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That's basically correct.
Not to the best of my knowledge. I know Bud Graham did ome great piano recordings for Sony using a spaced pair of DPA omnis, and Stan Ricker did some recordings for Delos in the eary 1908s using a spaced pair of omis, as did David Wilson. But such recordings are pretty rare. Can you give some examples?
John Atkinson
Editor, Stereophile
Well I know that Pentatone uses 2 spaced mains for their (2 channel) recordings. They use 3 front mains for their multi-channel releases.
So I guess if 2 spaced mains are rare...and we know that audiophile labels don't multi-mike (nor use Blumlein), we can deduce that most use 3 mikes - spaced. By "main" I mean frontal, not rear ambience, pickup.
Would you agree ?
And while I got you, do you feel that (quality) labels capture the full dynamic range of a symphony orchestra ? I ask because back in 1992, under the artlcle "How Hi-Fi are Stereo Discs ?", you said that such recordings are rare.....