Stand Loudspeaker Reviews

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Robert J. Reina Posted: Apr 24, 2005 0 comments
Following my favorable experience with Epos Ltd.'s entry-level loudspeaker, the ELS-3 ($329/pair; see my January 2004 review), Roy Hall, of importer Music Hall, called me with some excitement about the new Epos M5 ($650/pair). In a crowded room at the Home Entertainment 2004 show in New York, I did a quick comparison of the M5 and ELS-3 under suboptimal conditions of multiple speakers in the room and Roy answering consumers' questions while pouring scotch for his dealers. Still, I was able to hear enough from the M5 to intrigue me, and with high expectations, I asked for a pair for review.
John Atkinson Posted: Feb 27, 2005 Published: Mar 27, 2000 0 comments
Like many audiophiles, I am finding myself listening to more and more music sitting in front of my computer. My experience with the little plastic-box horrors sold as "computer speakers" has not been positive, however, with even models from Altec Lansing and Cambridge SoundWorks scoring an "F." For a long time, therefore, I used a pair of RadioShack Optimus LX5s, stuck at the far ends of my desk because their unshielded drivers messed with the colors on my monitor. I tried and liked a pair of the A/V version of PSB's best-selling $249/pair Alpha. Then Jonathan Scull recommended I try a pair of the diminutive Elans from Utah-based Evett & Shaw, with which he had been impressed at the 1999 Consumer Electronics Show.
John Atkinson Posted: Feb 06, 2005 Published: Sep 06, 1995 1 comments
It's a common audiophile failing to remember the past as being much better than it actually was. (Though, of course, some things were better.) I remember the first time I heard a pair of Acoustic Research LST loudspeakers, in 1974 or thereabouts. Compared with the Wharfedales I used in my own system and the various Goodmans, Celestions, and home-brews I heard at friends' homes, the sound of classical orchestral recordings on the ARs was about as close to the real thing as I could imagine. And the AR ads reinforced my experience, telling me that musicians such as Herbert von Karajan also used LSTs. I never heard those speakers again, but occasionally I wonder how they would hold up today (footnote 1).
Robert J. Reina Posted: Jan 18, 2005 0 comments
My normal practice in seeking out contenders for Affordable Speaker Nirvana is to pursue speakers I stumble across at our Home Entertainment shows, and to keep tabs on new designs from manufacturers whose wares have impressed me in the past. This time, however, editor John Atkinson called me out of the blue: "How would you like to review the Amphion Helium2 loudspeaker? It's the entry-level speaker in a Scandinavian speaker line distributed by Stirling Trayle of Quartet Marketing."
Robert J. Reina Posted: Dec 19, 2004 0 comments
Paul Barton, founder of PSB Speakers International, is an icon of the North American speaker industry. A talented designer who has for many years produced innovative and cost-effective designs at a range of prices, Barton does not let time stand still, constantly updating and revising his designs. But what makes him unique, in my view, is that, unlike the designers at most North American speaker companies, whose successful affordable designs are trickled down from their more expensive models, Barton, like the British designers, seems to get most of his excitement from his budget lines. His original PSB Alpha was, in its day, the most significant entry-level speaker made in North America since the original Advents of the 1970s.
Robert J. Reina Posted: Nov 21, 2004 0 comments
I have concluded that I am blessed.
Robert J. Reina Posted: Oct 23, 2004 Published: Oct 01, 2004 0 comments
In the September 2001 Stereophile (Vol.24 No.9), I wrote very favorably about Polk's RT25i loudspeaker ($319.90/pair). That bookshelf model impressed me with its open, neutral midrange; its pristine, extended high-frequency response; and its low-level dynamics. On the minus side, the RT25i was fairly limited in low-bass extension and high-level dynamic slam. At the time, I was seeking a new speaker for my home computer music-composition system, and I bought the review samples—the only time I've done that since I began to write for Stereophile some 20 speaker reviews ago.
Sam Tellig Posted: Oct 03, 2004 Published: Jun 01, 1990 0 comments
"Speakers are difficult," says Lars.
Robert J. Reina Posted: Sep 19, 2004 Published: Sep 01, 2004 0 comments
Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.
Robert J. Reina Posted: Jun 13, 2004 Published: Jun 01, 2004 0 comments
I love dealing with the colorful characters of high-end audio. One such individual is Victor (Veekh-tor) Goldstein, who has distributed high-quality European audio gear from his New York City headquarters, Fanfare International, for 23 years. A nuclear engineer by training, Goldstein transitioned into audio when the Three Mile Island incident reduced the demand for his services. (I guess he felt his skills were transferable to single-ended triode amplifiers.) Most of all, Goldstein is a passionate lover of music with a vinyl collection that numbers well into five figures, and a fixture at many of the significant classical performances at New York's major concert halls.
Robert J. Reina Posted: May 16, 2004 Published: May 01, 2004 0 comments
I love attending Stereophile's Home Entertainment shows. I get to check out the latest gear, hobnob with manufacturers and writer colleagues, hear some live music, and play a little jazz with John Atkinson, Zan Stewart, and Immedia's Allen Perkins. Unfortunately, work commitments at my day job meant I couldn't attend HE2003, in San Francisco, so I directed my team of Stereophile scouts to find me some hot new budget speakers. Robert Deutsch was quickest to respond, the week following the show: "Bob, you've got to check out these new speakers from Usher Audio in Taiwan! They have a number of models within your budget." One phone call later, and a $1000/pair of Compass X-719 bookshelf speakers was on its way to me.
Robert J. Reina Posted: Apr 18, 2004 Published: Apr 01, 2004 0 comments
It was 20 years ago that I began audio reviewing as a second career. It was also 20 years ago that I made my first very expensive audio purchase: a pair of Infinity RS-1b speakers. The RS-1b was a landmark speaker in its day, and very costly for the time at $5500/pair. (I think my dentist has just spent more than that on a TV.) In retrospect, the RS-1b was an extraordinary value. With four large towers, more than 30 drivers, and a servo network and a passive crossover, the Infinity RS-1b resolved a significant amount of detail, was capable of large dynamic swings, had pinpoint image specificity on a wide, deep soundstage, and was capable of reproducing a convincing bottom octave in the right room when paired with the right associated equipment. Its main weaknesses were a relative lack of coherence due to its use of three different types of drivers to cover the various frequency ranges, and both the midrange/tweeter towers and woofer columns were picky about amplifier matching.
John Atkinson Posted: Feb 15, 2004 Published: Feb 01, 2004 0 comments
Bob Reina has been doing more than his share of reviewing inexpensive speakers in the past couple of years. I thought it only fair to shoulder some of the load, therefore, by reviewing a small design that had sounded interesting when I heard it at a press preview, the Klipsch RB-15.
John Atkinson Posted: Feb 15, 2004 Published: Feb 01, 2004 0 comments
When I was first getting interested in "high fidelity," as we called it back in the 1960s, there was an audio dealer in Worthing, England called Bowers & Wilkins. Their advertisement in the February 1966 issue of Hi-Fi News features their annual sale, with a Quad Electrostatic Speaker priced at $l30 instead of the manufacturer's recommended $l37 (footnote 1), and offering other bargains, from ReVox, Quad, Rogers, Leak, and Armstrong. Conspicuous by their absence from the ad are Bowers & Wilkins speakers. The first reference to those I could find was in the August 1968 issue of what was then called The Gramophone, when race-car driver turned audio critic John Gilbert raved about the P2 Monitor. Designed by avid concertgoer John Bowers with Peter Hayward and featuring an EMI bass unit and a Celestion tweeter, the two-way P2 was priced at more than twice the Quad speaker, at $l159/pair.
Robert J. Reina Posted: Jan 18, 2004 Published: Jan 01, 2004 0 comments
Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.

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