As We See It

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Jon Iverson Posted: Jan 16, 2005 0 comments
Having just spent the last four days at the 2004 Audio Engineering Society conference in San Francisco, I was struck by the sunny enthusiasm shared by many industry professionals for 5.1-channel surround-sound music.
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Jon Iverson Posted: Jan 16, 2005 Published: Apr 16, 1997 0 comments
This is the story of the tiger wagging its tail. It is also the story of a tail trying to wag its tiger...
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John Atkinson Posted: Jan 04, 2005 Published: Jan 05, 1996 0 comments
Watching the Beatles Anthology TV shows last Thanksgiving, I was struck by how good recorded sound quality was in the early to mid-1960s and how bad it had become by the era of Let It Be. Early Beatles recordings may have been primitive in terms of production, but their basic sound quality was excellent, with extended response at the frequency extremes and a natural, clean-sounding midrange. Late Beatles recordings lacked highs and dynamic range, and sounded grainy by comparison. This was partly because, by 1969–70, studios had replaced their simple tubed mixing consoles with the first generation of solid-state desks, and their old tubed two-track Studers and Ampexes with solid-state multitrack recorders. These featured track widths so narrow that only the massive use of Dolby-A noise reduction made it possible to produce recordings that had any dynamic range at all!
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Jon Iverson Posted: Jan 04, 2005 Published: Jun 05, 2000 0 comments
Stereophile is finally collectible. Either that, or I'm the biggest audiophile sucker out there. A few weeks back, I finally caved into temptation and signed up for an account on eBay, the website via which millions of folks buy and sell stuff in an online auction, and on which someone once tried to sell a human kidney. (It was not allowed.)
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Jim Austin Posted: Dec 12, 2004 0 comments
In early 2000, the British magazine The Economist published a lead editorial addressing America Online's acquisition of media giant Time Warner. In the editors' view, TW was a clunky, old-style media company that needed a fresh injection of dot-com blood to help them reach a more narrowly targeted audience. "Sex, shopping and violence," the editors wrote, echoing Internet visionary George Gilder, "...are what people have in common. What differentiates them is their enthusiasm for folk music, tropical fish, or Viennese waltzes."
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Barry Willis Posted: Dec 05, 2004 Published: Jan 05, 2001 0 comments
Mastering engineer Denny Purcell let out a long sigh. "Does anyone in this room believe that any of this is going to do any good?" he asked. Of the eight or nine people—each with decades of experience in the music and/or audio industries—hanging out at Georgetown Masters Studios for SDMI's Phase II listening tests this past October, not one said "Yes." The consensus: the watermarking issue will probably be dead and forgotten within a year.
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John Atkinson Posted: Dec 05, 2004 Published: Feb 05, 2000 0 comments
I've recently been rereading Mark Lane's and Donald Freed's 1970s screenplay cum novel, Executive Action, which develops the theory that John F. Kennedy was assassinated by a conspiracy between organized crime, expatriate Cuban Batistists, and Eisenhower's "military-industrial complex." Long predating Oliver Stone's JFK, the book is fascinating, convincing stuff, from authors who had done considerable research into what really happened in November 1963. But, like all conspiracy theories, it falls down on the hard rock of reality: the more people and organizations are involved in a conspiracy, the less likelihood there is of anything happening at all, let alone going according to plan.
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John Atkinson Posted: Dec 05, 2004 Published: Oct 05, 1999 0 comments
Someone once said that if you build a better mousetrap, the world will beat a path to your door. Well, this month, we will see not one but two better mousetraps, in the form of Sony's and Philips' Super Audio CD and the DVD Forum's DVD-Audio. Both are intended to replace the humble CD, now in its seventeenth year; both offer higher-resolution digital audio; and both offer multiple channels. To accompany SACD, Sony's $5000 SCD-1 two-channel player is now on sale (and will be reviewed in the November Stereophile), while Panasonic has announced October sale dates for two DVD-A players, the $1000 Panasonic DVD-A7 and the $1200 Technics DVD-A10.
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Jon Iverson Posted: Dec 05, 2004 Published: Aug 05, 1999 0 comments
Audiophiles have a mess on their hands. In a somewhat surreal press conference in May, a half dozen audio luminaries—representing Sony, Philips, and several titans of the high-end recording business—stood on a HI-FI '99 stage looking awkwardly at the audience.
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John Atkinson Posted: Dec 05, 2004 Published: Feb 05, 1998 0 comments
"Do you have another DVD player?" asked Classic Records' Michael Hobson. As is usual in important demonstrations, Murphy's Law had struck with a vengeance. The prototype Muse DVD player Kevin Halverson had worked on most of the previous night was refusing to play the DVD Mike had placed in its tray.
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John Atkinson Posted: Dec 05, 2004 Published: Dec 05, 1995 0 comments
As you can read in this month's "Industry Update" (pp.35 & 37), the two conglomerates who hitherto seemed driven to offer the world two competing standards for the forthcoming Digital Video Disc came to their senses. Instead of consumers being offered Toshiba/Warner/Matsushita's SD and Sony/Philips's MCD, there will be just one high-density 4.75" disc to take both video and audio data storage into the 21st century.
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John Atkinson Posted: Nov 29, 2004 Published: Sep 27, 1995 0 comments
"The idea that intellectual property in a Net-based economy can lose its value horrifies most owners and creators. They'd better get over it."—Esther Dyson, "Intellectual Value" Wired, July 1995, p.136
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Jon Iverson Posted: Nov 29, 2004 Published: Dec 27, 1997 0 comments
There has always been something uniquely satisfying about holding a paper magazine in your hand and riffling through its pages. Images and textures are of higher resolution than any video screen, and the ease of use of the paper-page bundle can not easily be replaced. People are developing electronic substitutes for paper, but the interesting thing is that these researchers are endeavoring to imitate the look, feel, and functionality of paper—but with digital inks and charged surfaces. For now, plain old paper and ink are just too perfect a medium to toss when it comes to packing information into a compact, portable, high-quality package.
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John Atkinson Posted: Nov 08, 2004 Published: Nov 01, 2004 0 comments
"Bugger!" A Pennsylvania state trooper had stepped out from behind the overpass on the Turnpike and was aiming his radar gun straight at me. I reflexively jammed on the anchors, which was a) pointless and b) downright dangerous, considering I was in the middle of a phalanx of cars and trucks all cruising 5-10mph over the speed limit. But what can you do?
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Robert Harley Posted: Nov 05, 2004 Published: Oct 01, 1993 0 comments
I've watched from the sidelines with great interest the recent debate in this column over Home Theater (footnote 1) At one extreme is the suggestion that Stereophile begin reviewing video and Home Theater products. The other end of the spectrum was best expressed by John Atkinson at Stereophile's 1993 High-End Hi-Fi Show in San Francisco. Hearing the booming bass overflow of a Home Theater demonstration blasting down a hallway, he said, "They've brought televisions to our hi-fi show!"

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