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Last week, Peavey Electronics and Digital Harmony announced a licensing agreement that they say aims to revolutionize audio production, music publishing, and distribution. By licensing Digital Harmony Pro technology, Peavey says it plans to create the pro-audio industry's first non-proprietary 1394-equipped digital audio products and systems.

When it comes to power, VTL's Luke Manley is definitely in the "more is better" camp. But when Lonnie Brownell sat down to listen to the VTL ST-85 tube power amplifier, he elected to start with a single amp and go for more power later. Lonnie writes: "How's about I go with just one amplifier for a while? After all, that's what most people would buy, at least at first. Then I can drop in another one and see what that does." But in the end, was one enough? Brownell tells all.

Last week at the Audio Engineering Society Convention in New York City, Sonic Solutions announced that it plans to introduce what it says is the world's first digital audio workstation based on Sony's new Direct Stream Digital (DSD) technology. Sonic says that the new system, SonicStudio HD-DSD, is being developed in cooperation with Sony Corporation and will provide the recording industry with a mastering tool for the new Super Audio CD (SACD) format.

Citing large crowds of design engineers and consumers at its World PC Expo Pavilion in Japan last week, Texas Instruments' James Snider, chairman of the 1394 Trade Association, predicted a surge in product design based on the 1394/FireWire/i.Link standard in the coming year. Snider says that the demand for 1394 PC and consumer products is accelerating worldwide "as users become aware of the quality of video and audio that can be easily and efficiently transported in home, office, and theater environments."

Want to know how Michael Fremer is able to tie a story about his baffled plumber into an equipment review? Find out in his report on the Audio Physic Virgo loudspeaker. About the speakers, Mikey writes: "Clearly, the Virgos disappeared, leaving one of the most credible three-dimensional soundstages I've ever experienced in any of my listening rooms over the years."

Imagine yourself a recording artist just signed to a contract with one of Sony Music's record labels. You put out a couple of albums and start a website using your own name (say, for example, www.bobdylan.com). But the music wind starts blowing in a different direction, your contract comes up for renewal, and, either through your manager's insistence or that of one of Sony's big cheeses, you decide to leave the label and sign with someone else.

Back in 1985, J. Gordon Holt wrote: "It seems, these days, that many of us audiophiles have become so preoccupied with the minutiae of sound reproduction that we haven't even noticed that it doesn't sound like music any more." He was talking about the obsession with soundstaging and detail at the expense of musical accuracy. In "Getting the Notes Right (Midrange Madness)," he renders his lesson in classic JGH style, observing that "I have played on this old saw in these pages for so many years that it has turned into a dead sawhorse, but somehow the message never seems to get through. There should be no harm done by beating it into the ground a little farther."