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Just because one asks for advice doesn't mean one has to take it. I seek all the help I can get, and appreciate it when it arrives.
Audio experts can come in all shapes and sizes: a great dealer, an audiophile friend or relative, an audio consultant---even a magazine writer. How much do you value their opinions?
In a perfect world, I wouldn't have to ask anyone's help. I don't live in a perfect world, however, so I have no problems asking for some advice. And it doesn't matter if it's my dealer, a friend, or from a high-end (note, I specify high-end) magazine writer. I haven't and won't get to listen to everything out there, so advice on what might work for me is more than appreciated. But keep in mind that it is ONLY advice, not gospel. I take it, use it, but don't follow blindly. I let my ears make any final decisions.
A more complicated issue than you think. Simple answer is: "Trust your own ears, Luke." But that's facile. With thousands of products out there, a little help in sorting the wheat from the chaff is essential. Hence, I rarely trust a salesperson, unless I have a decent and long-standing relationship with them. They get paid to move gear, and even the best can give you a bum steer. Family are helpful only if they are into the audiophile world as well. (So when's the last time you sat around with Dad and talked about the sampling-rates war?) What about the critics in the mags like Stereophile, TAS, etc.? Good question. They too have a vested interest in the industry, and frankly, positive reviews of equipment far outweigh the crappers. Basically, then, I use the reviewers as a window on a world of hi-fi I haven't access to. If I don't wholly value their opinions, I at least respect the fact that they can get at the equipment and give me a sense of where I should head for purchases. The rest is up to those pointy Vulcan-like appendages attached to my head!
I look for direction from audio publications. Like film reviews, they are a direction to what might be of interest. My ears do the rest. I attend enough live music each year that I know what I am after. We are still far from the live experience, but my system brings music I would never hear into my room.
If I seek advice, it's usually from the manufacturer's rep. I used to sell Audio and video products at The Federated Group(when they were in business) and at Ken Crane's. Electronics is my hobby. I've built Dyna kits, and more recently my own pre-amp.
I do not value the opinion of a dealer or audio consultant much. They are going to recommend you to buy whatever they sell! They sell Yamaha: Yamaha is the best. Also I remember a high end dealer in Chicago who was telling me that the Pass Aleph 0 was better than the Aleph 5 because it had three gain stage, instead of two only for the 5! They'll tell you anything! An other high end dealer here was telling me that his pair of used Apogee Studio was $20,000 new and he was selling them for $10,000 only. No problem to service them through Apogee! (Apogee was out of business and the firm who had bought the brand had said several months earlier that they would not service Apogee speakers anymore). And on , and on , and on. Can you trust an audio magazine? More, up to a certain point. You can trust The Absolute Sound. J. Valin. H. Pearson. They'll tell you their mind about a piece of hardware. I don't know about Stereophile. I heard stories of payback between reviewers and hardware companies (Dunlavy). It's common practice in Japan. Velodyne cancelled all adds when they had a bad review for a new pair of speakers(by J-10 I believe). Now they have systematic good reviews. They are back advertising like crazy!
I am always open to the advice of others, since it may give me a good idea. But, ultimately, only one opinion matters: Mine. After all, I'm the one who has to live with the system. Then, too, different people have different opinions--sometimes VERY different--as to what is great and what is lousy.
I find more people seek my advice than vice versa. I have been involved in audio for many years and I find that there are many more people who claim to know about audio than actually do. I restrict my seeking of advice to a select few who have demonstrated knowledge in audio and who hear the same types of things I hear.
There are no acceptable excuses for failure to stop learning. Age, income, status, title, and responsibility are sometimes accepted as reasons that more learning is unnecessary. None are legitimate reasons. To hear the opinion of what a great dealer like Brooks Berdan has to say, or a great magazine writer like Sam Tellig, is an extraodinary audio consultation experience. Many knowledgeable sources of information are out there for the asking. By reading and listening to the many experts we can at least hope that we are channeled toward the things that count, such as reliability of product, its quality, as well as the taste imparted to it by the designer. Not all of us can afford to experience the things we would like to own. The audiophile friend, relative, dealer, consultant, or magazine writer provides a glimpse of their experiences for us to ponder.Their opinions are important and are valuble, even if you disagree.
Mostly because my gear is custom or highly modified, I seek advice from designers on a regular basis. Whether it is power-supply design or soldering those pesky surface-mount chips, good advice is welcome. I have also welcomed input with respect to acoustics (since I am also in the middle of building a music room from the ground up).
In the Yellow page add's the caption was "Let your fingers do the walking". I was trying to come up with something similar but along the lines of "Let your ears do the listening" or maybe "let your friends do the talking but your ears the listening" Maybe there is some other phrasing, but I guess you get the point. I value your opinions for the subscription price I pay you, for which I feel I get a pretty good return! I especially value reviews of music and equipment that is awkward to audition. For music after a couple of "reccomended" buys either panning out or getting tossed out, I value future reviews by the reviewer.(or not). Your equipment reviews I value only as a direction to go and listen to. Generally you do not seem to review products that you would have to pan which is either a good idea in that you keep your reviewers on good quality equipment but sometimes a pain when "my" device never gets a reveiw. It is however, always nice when something you have bought after the usual protracted audiophile selection process gets a subsequent positive review.