnerFidelity and wondered why he has the gig?!?!?!  

In all seriousness, InnerFidelity is great and has covered just about every brand you mentioned, I think.  Tyll tends to shy away from the super-custom year-long-waitlist stuff but I find it a good thing compared to forums full of people who drop $4K on amps like it's nothing. 

I also don't think Tyll posts unboxing vids.

Currawong's picture

The Sony MA900 headphones have a 70mm driver, just for your information.

subbanerjee's picture

Dear Editor:

I read the review of the Musical Fidelity DAC. I am not sure how that qualifies as a "formal" review. Yet, that product is placed in the A+ category? I would think that something that goes into the A+ Category would be thoroughly vetted in order to qualify to be a member of the Best-of-the-best category.

Not buying this recommendation...

Thanks
Subroto Banerjee

John Atkinson's picture

subbanerjee wrote:
I read the review of the Musical Fidelity DAC. I am not sure how that qualifies as a "formal" review.

We include in "Recommended Components" products that have been reviewed in one of our regular columns. Although these reports don't include measurements, they are as rigorously prepared as any other "formal" review in the magazine.

subbanerjee wrote:
Yet, that product is placed in the A+ category?

You will note that there is the reference "See ST's review in this issue." With all reviews that are published in the same issue as "Recomemnded Components," the rating is provisional.

subbanerjee wrote:
I would think that something that goes into the A+ Category would be thoroughly vetted in order to qualify to be a member of the Best-of-the-best category.

I have a second sample of the Musical Fidelity V90-DAC and will be publishing a Follow-Up review, complete with measurements, before the next "Recommended Components" listing is compiled.

John Atkinson

Editor, Stereophile

subbanerjee's picture

in the magazine".

Reading through the review, here is the section that refers to the performance of the DAC...

"Compared to the V-DACII, the V90 DAC offers still greater low-level resolutions, superior dynamics, and fatigure-free listening. It does space and place particularly well, and really shines with brass, where lesser DACs tend to turn dull. The Brass Ear would love it."

That's it. And it made it as an A+ DAC?

Come on. As the Editor-in-Chief,  I assume that you question your reviewers when they submit this and want it included in A+. Should you not say, "I don't know Sam, but let's give it a more thorough going over before we put this $299 DAC in A+."?

As you can discern by now, I am not buying this review or your disclaimer that it is a "provisional" rating. I think that a product should have got a thorough going over before it is placed in the rarified air of an A+ rating.

John Atkinson's picture

subbanerjee wrote:
As you can discern by now, I am not buying this review or your disclaimer that it is a "provisional" rating.

It isn't a disclaimer, just a factual statement. The definitive rating will be published in our October issue listing, following my follow-up to Sam Tellig's review. In the meantime, you are perfectly entitled to your opinion on what we write.

John Atkinson

Editor, Stereophile

WishTree's picture

Actually I got this DAC based on recommendations else where. It is properly run in but I did not get the performance of this DAC. It is bright and possibly a tad cleaner but no reason to be A+ product. And yes, it is definetly fatigue-ing. I liked Rega DAC better and Audiolab M-DAC is brilliant though they are a bit different in price range. 

Genesis's picture

No estan mas las KEF 207/2 en la lista, fueron borradas por que tampoco las veo en esta lista

 

gracias

John Atkinson's picture

Genesis wrote:
The KEF 207/2 is no longer on the list...

The KEF was positively reviewed in February 2008; see www.stereophile.com/floorloudspeakers/208kef/index.html. The R207/2 hasn't been auditioned by a Stereophile reviewer since that review, so, as is our policy, it was deleted a couple of years ago. That is why there is no mention its deleion in this listing. However, as we say in the introduction on the first page: "Where deletions are made, we endeavor to give reasons...But remember: Deletion of a component from this list does not invalidate a buying decision you have made."

John Atkinson
Editor, Stereophile

Genesis's picture

Gracias por vuestra respuesta, tengo un par de estas cajas gracias a Uds. vivo en Argentina y solo pude escuchar unas 203/2 y con vuestra review m'as esa escucha decidi la compra. Me gustan mucho, solo que las vi en la lista hasta 2013 y por curiosidad consulte

 

Gracias nuevamente

alexandrov's picture

hmm.. I can see PSB Imagine T2 but not their top model Synchrony One. Is it that worse?

John Atkinson's picture

alexandrov wrote:
I can see PSB Imagine T2 but not their top model Synchrony One. Is it that worse?

We used to highly recommend the Synchrony One, but as with the KEF speaker mentioned above, our review was six years ago - see www.stereophile.com/floorloudspeakers/408psb/index.html - and the speaker was dropped from the listing a year or so back due to none of us having any continued experience with it since the review.

The complete Recommended Components from 2003-2013 can be purchased from our on-line store.

John Atkinson
Editor, Stereophile

Bodhisattva's picture

John, it's hard to take a "2014 Recommended Components" list seriously without any mention of Magico S5's, Vitus components, Jorma Prime or Statement cables or Stillpoints isolation devices. Is this the swisse cheese list?

John Atkinson's picture

Bodhisattva wrote:
it's hard to take a "2014 Recommended Components" list seriously without any mention of Magico S5's, Vitus components, Jorma Prime or Statement cables or Stillpoints isolation devices.

From the introduction to the listing: "Components listed here have been formally reviewed in Stereophile..."

Unlike some other recommended lists, we restrict "Recommended Components" to products that have already been reviewed in the magazine and thus subject to full scrutiny. And there are products from Magico and Vitus included.

John Atkinson
Editor, Stereophile

Bodhisattva's picture

That's fair enough John. I'm pleased to see Magico and Vitus make the list! Both outstanding manufacturers.

Cheers, Bodhi

low2midhifi's picture

I would love to read further on your initial article (Sam's Space, I believe) about the Dynaudio Focus 160.  I have heard good things about this product and would like to know of your sound basis for making this speaker a recommended component.

I have searched fruitlessly for this article and it has evaded every type of google search.  Dynaudio mentions the review on its site but, alas, they provided no link either.

Is Stereophile Vol. 35 No. 1 not avaliable online?

Can you send us any kind of html link through this discussion thread?

Thanks.

John Atkinson's picture

low2midhifi wrote:
I have searched fruitlessly for this article...

With the exception of products that I have subsequently measured, we don't routinely reprint Sam Tellig's column on the Stereophile website. For that, you still need to subscribe to the print magazine. Back issues are available from (888) 237-0955.

John Atkinson

Editor, Stereophile

swillyums's picture

Is there a reason that this iteration of the list doesn't include any product images? I initially thought that it might just be my tablet, but I get the same wall of text on my desktop and phone as well. 

John Atkinson's picture

swillyums wrote:
Is there a reason that this iteration of the list doesn't include any product images?

Last year we could include images because we had the time to prepare the Web reprint from the tablet app. Thus year we are both temporarily operating short-staffed and wanted to post the complete Web version as soon as possible after the appearance of the April issue on the newsstands/in subscribers' mailboxes. This meant discarding both images and review URLs, I am afraid.

John Atkinson

Editor, Stereophile

NewB's picture

I was just wondering why the PSB Image line was removed.  

John Atkinson's picture

NewB wrote:
I was just wondering why the PSB Image line was removed.

As I wrote above, we drop products from the listing when none of the reviewing team has had any continued experience with it for more than 3 years since the original review. The complete listing for the 10 years from 2003 to 2013 can be purchased from our on-line store: http://store-badz031c.mybigcommerce.com/recommended-components-collectors-edition/ .

John Atkinson

Editor, Stereophile

Dan Moroboshi's picture

We could see ubber, ultra and expensive cables on interconnects and speaker cables, but not on digital cables. Is there a reason?

Some cables calls attentions, e.g. Stereolab Master reference 818 BNC/SPDIF, Wireworld Platinum Starlight USB, Kimber KS2020/2120, etc.

Byrnie's picture

Shouldn't the Centrance DACMini CX be listed under this section also given the DacPort is also?

clasvi's picture

Next month,will be four years since I purchased new, my 5004 matching AV receiver and BDP. The AV receiver has died (processor) and the BD player still sounds great when you can finally get the disc to load (mechanical). On occassions, I have had to give up trying. I was very happy with my entry level setup until it died. I now will try a Fusion 8100 AV receiver as a preamp to a ATI AT2005 amp powering my PSB T6's

tigrenrike's picture

I don't see the GoldenEar Triton Seven, and the newer GoldenEar Triton ONE...!?!?!? I think the GE Triton ONE should be in the A Full Range Class. And the Triton Seven should be in the B restricted Class...!

John Atkinson's picture
tigrenrike wrote:
I don't see the GoldenEar Triton Seven, and the newer GoldenEar Triton ONE...!?!?!?

As it says in the introduction, "Components listed here have been formally reviewed in Stereophile..." Neither of these GoldenEar speakers had been reviewed when this listing was prepared (February 2014). However, the Triton One will be reviewed in the February 2015 issue of Stereophile.

John Atkinson
Editor, Stereophile