SSI 2014

Sort By: Post Date | Title | Publish Date
Filed under
Art Dudley Posted: Apr 01, 2014 0 comments
I admit some confusion: According to the product sheets found near this static display, almost every one of Tri -Art Audio's 20 products is named either Pebbles or Bam Bam. That said, here is the Ontario-based company's $1150/pair mini-monitor. It is named Bam Bam. Bob Deutsch was similarly puzzled by the company's dem room.
Filed under
Art Dudley Posted: Apr 01, 2014 5 comments
For whatever reason I didn't hear many word-of-mouth recommendations as I wandered the halls during the first two days of SSI; the few that did break through the haze pointed to two products: the Eclipse TD-M1 desktop loudspeakers in one of Coup de Foudre's rooms, and the Muraudio Domain floorstanding loudspeakers ($58,000 per pair): about as different as different can be. Just as I discovered with the Eclipses, the Muraudio speakers deserved the buzz.
Filed under
Art Dudley Posted: Apr 01, 2014 0 comments
Here we see Steven Huang of Audio Sensibility waiting on a customer at his SSI display. His Toronto company offers custom cables at sanely low prices—starting at $129/meter for their entry-level interconnect—and sweetens the deal with custom-machined stainless steel (not aluminum, or even aluminium) connector shells and a 30-day money-back guarantee.
Filed under
Art Dudley Posted: Apr 01, 2014 0 comments
It's a fondly regarded part of every SSI: a single large ballroom given over to small exhibits—some active, most of them passive—of products that are designed and made in Canada. Among the most striking sights in this year's Pavillon du Canada was something that I can describe only as The Big, Orange Turntable, which sat near the center of the floor: unlabeled, unattached to any other components, and apparently unrelated to any known exhibits. Big, Orange Turntable, we salute you.
Filed under
Art Dudley Posted: Apr 01, 2014 1 comments
The photography used in the display materials associated with Totem loudspeakers are of consistently very high quality. That said, during my stroll through the Pavillon du Canada at this year's SSI, I finally noticed something about the people in those photos: They are exclusively female, and they are almost always barefoot. As a male who is as ignorant of the principles of the psychology of marketing as he is hesitant to go barefoot anywhere but the beach, the bath, and the bed, I am puzzled (but not troubled).
Filed under
Art Dudley Posted: Apr 01, 2014 0 comments
On static display at the Pavillon was a sample of the A115 stereo MOSFET power amplifier from Ontario-based Linar Audio; information on pricing was not on hand.
Filed under
Art Dudley Posted: Apr 01, 2014 1 comments
I have experienced my first cable demo in French. The very animated and enthusiastic Bruno Delorimier conducted a Nordost interconnect comparison for an appreciative audience of Quebec audiophiles, using a pair of Dynaudio Confidence C1 loudspeakers ($8500/pair, plus $600 for stands), and all SimAudio Moon electronics. Going from Nordost's Blue Heaven ($350/1 meter pair) to their monofilament-technology Heimdall (ca $800/1 meter pair), the differences in rhythmic nuance and sheer touch—in favor of the Heimdall—were apparent, regardless of language.
Filed under
Art Dudley Posted: Apr 01, 2014 0 comments
Like the gentleman seen browsing through the crates of LPs offered by Aux 33 Tours—the Montreal vinyl specialists who shared SSI space with hi-fi retailer Acoustic Technologies—I too have a record-shopping hat. I wear it for good luck whenever I leave the house in search of rare vinyl. Especially in cold weather.
Filed under
Art Dudley Posted: Apr 01, 2014 0 comments
On my second day in Montreal I had an enjoyable conversation with Jean Barbeau of Solen Electronique, the Quebec manufacturing company whose capacitors and other passive components remain popular with hundreds of manufacturers (including the vintage-inspired Shindo Laboratory). Monsieur Barbeau, who co-designed the fine-sounding loudspeaker project being demonstrated in Solen's SSI room, observed that more and more young listeners have been approaching Solen in recent months for DIY parts and advice—"A very healthy trend."
Filed under
Art Dudley Posted: Apr 01, 2014 1 comments
Among the many SSI rooms sponsored by Canadian distributor Plurison was a ballroom—the Verdun, to be precise—where the signage promised MartinLogan loudspeakers on demonstration. I stepped a short distance inside and was swallowed by darkness—and sound. I followed the latter, turned left, and felt more than saw a row of theater-style seats, most of them filled with people who were enjoying Avatar on a large screen. The sound was indeed impressive, but it was impossible to see, let alone photograph, the gear being demonstrated, and I could locate neither personnel nor literature. Unsure how to illustrate such an experience, I grabbed my chance and, on the way out, photographed the next guy going in.
Filed under
Robert Deutsch Posted: Apr 01, 2014 5 comments
At last year's SSI, the show management asked exhibitors to assemble systems that are "entry level" in a high-performance audio context, costing less than $5000. (We can argue—and some people did—about whether <$5000 is a realistic figure for "entry level," but, audiophiles being the way they are, you're going to get an argument regardless of the figure.) In any case, relatively few exhibitors followed through with this last year. At SSI 2014, show management made more of a concerted effort to persuade exhibitors to participate, and indeed there were a lot more of the little blue "$5000 System" signs throughout the show.
Filed under
Robert Deutsch Posted: Apr 01, 2014 2 comments
Now, that's a real speaker! Unless you examine it, or read the literature on the Tannoy Canterbury GR ($30,000/pair), you might think that you're looking at a speaker made more than a half-century ago: a very substantial floorstander that's wide as well as deep, making no concession to modern speaker design ideas like keeping as narrow a front baffle as possible.
Filed under
Robert Deutsch Posted: Apr 01, 2014 0 comments
With Bam Bam and Pebbles as product names, I thought I was merely stating the obvious in a previous show report when I suggested that the designer of Tri-Art Audio products must be a Flintstones fan. I mentioned this to the Tri-Art people at SSI 2014, asking whether they were paying royalties for using these names, and was told that they never thought of any connection with the Flintstones: Bam Bam is a reference to the use of bamboo in their products. (I still don't know how "Pebbles" comes into it.)
Filed under
Robert Deutsch Posted: Apr 01, 2014 0 comments
No audio show would be complete without a new or revised speaker model from Gershman Acoustics. At SSI 2014, the new offering from Gershman was the Avant Garde R-1 ($8000/pair), replacing the previous R-44. It's a fairly unobtrusive tapered-toward-the-top floorstander, and was sounding lively and open with Audio Flight electronics. Gershman has also moved into component supports with their Levitation Vibration Control devices that use opposing magnets. As you can see in the photo, they now have a version of these devices for cables.
Filed under
Robert Deutsch Posted: Apr 01, 2014 0 comments
Resonessence Lab, based in Kelowna, BC, is a company making cutting-edge digital equipment. The top of the line is the Invicta Mirus ($4995), a D/A converter that uses 8 DACs per channel, and handles DSD64/128, DXD, and claims THD of 0.0002% (–114dB). In true trickle-down fashion, it has been joined by the Invicta ($599), still with the same DSD/DXD capability, and THD only a slightly less impressive 0.00032%. Their latest product is the Herus headphone DAC ($350), this one with THD a whopping 0.003% THD. They're shown right-to-left in the photo.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading