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Robert Deutsch Posted: Mar 21, 1999 0 comments
Montreal audiophiles are a hardy lot. Last winter, the city experienced the most devastating ice storm in its history, with power lines demaged to the point that almost the entire city was plunged in darkness. At the time of the 1998 Festival du Son et de l'Image (aka the Montreal Audio/Video Show), residents were still recovering from the effects of the storm. Did this calamity stop the show? No way! By all accounts, the 1998 show was the most successful in the event's 11-year history. I missed it myself, but I made sure that I wouldn't miss the next one.
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Barry Willis Posted: Mar 20, 1999 0 comments
Among major American cities, San Francisco probably ranks near the top in culture per capita. It's therefore no accident that an Internet venture billing itself "the world's first website journal of classical music criticism" should have originated there. The site, San Francisco Classical Voice, is celebrating its first six months online.
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Jon Iverson Posted: Mar 14, 1999 0 comments
Stereophile readers tend to exhibit above-average interest in the art and science of reproducing music in the home. Those whose interest extends back up the recording chain and into the recording studio may want to take a look at the Prestige Studios of the World website, developed by an Internet company looking to show off its digital wares.
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Barry Willis Posted: Mar 14, 1999 0 comments
In the race for technological superiority, audio electronics companies in the United Kingdom, with a few notable exceptions, haven't often been first out of the gate. Arcam, however, may have already lapped the field with its Alpha 10 DRT (Digital Radio Tuner).
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Barry Willis Posted: Mar 14, 1999 0 comments
The world is mourning the passing of Yehudi Menuhin. The 82-year-old violinist, conductor, author, educator, and humanitarian died of heart failure at Berlin's Martin Luther Hospital on Friday, March 7. He was in Berlin to conduct performances of Brahms and Mendelssohn by the Warsaw Symphony Orchestra.
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Barry Willis Posted: Mar 14, 1999 0 comments
The musical road less traveled leads to places like New York's Downtown Music Gallery. If your taste in music lies somewhere outside the marketing-demographic bell curve, DTMG has tunes for you: live tunes, recorded tunes, strange tunes, bargain tunes. There's something for almost everyone at recently launched www.dtmgallery.com---from Classical to Klezmer to Progressive Jazz to World Music to Absolutely Uncategorizable.
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Stereophile Staff Posted: Mar 14, 1999 0 comments
Classical music fans will be happy to hear that Image Entertainment has announced the signing of an exclusive license agreement with England's Reiner Moritz Associates (RMA) that will see the company releasing 50 classical-music programs on DVD in the coming year. In addition to the classical performance programming, Image will also release some of RMA's special-interest fare, featuring such luminaries as Marilyn Horne, Maria Callas, David Hockney, Jackson Pollock, and Margot Fonteyn.
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Stereophile Staff Posted: Mar 07, 1999 0 comments
Ethics and high-end audio have always been a tangled web---especially when it comes to deciding whether to purchase equipment from a helpful local dealer or trying to find the best price possible. In the web reprint of February 1999's "The Final Word," Stereophile's publisher emeritus, Larry Archibald, examines a recent high-end purchase of his own to shed a little light on the dilemma faced by the audiophile grinding for a great deal. Also included are some choice reader responses.
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Jon Iverson Posted: Mar 07, 1999 0 comments
The English flat-panel speaker company New Transducers Ltd., also known as NXT, recently announced a new transparent loudspeaker technology called SoundVu that the company says will enable television and computer screens to function simultaneously as loudspeakers.
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Stereophile Staff Posted: Mar 07, 1999 0 comments
Fans of Macintosh computers and Betamax videotape are fond of pointing out that in the free market, the best technologies don't necessarily win. That scenario may be playing out again in the case of VQF, a digital audio transfer and storage technology originally developed several years ago by Nippon Telegraph and Telephone.
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Barry Willis Posted: Mar 07, 1999 0 comments
Singer Dusty Springfield died at her home near Oxford, England last Tuesday, March 2, a few weeks before what would have been her 60th birthday and only one day before she was to have appeared at Buckingham Palace to be honored by Queen Elizabeth. The cause was breast cancer.
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Jon Iverson Posted: Mar 07, 1999 0 comments
Last week, Philips Electronics and Sony Corporation announced the completion of Version 1.0 of the Super Audio Compact Disc (SACD) format specification. According to a statement, the format specification will be released to licensees early this month to allow hardware manufacturers and software providers to begin preparing products for launch in the coming months.
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John Atkinson Posted: Mar 03, 1999 0 comments
Audio magazine has appeared to have been in difficulties of late, with falling circulation, advertising revenues, and issue size. The current editor-in-chief, Michael Riggs, has worked hard in the past few years to create a more appealing editorial product, since he replaced long-term editor Gene Pitts. However, an even bigger change is now taking place.
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Barry Willis Posted: Feb 28, 1999 0 comments
The popular condensation of Darwin's theory of evolution is "adapt or die." The phrase could certainly have been addressed to the music-industry establishment by any one of four Internet entrepreneurs in a public discussion last week at San Francisco's Commonwealth Club. The four---Gerry Kearby of Liquid Audio, Gene Hoffman of GoodNoise, Arnold Brown of AudioExplosion, and Andrew Keen of Audiocafe.com---gathered at the public affairs forum Tuesday evening, February 22, for a spirited discussion of "The Future of Music Distribution."
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Stereophile Staff Posted: Feb 28, 1999 0 comments
Rumors have been confirmed that high-end audio journal Fi Magazine, which just entered its fourth year of publication, closed its doors last Friday, February 26. In a conversation with Stereophile publisher emeritus Larry Archibald, former Fi editor Jonathan Valin commented that "It was really a shame. I never worked so long and so hard on anything, and it didn't have to end the way it did---but I don't want to go into it. The money was there to keep it going." John Atkinson had been told at CES by a Fi spokesperson that a new source of investment had been found, but we can only assume that the deal fell through.

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