Wes Phillips

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Wes Phillips Posted: Jul 30, 2008 3 comments
Geva believes that measurements don't lie—well, he allows that they can fib, but that a competent engineer should be able to interpret them with great accuracy. He uses aluminum and ballistic allow instead of wood or MDF, he said, because they are the "most resonant free, deadest, stiffest, strongest, least diffractive, and most sonically desirable materials ever found."
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Wes Phillips Posted: Jul 30, 2008 4 comments
Made by ScanSpeak, designed by Geva and ScanSpeak's engineers. "The motor, voice coil assembly, and membrane incorporate our most advanced technology." It is assembled in-house at YGA's factory.
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Wes Phillips Posted: Jul 30, 2008 1 comments
The other side of the tweeter assembly.
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Wes Phillips Posted: Jul 30, 2008 0 comments
The woofer for the Anat Ref Pro and Studio II is also an exclusive YGA design. "From the voice coil to the surround and cone, the woofer is the ultimate expression of what can be produced for our enclosures and sub-amp technology."
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Wes Phillips Posted: Jul 30, 2008 5 comments
The Anat Reference Professional incorporates a powered subwoofer. This is the amp module.
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Wes Phillips Posted: Jul 30, 2008 4 comments
Every time I passed the parts bin with this bad boy in it, I did a double take. Man, that's big!
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Wes Phillips Posted: Jul 30, 2008 1 comments
This precision sander puts the lovely exterior finish on the Anat's panels. Yes, the machine does the grunt work, but factory manager Roger Wertz supervises the entire time with his hand on a deadman's switch.
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Wes Phillips Posted: Jul 30, 2008 3 comments
It's an acoustic fourth-order Linkwitz-Riley, crossing over at 1.75kHz, if you're keeping score at home.
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Wes Phillips Posted: Jul 30, 2008 0 comments
More crossover naughty bits.
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Wes Phillips Posted: Jul 30, 2008 5 comments
YGA gets its open air measurements by lifting the speaker under measurement away from that pesky floor boundary with a forklift.
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Wes Phillips Posted: Jun 17, 2008 0 comments
At Waterstone's website, Neil Gaiman interviews Terry Pratchett. If that isn't enough to whet your interest, the interview is accompanied by excellent Paul Kidby illustrations.
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Wes Phillips Posted: Jun 16, 2008 0 comments
When I visited The Louis Armstrong Archives a few years ago to visit archivist Michael Cogswell, Cogswell escorted me back into the stacks to show me Armstrong's collection of 650 open-reel tapes, almost all of which sported collages assembled by the great trumpeter. More than touching his trumpet, I felt a direct connection to Armstrong viewing (and hearing) his mix tapes—Satchmo was one of us!
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Wes Phillips Posted: Jun 04, 2008 9 comments
Sasha Frere-Jones has a fascinating article in the June 9 The New Yorker about Antares's Auto-Tune software. In case you aren't familiar with it, Auto-Tune is pitch correction software that is used almost universally in contemporary pop recordings—sometimes just to "fix" an off note, increasingly frequently as an effect in its own right.
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Wes Phillips Posted: May 31, 2008 2 comments
Having visited China and witnessed the building boom firsthand, I must admit that I suspected corners were being cut in construction—so I wasn't surprised by how many buildings came down. Considering all the construction accidents happening in NYC this year, who am I to look askance at China?
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Wes Phillips Posted: May 30, 2008 2 comments
Back in April, Daniel Jacques of Audio Plus, Focal's North American distributor, invited me to visit Focal's factory in St. Etienne. Since I'd never reviewed any Focal loudspeakers, I didn't know a lot about the company, but I have spent many happy hours in Jonathan Scull's ribbon chair, listening to his Grand Utopias, so I was eager to go—and to learn more.

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