Phono Cartridge Reviews

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Michael Fremer Posted: May 24, 2011 0 comments
The Brinkmann Pi cartridge's Benz-Micro heritage was obvious from the get-go. The motor is built to Brinkmann's specifications by Benz-Micro and includes a Micro-Ridge stylus. The cantilever material is not specified. The Pi's output is approximately 0.25mV, and its compliance is moderate at 15µm/mN. Recommended are a tracking force of 1.8–2gm, a VTA of 23°, and a resistive load of 600 ohms.

Helmut Brinkmann says he tweaked the Pi's design for a year and a half before he achieved the results he desired, including making the tiny set screws out of various materials. The Pi, with a body of machined aluminum designed to control the dissipation of resonant energy, weighs a hefty 14gm. Brinkmann supplies aluminum screws and titanium washers, which, he claims, in combination with special damping between the cartridge body and headshell, have been "sonically tuned to create a unique musical instrument."

Michael Fremer Posted: Mar 22, 2011 0 comments
Strain-gauge phono cartridges are rarely made and seldom heard; for most vinyl fans, they are more myth than fact. Panasonic once made one, as did Sao Win, but those were decades ago. I've heard about those two models for years but have never seen, much less heard one.

As if he's not got enough to do building his extensive lines of moving-iron cartridges, preamplifiers, amplifiers, and speakers, Soundsmith's Peter Ledermann also makes a full line of strain-gauge cartridge systems available with a choice of six user-replaceable stylus profiles. I believe the Soundsmith is the only strain-gauge cartridge currently made anywhere in the world. Ledermann says it takes him a full day to build one.

Art Dudley Michael Fremer Posted: Oct 28, 2010 Published: Sep 28, 2009 0 comments
The unusual Miyajima Shilabe moving-coil cartridge ($2800) came to my attention through a friend, and I obtained one from the importer, Robin Wyatt of Robyatt Audio, a music lover and dedicated audiophile who imports gear as a sideline, and who lives nearby in New Jersey.
J. Gordon Holt Posted: Jul 02, 2010 Published: May 02, 1985 0 comments
Although the idea of a $1000 moving-coil cartridge no longer shocks audiophiles, it is still not exactly what I'd call "Mainstream Hi-Fi." Audio magazine's 1984 Equipment Directory—the most complete such compendium published in the US—lists only 10 models in this price range, not counting the Kiseki Lapis Lazuli at a whopping three-and-a-half grand! I have not tested most of these, nor have I tried any of the current models from the Japanese Koetsu firm, which was first with the gall to put a $1000 price tag on a cartridge. But I have tested a couple of one-granders during the past few years, and was sufficiently unimpressed to be hesitant about testing any more samples of what were beginning to look like nothing more than monumental ripoffs. So when Ortofon sent us the MC-2000, I was naturally less than enthusiastic about trying it.
Corey Greenberg Posted: Jun 01, 2010 Published: Dec 01, 1993 0 comments
If you asked me to name a single specific high-end audio component that could make or break a system, I'd name the Linn LP12 turntable. Of all the thousands of hi-fi products I've heard over the years, not a one of 'em—not a speaker, amplifier, or digital processor—has been able to draw me into the music, no matter what the associated componentry, like the LP12. I've heard the most highly regarded speakers/amps/processors fall flat in certain situations due to a lack of synergy with their surrounding systems, but I've never heard an LP12-based system that didn't put a smile on my face and make me green with envy.
Art Dudley Posted: Jul 13, 2009 2 comments
In the early to mid-1980s, I read every high-end hi-fi magazine I could get my hands on. Among the consequences was my discovery that the Grado Signature Seven phono cartridge—which was better and cheaper than the Signatures One through Six—was the cartridge that God wanted me to have. So I cut back on all manner of luxuries, saved every dollar I could save, and a few months later brought a walletful of cash to Harvey Sound in midtown Manhattan, where an unpleasant man with a bad comb-over handed me a little pill bottle of a plastic tube.
Art Dudley Posted: Apr 26, 2009 0 comments
"Glory to the genius of Edison!"—Nikolai Rimsky-Korsakov
Art Dudley Posted: Dec 28, 2008 0 comments
I'm old enough to remember when "Made in Japan" was an insult. As a child, I saw that phrase on only the cheapest or craziest toys—some stamped out of tin and cupped together by a tab with a fiendish edge, some molded from a distinctively smooth, brittle plastic. The latter included a wind-up bunny on wheels that my father brought home one day: my favorite toy, ever. (It came with a double-barreled dart gun that I seldom used, partly because I loved the bunny too much to shoot it, and partly because the suction-cup darts didn't stick to that kind of plastic in the first place.)
Art Dudley Posted: Sep 22, 2008 0 comments
Janet watched the record spin wildly, mildly awestruck. She nodded its way—a gesture that took in all the other 78rpm discs piled nearby—and asked, "How long have you had those?"
Art Dudley Posted: May 12, 2008 0 comments
An enduringly healthy phono-cartridge industry? After a quarter of a century of rushing right out to buy the latest digital music appliances? You bet.
Michael Fremer Posted: Apr 25, 2008 0 comments
The audio industry may have lost a legend and a prolific innovator in Henry Kloss a few years back, but it still has another affable, creative eccentric in Peter Ledermann. In the mid-1970s, Ledermann was director of engineering at Bozak, where, with Rudy Bozak, he helped develop a miniature bookshelf speaker and a miniature powered subwoofer. Before that, Ledermann was a design engineer at RAM Audio Systems, working with Richard Majestic on the designs of everything from high-power, minimal-feedback power amplifiers and preamplifiers to phono cartridge systems. He was also an award-winning senior research engineer at IBM, and the primary inventor of 11 IBM patents.
Art Dudley Posted: Dec 23, 2007 0 comments
In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical The Fantasticks was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.
Michael Fremer Posted: Dec 02, 2007 Published: Apr 02, 1996 0 comments
You know what's the first thing they teach you in dental school? Don't ever say "Oops!" Even if you stick one of those hooked teeth scrapers through the patient's cheek, you don't say "Oops!" "Don't move!"? Yes. "Oops!"? No. That's the big day-one lesson—and given the cost of medical malpractice insurance today, a damn good one.
Michael Fremer Posted: Sep 30, 2007 Published: May 01, 2007 0 comments
These are great times for analog, and I'm happy to have played a small part in the revival, but recently the demand for some products has outstripped supply; getting review samples has been next to impossible. I've requested an Audio Research PH7 phono preamplifier for literally years now, but ARC can't build them fast enough, so they don't need a review. The more they sell, the greater the buzz, and the greater the buzz, the more e-mails I get from readers asking for a review. It's not nice to not be needed.
Art Dudley Posted: Sep 22, 2007 0 comments
The ceiling remains, but the floor has changed: Benz-Micro continues to offer a selection of rather expensive phono cartridges, including their well-established LP Ebony ($4700) and Ruby 3 ($3000) models. But in recent years, my attention has been drawn by the succession of budget Benzes: first, the Gliders ($795), then the ACEs ($550), and now the MC20E2-L ($199).


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