Phono Cartridge Reviews

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Art Dudley Posted: Dec 28, 2008 0 comments
I'm old enough to remember when "Made in Japan" was an insult. As a child, I saw that phrase on only the cheapest or craziest toys—some stamped out of tin and cupped together by a tab with a fiendish edge, some molded from a distinctively smooth, brittle plastic. The latter included a wind-up bunny on wheels that my father brought home one day: my favorite toy, ever. (It came with a double-barreled dart gun that I seldom used, partly because I loved the bunny too much to shoot it, and partly because the suction-cup darts didn't stick to that kind of plastic in the first place.)
Art Dudley Posted: Sep 22, 2008 0 comments
Janet watched the record spin wildly, mildly awestruck. She nodded its way—a gesture that took in all the other 78rpm discs piled nearby—and asked, "How long have you had those?"
Art Dudley Posted: May 12, 2008 0 comments
An enduringly healthy phono-cartridge industry? After a quarter of a century of rushing right out to buy the latest digital music appliances? You bet.
Michael Fremer Posted: Apr 25, 2008 0 comments
The audio industry may have lost a legend and a prolific innovator in Henry Kloss a few years back, but it still has another affable, creative eccentric in Peter Ledermann. In the mid-1970s, Ledermann was director of engineering at Bozak, where, with Rudy Bozak, he helped develop a miniature bookshelf speaker and a miniature powered subwoofer. Before that, Ledermann was a design engineer at RAM Audio Systems, working with Richard Majestic on the designs of everything from high-power, minimal-feedback power amplifiers and preamplifiers to phono cartridge systems. He was also an award-winning senior research engineer at IBM, and the primary inventor of 11 IBM patents.
Art Dudley Posted: Dec 23, 2007 0 comments
In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical The Fantasticks was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.
Michael Fremer Posted: Dec 02, 2007 Published: Apr 02, 1996 0 comments
You know what's the first thing they teach you in dental school? Don't ever say "Oops!" Even if you stick one of those hooked teeth scrapers through the patient's cheek, you don't say "Oops!" "Don't move!"? Yes. "Oops!"? No. That's the big day-one lesson—and given the cost of medical malpractice insurance today, a damn good one.
Michael Fremer Posted: Sep 30, 2007 Published: May 01, 2007 0 comments
These are great times for analog, and I'm happy to have played a small part in the revival, but recently the demand for some products has outstripped supply; getting review samples has been next to impossible. I've requested an Audio Research PH7 phono preamplifier for literally years now, but ARC can't build them fast enough, so they don't need a review. The more they sell, the greater the buzz, and the greater the buzz, the more e-mails I get from readers asking for a review. It's not nice to not be needed.
Art Dudley Posted: Sep 22, 2007 0 comments
The ceiling remains, but the floor has changed: Benz-Micro continues to offer a selection of rather expensive phono cartridges, including their well-established LP Ebony ($4700) and Ruby 3 ($3000) models. But in recent years, my attention has been drawn by the succession of budget Benzes: first, the Gliders ($795), then the ACEs ($550), and now the MC20E2-L ($199).
Michael Fremer Posted: Sep 02, 2007 Published: Apr 02, 1996 0 comments
Scan-Tech builds low-output moving-coil cartridges for a number of companies, including AudioQuest, Linn, and Spectral (footnote 1). It also markets its own line, under the Lyra brand name (Lydian, Clavis, Parnassus), which is imported and distributed by Immedia out of Berkeley, CA.
Jonathan Scull Posted: Aug 05, 2007 Published: Jul 05, 1995 0 comments
If you think I burned out cartridge-wise at the end of my and JE's It's A Mad Mad Mad Mad World cartridge survey at the beginning of the year (Vol.18 Nos.1 & 2), you're wrong. If you think I ought to burn out and give it a rest, you'll be disappointed. If you think analog doesn't matter anymore, you have my semi-sincere condolences. But if you think, as I do, that analog is enjoying a resurgence of epic proportions (twilight or no), and that LP playback has reached a new zenith of musical wonder, then hang on—here I go again!
Art Dudley Posted: Jul 22, 2007 0 comments
Every two or three years my family and I travel to Disney World in Orlando, Florida—one of those places I used to think I'd hate, but which I always enjoy in spite of myself. No such trip would be complete without visiting the Mitsukoshi department store at Epcot Center, which represents the pinnacle of Japanese consumer culture. At the Epcot Mitsukoshi store—the 430-year-old company's only US location—one can buy the finest of everything, including the rarest and most expensive writing papers and inks, the most exquisitely crafted pottery, and the loveliest freshwater pearls on Earth. Young shoppers are accommodated with the latest toys, trends, and technology—but there's nothing frantic or cheap about the manner in which they're offered. The watchword at Mitsukoshi is quality, and the presentation borders on being artistic.
Jonathan Scull Posted: Apr 29, 2007 Published: May 29, 1999 0 comments
A.J. van den Hul calls the Black Beauty a phono cartridge "just for friends." In a way, this Black Beauty was made specially for me—it's been tweaked for an undamped linear-tracking arm. Says so right here on the box: "Forsell Version." But before you explode, know that Mr. van den Hul will be pleased to do the same for you. He'll adjust the suspension of any Black Beauty– or Grasshopper-series cartridge for your arm and 'table. Or, should you specify, for "the preamp and load impedance, a particular brand of records to be played, the type of music generally played (jazz being more dynamic and classical more spacious and detailed), and other personal/sound preferences."
Michael Fremer Posted: Mar 18, 2007 Published: Mar 19, 2007 1 comments
Back in 2000, when Lyra introduced the Helikon moving-coil cartridge, which replaced the then six-year-old Clavis D.C., the company inexplicably retained the Clavis D.C.'s retail price of $2000. This was inexplicable because the Helikon's revolutionary design was new from the ground up, and because audiophiles—like most, if not all, consumers—perceive price to be a reflection of quality and performance.
Jonathan Scull Posted: Mar 03, 2007 Published: Nov 03, 1998 0 comments
Among the more intriguing audio-related announcements this year was that Koetsu phono cartridges were once again available in the States. In fact, they're being handmade in limited quantities by the sons of founder Yoshiaki Sugano.
Art Dudley Posted: Dec 24, 2006 0 comments
I see a pattern taking shape: Roy Gandy's Rega Research offered their first CD player in 1996, which was 13 years after the medium was introduced to the public. Now, in 2006, some 50 years after Joe Grado designed and sold the first moving-coil phono cartridges, Rega has released one of those. The year 2016 may see the first Rega fluoroscope, or perhaps wire recorder. And it'll be a good one, I'm sure.

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