Mark Levinson & Revel
After listening to a bit of the sample CD they had playing in the room, I thought I would play the opening cut, Eric Whitacre’s “Lux Aurumque,” from the CD While You Are Alive, which I had produced with John Atkinson engineering. It was the best I had ever heard it. I sat there listening to this recording, into which I poured my soul, next to Kevin, who headed the speaker’s design team, that delivered my vision back to me in a way I’d not realized was possible. I felt so lucky and thankful that I live in a world where designers like Kevin, and so many others who show their heart’s labors at CES, can help artists connect to listeners and listeners connect to artists. All I could do was thank Kevin and give him a copy of the CD, as he clearly enjoyed listening to it almost as much as I did. I only wish I could have played him the high-resolution master files.
I told Kevin that JA and I mixed While You Are Alive on a pair of Revel Salon2s while John had the speakers in-house for review. Kevin looked at me with a smile and told me that I was listening to the very speakers John had in his house. Life is magic sometimes.
The No. 53’s were clearly doing a great job, outperforming JA’s Mark Levinson No.33Hes we had used during the mixing. I gotta stop dissing the digital amps.