News

Sort By:  Post Date TitlePublish Date
Stereophile Staff  |  Apr 04, 1999  |  0 comments
Any audiophile who stumbles onto one of the more cantankerous audio newsgroups ("wreck audio opinion," anyone?) may wonder what has happened to the modern breed of audiophiles. One suspects that religious wars pale when compared to how some audio pundits jostle against each other! But over the years, there has always been a wide variety of opinion. For a perspective written decades ago that still holds true today, we present J. Gordon Holt's classic "Why Hi-Fi Experts Disagree."
Barry Willis  |  Mar 28, 1999  |  0 comments
Holding his thumb and forefinger together to reveal barely a sliver of light, Chris English said, "This close. We're this close." He wasn't talking about how far apart we were sitting, but about how close Threshold is to being back in business after an attempted restructuring last year did not work out.
Barry Willis  |  Mar 28, 1999  |  0 comments
Accidents and disasters have no sense of good timing, and when they strike have a way of fouling even the most promising love affairs. Case in point: loudspeaker manufacturer Von Schweikert Research and the small town of Watertown (pop. 30,000) in northern New York, about three hours' drive from Toronto.
Stereophile Staff  |  Mar 28, 1999  |  0 comments
Last week, in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners, we ran Corey Greenberg's scathing review of an audio book that misses the mark by a wide margin. This week, in Book Review: The Complete Guide to High-End Audio, we examine a book written by erstwhile Stereophile consulting technical editor Robert Harley. He does not emerge unscathed!
Stereophile Staff  |  Mar 28, 1999  |  0 comments
Last week, the Recording Industry Association of America released its annual demographic survey of 3051 music purchasers in the United States. "Several interesting profiles emerged in 1998, including the boom in R&B and Gospel, as well as the sharp decline in Rock sales," said Hilary Rosen, RIAA president and CEO. "Demographic shifts also continued, with women outbuying men for the second year, and a drop in purchases among 15-to-29-year-olds, contrasted by significant growth among those age 35 and older." Last month, the RIAA released its annual year-end shipments statistics, which revealed the size of the domestic sound-recording industry in 1998 to be $13.7 billion.
Robert Deutsch  |  Mar 21, 1999  |  0 comments
Montreal audiophiles are a hardy lot. Last winter, the city experienced the most devastating ice storm in its history, with power lines demaged to the point that almost the entire city was plunged in darkness. At the time of the 1998 Festival du Son et de l'Image (aka the Montreal Audio/Video Show), residents were still recovering from the effects of the storm. Did this calamity stop the show? No way! By all accounts, the 1998 show was the most successful in the event's 11-year history. I missed it myself, but I made sure that I wouldn't miss the next one.
Stereophile Staff  |  Mar 21, 1999  |  0 comments
Myles Astor, publisher of Ultimate Audio, recently announced that former Stereophile contributing editor Jack English has joined his publication as a senior editor.
Barry Willis  |  Mar 21, 1999  |  0 comments
Owners of Apogee Acoustics loudspeakers are apparently being left to twist in the wind by a/d/s/, the company that took over Apogee and subsequently shut it down (other than to apply the brand to a range of switch-mode power amplification modules). Service will no longer be available for the ribbon speakers, according to Apogee owner Matt Carnicelli.
Jon Iverson  |  Mar 21, 1999  |  0 comments
First with CD players, then digital preamps, and recently amplifiers, digital technology has ground inexorably through the audio chain. Several companies have been developing ways to shorten the analog path or remove it entirely. Meridian's "digital" loudspeakers come to mind, as well as the amplifiers from manufacturers Spectron and TacT.
Jon Iverson  |  Mar 21, 1999  |  0 comments
A good reference work on a subject like audio can help speed the understanding of complicated terms and develop the reader's grasp of the hobby's more arcane reaches. Unfortunately, not all audio books serve the audiophile equally well. Read about one such mishap in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners.
Barry Willis  |  Mar 20, 1999  |  0 comments
Among major American cities, San Francisco probably ranks near the top in culture per capita. It's therefore no accident that an Internet venture billing itself "the world's first website journal of classical music criticism" should have originated there. The site, San Francisco Classical Voice, is celebrating its first six months online.
Barry Willis  |  Mar 14, 1999  |  0 comments
The world is mourning the passing of Yehudi Menuhin. The 82-year-old violinist, conductor, author, educator, and humanitarian died of heart failure at Berlin's Martin Luther Hospital on Friday, March 7. He was in Berlin to conduct performances of Brahms and Mendelssohn by the Warsaw Symphony Orchestra.
Barry Willis  |  Mar 14, 1999  |  0 comments
The musical road less traveled leads to places like New York's Downtown Music Gallery. If your taste in music lies somewhere outside the marketing-demographic bell curve, DTMG has tunes for you: live tunes, recorded tunes, strange tunes, bargain tunes. There's something for almost everyone at recently launched www.dtmgallery.com---from Classical to Klezmer to Progressive Jazz to World Music to Absolutely Uncategorizable.
Stereophile Staff  |  Mar 14, 1999  |  0 comments
Classical music fans will be happy to hear that Image Entertainment has announced the signing of an exclusive license agreement with England's Reiner Moritz Associates (RMA) that will see the company releasing 50 classical-music programs on DVD in the coming year. In addition to the classical performance programming, Image will also release some of RMA's special-interest fare, featuring such luminaries as Marilyn Horne, Maria Callas, David Hockney, Jackson Pollock, and Margot Fonteyn.
Jon Iverson  |  Mar 14, 1999  |  0 comments
Stereophile readers tend to exhibit above-average interest in the art and science of reproducing music in the home. Those whose interest extends back up the recording chain and into the recording studio may want to take a look at the Prestige Studios of the World website, developed by an Internet company looking to show off its digital wares.

Pages

X