Turntable Reviews

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Art Dudley Posted: Dec 26, 2004 0 comments
I saw it coming back in 1996. That was when Rega introduced their full-bore assault on the state of the art of record replay, the Planar 9 turntable. The P9 was and is a superb product, but because it sells for $3900—more than five times the price of the company's bread-and-butter model, the venerable Rega Planar 3—its introduction created an enormous price gap. And that's not to mention all the numbers between 3 and 9 that have languished for so long: How could you not expect Rega to fill in the blanks with Planars 4, 5, 6, 7, and 8?
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Michael Fremer Posted: Nov 30, 2003 Published: Nov 01, 2003 0 comments
Long before the Swedes at Ikea did it, the singular Scotsman Ivor Tiefenbrun began giving his products funny-sounding names. For some reason positively phobic about the letter c, he banned its use in any of those names. Someone once told me his real last name is Tiefencrun, but since it wouldn't sound any different with a k, he settled for a b. "I could have been Ivor Tiefendrun, or Tiefenfrun, or Tiefengrun, for that matter," he's quoted as having said once while krunching a krakker.
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Paul Bolin Posted: Jul 26, 2003 Published: Jul 26, 1990 0 comments
"Which way to the four o'clock tour?" It was already 10 minutes past the hour. I was late, but this was the last tour of the day. It would be a very long wait for the next one.
Paul Bolin Posted: Jul 26, 2003 0 comments
Turntables are intrinsically cool. Maybe it's that I am of the pre-CD generation, for which the acquisition of one's first really good turntable marked an audiophile's coming of age. Just as turntable technology has progressed to such awe-inspiring pieces as the SME 30/2 and Rockport Technologies Sirius III, less stratospherically priced 'tables now offer levels of performance that, if not revelatory, show why so many audiophiles (including yours truly) continue to love their LPs with something just short of fanaticism.
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Michael Fremer Posted: Mar 16, 2003 0 comments
Dense, compact, and built to run O-rings around the competition, SME's flagship turntable makes every other design I've encountered—with the possible exception of Rockport's System III Sirius—look almost homemade. I don't mean to insult the many fine, well-engineered designs out there, but I've seen nothing else to compare with SME's tank-like approach to spinning a record. Comparing the Model 30/2 to a tank isn't exactly fair: the machining is done to higher than mil-spec tolerances. I don't think anyone else building turntables today is capable of this level of construction quality, never mind design ingenuity and fit'n'finish.
Art Dudley Posted: Feb 16, 2003 0 comments
Oh, I talk a good game when it comes to the whole music-lover-vs-audiophile thing. But I admit that when it comes to record players, I'm just another hardware junkie. I love turntables and tonearms for more than the musical enjoyment they give me. Turntables and tonearms are my favorite toys.
Brian Damkroger Posted: Dec 20, 2001 0 comments
I'm a tinkerer. From homemade audio isolation and room-treatment products to a local area network (LAN) connecting my Macintosh laptops, I'm always building or modifying something. One of my latest projects is a combination of parts swaps and custom-machined bits to better adapt the ergonomics of my exotic Italian Bimota motorcycle to my distinctly un-Italian 6'3" frame. But regardless of what I'm into, I can't resist the urge to tinker.
Michael Fremer Posted: Aug 20, 2000 0 comments
Andy Payor hurls a briefcase full of engineering and scientific mumbo-jumbo at in an attempt to justify the $73,750 price of the latest and greatest edition of his Rockport Technologies turntable, but really—isn't this all-air-driven design a case of analog overkill? After all, defining a turntable's job seems rather easy: rotate the record at an exact and constant speed, and, for a linear tracker, put the stylus in play across the record surface so that it maintains precise tangency to a radius described across the groove surface. By definition, a pivoted arm can't do that, so the goal there is to minimize the deviation. That's basically it. Right?
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Michael Fremer Posted: Apr 15, 2000 0 comments
What do you want from a 21st-century record-playing device? I hear you: you want one that's compact, well-made, easy to set up, holds its setup, sounds great, and doesn't cost a lot.
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Michael Fremer Posted: Mar 28, 1999 0 comments
I literally dropped everything when Rega's new Planar 25 turntable arrived a few weeks ago. I'd heard the 'table compared with the Planar 3 at designer Roy Gandy's house when I visited Rega last fall—see "Analog Corner" in the January '99 Stereophile—and was anxious to audition it in my own system and tell you what I heard.
J. Gordon Holt Posted: Dec 28, 1995 Published: Dec 28, 1987 0 comments
There is something vaguely disturbing about the idea of an $8000 turntable and arm combination. That's more money than a lot of audiophiles have invested in records through the years. Total overkill! Or so it might seem. But the entire history of analog disc reproduction, from the first LP to the present, has been one of seemingly open-ended discoveries—of subtleties nobody ever imagined were frozen in those tiny grooves, of levels of quality no one ever guessed the medium was capable of. Yes, newer LPs are a lot better than the first ones, but that is only to be expected in any technologically advancing field. What is amazing about the LP is that, 40 years after its introduction, we are still finding out that all of them, from the first to the latest, are better than anyone could have imagined. An improved phono unit doesn't just make the latest release from Wilson Audio or Reference Recordings sound better, it does the same for every LP you own!
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John Atkinson Posted: Jan 10, 1995 Published: Jan 10, 1991 0 comments
What did you on your wedding night? I know what I did. All three times. But Casey McKee? He spent his wedding night at the end of October installing the new Lingo power supply on his Linn LP12. I know. I was there.

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