The Luxman L-509u ($10,000) is rated to deliver 120Wpc into 8 ohms, and comes equipped with tone and balance controls, a front-panel headphone jack, MM/MC phono stage, and all kinds of rad buttons, knobs, and meters. No remote, though. You’re gonna have to get up and play with this sweet thing.
I first heard the battery-powered amplification from Veloce at the 2009 SSI; this year the Philadelphia-based company was sharing a room with YG Acoustics, whose 3-way Kipod speakers ($38,500/pair) were being driven by the V6 mono 180W amplifiers ($12,500/pair) via Kubala-Sosna Emotion cables. A V.Y.G.R. Baltic M turntable, fitted with a 12" SME 312 tonearm and Air Tight PC-1 cartridge fed Veloce's new LP-1 transformer-based phono module ($3000) and the Veloce Platino LS-1 tube preamp.
Maybe I don't know everything after all. In all candor, Legacy loudspeakers had never struck me as the sorts of things I might like. But here at FSI, driven by an attractive Ayon Triton integrated amplifier ($8500), itself fed by an Ayon CD-5 CD player ($9450), I very much enjoyed the big Legacy Whisper XD speakers ($20,000/pair). I wasn't surprised by the punchy, wide-range presentation, but there was a lot more realistic texture and timbral color than I ever expected. And the very nice young couple who ran the suite were patient with my seemingly limitless supply of inane questions. A fine experience.
I got to see and to hear the legendary Platine Verdier turntable in the Excel Stereo suite, and though language differences and crowd noise confounded my efforts to learn either its current price or the name of the curious birdsong-and-fiddle record being played, I was delighted to see it in use with a proper (12") tonearm and Ortofon SPU pickup head. Seems I didn't leave civilization behind after all!
The Multi Electronique suite was home to a tasteful, sedate display of Focal loudspeakers and Simaudio electronics, fed by an iMac computer running iTunes: just like home, except these guys had WAV files instead of the AIFFs that I prefer. The music selection was superb, and included the young jazz singer Melody Gardot, whom I hadn't heard before today, and the always interesting Dee Dee Bridgewater. Even without the luxury of an "audiophile" setupwhich is to say, these musical furnishings were arranged in the manner of a normal person's homethe sound of the Focal Chorus 826W ($3795/pair), Moon 3.3 DPX D/A converter ($4000), and Moon 3.3 amplifier ($4000) was utterly charming, and I left my comfy red seat with only the greatest reluctance.
On a number of occasions I've heard the CD-77 CD player from Abbingdon Music Research sound wonderful: organic, textured, and altogether analogish. Today was no exception, as proven by the latest 77.1 version of the AMR player ($9995), distributed in the US by Avatar Acoustics. (Avatar also distributes the unique tuning accessories made by Franck Tchang of Acoustic Systems International.) Other components on dem were a beautiful tube preamp and power amp from Japan's Mactone (price to be determined) and Teo Audio's interesting new Runa loudspeaker (projected to sell for $12,000/pair), all wired together with the latest interconnects and cables from the Teo-distributed Liquid Cable. The system was invitingly detailed without a trace of tizz, and while I'm not the sort who obsesses over imaging, I admit that I was charmed by the Teo speakers' very inviting spatial qualities. Also on display but in use during my visit was the Feickert Blackbird turntable (approximately $7500), for which the word "interesting" seems a cruel understatement.
Coming soon to a salon near you: a 45Wpc integrated amp that even a schoolteacher can afford. Advanced Acoustics, whose products are designed in France and manufactured in China, showed a prototype of their forthcoming MAP-101, which sounded decent driving a nondescript pair of tiny tabletop speakers. And if that sounds like darning with faint praise, consider that Advanced's MAP-101 is intended to sell for only $649. Alors!
In home theater, the latest thing is 3D TV, and while Stereophile doesn’t normally cover Home Theater, I just had to check out the Sony and Samsung 3D demos. With the high-end "shuttered” glasses, the 3D effect was quite startling. However, I thought I’d have a go at producing a 3D-like effect with a 2D image. So here's a photo of Stereophile's assistant editor and blogger Stephen Mejias coming right at you from Montrealand no shuttered glasses needed! Sony/Samsung, eat your heart out. (For the photographically inclined: this was shot with a Panasonic GF1, 7-14mm Panasonic lens set at 7mm. I love this lens!)
Shows like SSI are about the cutting edge in audio, with the latest and (purportedly) greatest on display and demonstration. Given this, I always get a kick out of spotting a piece of equipment that just does not seem to belong in such august company. This Sanyo JCX 2600K stereo receiver is from another eracirca 19781981 according to the ever-helpful Google search. Looks like it's in great shape. I spotted it on a shelf in an area of the show where they were setting up racks of LPs for sale. What was it doing there? I have no idea. Wonder how it compares sonically with the latest-and-greatest?
Grant Fidelity purchasing manager, Rachel Zhang, explained that her company wants to bring “a self-servicing, consumer electronics distribution model to high-end audio.” All of Grant Fidelity’s products are available factory-direct; and, instead of the traditional dealer network, Grant Fidelity utilizes private, home-based demonstrators. The goal is to make available more affordable products for a younger and more varied audience, Zhang said.
I was intrigued by Grant Fidelity’s small B283 Mk.II tube processor ($225). Placed between a source component and integrated amplifier or between a preamp and amp, the B283 offers users the ability to “feel the difference of tube sound versus solid-state sound, and to experiment with tube-rolling,” Rachel Zhang explained. Interestingly, guitarists have also been known to use the B283 in front of their solid-state amps. Neat.
The Salon Son & Image has been organized for the past 4 years by Michel Plante and Sarah Tremblay, who were to be seen everywhere on the Show's opening day. I have been involved in running Shows for almost 30 years, and I must say that from the visitors' perspective and, I hope, the exhibitors', the 2010 event was superbly organized. Good signage, a great venue, and overall good sound, I take my hat off to Michel and Sarah. They even partnered with CEDIA for the first time at the 2010 Show to present "CEDIA University," a series of training seminars for custom installation. The evening of the first day, Michel thanked everyone in a short speech at the opening reception and wished them "Bon Salon!" before handing the stage over to the Give Band.
Following Michel Plante's speech at the opening night reception, the Give Band played a great set of world-musicinfluenced rock that, thankfully, was not too loud. (The FoH mixer must have been an audiophile.) The band's CD AudioPhylanthrope, recorded and mastered at the world-famous Guy St-Onge's studio, was launched at SSI as the Show's reference recording. The Give Band are performing at 9pm tonight (Friday, when the Show closes) in the Lounge Stereo Plus on SSI's lower floor, so if you are at the Show, you still have a chance to check them out.
I was also impressed by the sound of the $7000/pair Joseph Pulsar stand-mount that Stephen Mejias blogged about. What was notable about the set-up was that, in order to tame the hotel room acoustic, Jeff had set-up the speakers, driven by Simaudio's new 175Wpc Moon 700i integrated amplifier via Cardas Clear cables, to fire across the room's diagonal. If you have problems getting an optimal transition between the mid-bass and upper bass in your room, you might want to try this set-up (significant other not objecting, of course).