NY Audio Show 2013

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Stephen Mejias Posted: Apr 17, 2013 1 comments
Michael Fremer entertains a packed house with an in-depth discussion on various pressings of the Beach Boys’ classic album, Pet Sounds. The event was co-hosted by Classic Album Sundays’ Colleen Murphy. For more info on Mikey’s seminars, visit AnalogPlanet.com.
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Stephen Mejias Posted: Apr 17, 2013 1 comments
In his report of the Rutherford Audio room, Ariel Bitran wrote, “There was something magical about this sound, and there was a sweet-spot to be found everywhere.”
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Stephen Mejias Posted: Apr 17, 2013 1 comments
Music Hall’s Roy Hall was excited about his new a15.3 integrated amplifier and matching c-dac15.3 CD player/DAC combo. Just as any good integrated amplifier should, the 50Wpc a15.3 includes a headphone output, front-panel mini-jack input, moving-magnet phono stage, and remote control. The one-box c-dac15.3 combines a three-input (optical, coax, USB-B) Wolfson DAC section with a CD player, itself based around a Burr-Brown 24-bit/192kHz-capable DAC. Build quality seemed excellent. Each unit will sell for $549. Music Hall just keeps churning out interesting, affordable products. I’ll look forward to learning more about these units later this year.
Ariel Bitran Posted: Apr 17, 2013 1 comments
JPS Labs leaps into the world of headphones with the Abyss: a highly customizable head-gripping $5495 listening device. More info on these intense cans be found on their website.
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Stephen Mejias Posted: Apr 17, 2013 4 comments
Because I know Wes Bender and E.A.R.’s Dan Meinwald are always open to new sounds, I took the opportunity in the Wes Bender Studio room to play the title cut from Aidan Baker’s latest release, Already Drowning.
Ariel Bitran Posted: Apr 17, 2013 1 comments
Peter Ledermann of Soundsmith is a nice guy, I promise.

The Reception Hall was teaming with audiophiles and exhibitors expressing hellos and chatting about gear and music. Here’s a look:

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Stephen Mejias Posted: Apr 17, 2013 1 comments
Coincident Speaker Technology and NYC dealer Audio Loft demonstrated a system made of Coincident’s Pure Reference Extreme loudspeakers ($26,800/pair) driven by Coincident’s 75W Dragon 211PP monoblocks ($10,999/pair), Statement Line Stage ($5499), and Statement Phono ($5999). Source was a VPI Classic 4 ($8000) with a beautiful rosewood base and HR-X 12.7 tonearm mounted with a Dynavector DRT XV-1t cartridge. Cables were Coincident’s own, and the gear was supported by a Steve Blinn Designs Monarch equipment rack.
Ariel Bitran Posted: Apr 17, 2013 0 comments
Mat Weisfield was ultra-stoked to tell me about VPI's new 3D-printed tonearm. I'll let Art do the explaining, but when I heard the VPI room, images were rock solid and full-bodied through the 3D printed tonearm and nascent VPI Classic Direct. A turntable created out of happenstance, when the chassis for the planned direct-drive Vanquish was not ready for the show, they stuck the Vanquish parts into a Classic chassis and the VPI Classic Direct (approximately $20-25k) was born. Resourceful, those VPI fellas.
Ariel Bitran Posted: Apr 17, 2013 0 comments
Canned jazz: that inoffensive blend of 80s synths, smooth sax, and punchy bass guitar. There was a lot of this at the New York Audio Show.
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Stephen Mejias Posted: Apr 17, 2013 0 comments
Dupuy Acoustique, a brand relatively new to me, gave an effective demonstration of its Daisy Reflector ($995; patent pending), first seen at SSI in Montreal—a “phase-restoration device,” whose internal cabinetry and foam have been computer-modeled and CNC-machined for optimal performance.
Ariel Bitran Posted: Apr 17, 2013 2 comments
Sennheiser had the largest presence at the constantly buzzing Headzone section at this year's New York Audio Show.
Ariel Bitran Posted: Apr 17, 2013 1 comments
This year, the surprising lack of SRV (and overabundance of easy listening) made me glad to hear his perennial cover of “Little Wing” through Sony’s new and more “affordable” SS-NA2ES floorstanding loudspeakers ($10,000/pair) through Pass Labs amplification. Last year’s system impressed me thoroughly, striking a balance between romance and detail. This year’s system favored speed and attack accenting flourishes I had never heard before in SRV’s Hendrix cover but sounding a bit cool on “Breaking Silence” by Janice Ian.
Ariel Bitran Posted: Apr 17, 2013 0 comments
The YG Kipod loudspeakers powered by Veloce amplification were clean, dynamic, and suggested the right level of stickiness to brass.

But you didn’t hear it from me. I asked JA on Sunday: "What's the best sound you've heard so far today?" Here's what he said:

Ariel Bitran Posted: Apr 17, 2013 0 comments
The intriguing sonics and gorgeous décor of Gideon Schwartz’s Audio Arts room were easily noticed by anyone who entered. Just in front of me, a little boy took pictures with his iPhone of the imposing yet luxurious Zellaton Studio Reference One loudspeakers ($52,750/pair). Schwartz’s room, the Chairman’s Office as indicated by New York Palace signs, used to be the office for hotel inheritor and tyrant manager Leona Helmsley. Dusty multi-colored hard-bound books lined the dark mahogany shelves next to daintily painted ceramic pots centered by the wonderfully symmetrical American-crafted Audio Strata racks.
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Stephen Mejias Posted: Apr 17, 2013 0 comments
I got to hear KEF’s X300A powered desktop speaker ($800/pair) when I visited the company late last year. Now the system has found its way to the States. KEF's animated brand ambassador, Johan Coorg, gave a characteristically colorful demo.

The X300A uses KEF's Uni-Q point-source driver array and places twin class-A/B amplifiers and a high-quality toroidal transformer in each cabinet. Further, each speaker has an internal 24-bit/96kHz asynchronous DAC. The signal flows not through standard speaker wire, but via a "digital inter-speaker connection," or USB link. According to Coorg, this is to ensure that high-quality sound is carried through the entire signal chain.

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