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John Atkinson Posted: Mar 03, 1999 0 comments
Audio magazine has appeared to have been in difficulties of late, with falling circulation, advertising revenues, and issue size. The current editor-in-chief, Michael Riggs, has worked hard in the past few years to create a more appealing editorial product, since he replaced long-term editor Gene Pitts. However, an even bigger change is now taking place.
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Barry Willis Posted: Feb 28, 1999 0 comments
The popular condensation of Darwin's theory of evolution is "adapt or die." The phrase could certainly have been addressed to the music-industry establishment by any one of four Internet entrepreneurs in a public discussion last week at San Francisco's Commonwealth Club. The four---Gerry Kearby of Liquid Audio, Gene Hoffman of GoodNoise, Arnold Brown of AudioExplosion, and Andrew Keen of Audiocafe.com---gathered at the public affairs forum Tuesday evening, February 22, for a spirited discussion of "The Future of Music Distribution."
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Jon Iverson Posted: Feb 28, 1999 0 comments
Several weeks back, the music industry's fear of MP3 audio technology came to a head with the release of Diamond Multimedia's Rio playback device. (See previous and related stories.) The Recording Industry Association of America then announced a new plan, called the Secure Digital Music Initiative (SDMI; see previous article), in an effort to bring the music and audio-technology industries together to solve the problem of digital music piracy.
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Stereophile Staff Posted: Feb 28, 1999 0 comments
Newcomer Revel has been on a roll lately, piling up accolades all around for its new line of loudspeakers. Larry Greenhill takes a look at the recently unveiled Revel Salon and explains how it compares to the Sydney Opera House. "Did the Salon meet its design goals of timbral accuracy, low distortion, and lack of dynamic compression?" Read all about it in Greenhill's report.
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Stereophile Staff Posted: Feb 28, 1999 0 comments
Rumors have been confirmed that high-end audio journal Fi Magazine, which just entered its fourth year of publication, closed its doors last Friday, February 26. In a conversation with Stereophile publisher emeritus Larry Archibald, former Fi editor Jonathan Valin commented that "It was really a shame. I never worked so long and so hard on anything, and it didn't have to end the way it did---but I don't want to go into it. The money was there to keep it going." John Atkinson had been told at CES by a Fi spokesperson that a new source of investment had been found, but we can only assume that the deal fell through.
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Barry Willis Posted: Feb 28, 1999 0 comments
Unit sales of CD players rebounded in 1998, rising 4% to $336 million, according to statistics from the Consumer Electronics Manufacturers Association. All segments of the CD hardware market---single-play, carousel changers, and mega-disc changers---improved over the big slump of 1997, when unit sales fell 60% and dollar sales fell 40%. Through November 1998, single-disc player sales were up 33% in units and 24% in dollar volume. Carousel changers, component-CD's largest segment, rose 15% in units and 7.5% in dollars during the first three quarters of 1998.
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Paul Messenger Posted: Feb 27, 1999 0 comments
The final piece of the TGI/Mordaunt-Short/Epos jigsaw puzzle (see previous story) seems to have fallen into place, with the news that Mike Creek (of the UK's Creek Audio) is purchasing the Epos loudspeaker brand, effective March 1.
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Stereophile Staff Posted: Feb 21, 1999 0 comments
The official website of the 41st Annual Grammy Awards was launched earlier this month with the help of a media team from the Atlanta division of International Business Machines. The Java-based site provides background information on the artists and events of the music-awards extravaganza, taking place Wednesday evening, February 24, at the Shrine Auditorium in Los Angeles.
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Stereophile Staff Posted: Feb 21, 1999 0 comments
You think we've got format problems these days? Take a peek back to 1963, when J. Gordon Holt ripped apart the then-new record technology from RCA in "Down with Dynagroove". Next, Wes Phillips writes an ode to his own Mr. Holland in "A Passion for Music".
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Barry Willis Posted: Feb 21, 1999 0 comments
In the classic textbook example, the Doppler effect is demonstrated by an increase in both pitch and volume (or amplitude) of a train's whistle as it approaches a station, followed by a decrease in pitch and volume as it moves away. This effect---the shift of a frequency emitted by a moving object---leads to a fundamental flaw in audio technology. A midrange driver behaves like the approaching-and-departing train when it attempts to reproduce varying frequencies. When the driver is fed simultaneous 400Hz and 2kHz tones, the forward movement of the cone at the lower rate modulates the 2kHz tone upward in pitch and amplitude; when it moves backward it modulates the higher tone downward. (The human eardrum also behaves this way, but the brain's audio-analysis circuitry knows how to deal with it.)
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Jon Iverson Posted: Feb 21, 1999 0 comments
Two elements that keep the audio business interesting are the new companies and technologies arriving almost every week (see also BW's story). Some stick around for years, while others fade away between hi-fi shows. But amid the incessant change are a handful of characters who stay with it, continually evolving with the industry and reinventing themselves with each twist and turn.
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Stereophile Staff Posted: Feb 21, 1999 0 comments
A study released earlier this month by The Arbitron Company and Edison Media Research shows that Internet radio broadcasting continues to be a fast-growing medium. The survey of Arbitron diarykeepers also brings to light both the challenges and opportunities that the Internet presents to radio broadcasters, particularly in the much-talked-about arena of e-commerce.
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Barry Willis Posted: Feb 14, 1999 0 comments
Rare violin dealer Geoffrey Fushi has devoted many of the past several years and a substantial portion of his liquid assets to producing The Miracle Makers, a reference book-and-recording project honoring the works of Antonio Stradivari and Giuseppe Guarneri del Gesu, late 17th- and early 18th-century makers of the world's most sought-after violins. Fushi is also the founder of the Stradivari Society, a philanthropical organization of violin fanciers who loan their invaluable instruments to gifted students. Members believe that their treasures were intended to make music, not merely to gather dust in heavily guarded vaults.
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Stereophile Staff Posted: Feb 14, 1999 0 comments
Because online music retailers like CDNow and Amazon.com have likely taken a bite out of record-club sales, last week Internet company America Online and direct music marketer Columbia House announced a marketing agreement for both online and offline advertising and promotions, including product bundling, direct-mail initiatives, and co-marketing and advertising campaigns. Under the multi-year agreement, Columbia House, with more than 13 million members, will promote its music, video, and DVD clubs on AOL's Shopping Channel, as well as on AOL.com, CompuServe, Digital City, and Entertainment Asylum.
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Stereophile Staff Posted: Feb 14, 1999 0 comments
Last week we posted reviews of the Linn Sondek CD12 CD player and the Linn AV 51 system. This week we add a review of the Linn Linto phono preamplifier, as well as John Atkinson's report on the Revel Ultima Gem loudspeaker & Ultima Sub-15 subwoofer, and Tom Norton's review of the complete Revel Home Theater speaker system.

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