News

Monday, March 9, 2020 AXPONA, the largest audio expo in the Western hemisphere, has moved its dates at Chicago’s Renaissance Schaumburg Hotel and Convention Center to August 7–9.

(February 28) High End 2020, aka Munich High End, has been canceled “due to the current worsening trend with respect to the spread of the novel coronavirus.”

January's Industry Update included a report on a scientific article presented at last year's AES meeting, in which the authors used test tones and a modest audio system (albeit in an anechoic chamber) to prove that listeners can discriminate between high-rez and CD-rez audio. This is important because scientific evidence of an audible difference between high-rez and CD-rez music is considered weak by some, even as anecdotal evidence grows stronger by the day.

As I pondered this, I recalled a recent paper I'd seen in the Journal of the Audio Engineering Society but hadn't yet read. "High Resolution Audio: A History and Perspective," which the AES has made available free online, does precisely what the title says: reviews the history of digital audio beyond CD-rez and frames the issue of high-rez audio's audible superiority on the basis of the available evidence.

On Thursday, February 13 from 5 to 9pm, Manhattan retailer Sound By Singer will present a musical evening centered around the Gryphon Audio Designs Ethos CD player/DAC. Alongside host Andrew Singer, Philip O'Hanlon of On A Higher Note—Gryphon's North American distributor—will demonstrate the Ethos with hand-curated selections . . .

Thursday, February 13, 2020, 6–8pm: You are invited to an Evening at Soundscape, 406 W. Cold Spring Ln., Baltimore, MD, for a chance to talk with special guest Sandy Gross, founder and president of GoldenEar Technology.

In September 2019, I made an afternoon visit to National Sawdust, a vibrant, innovative performance space in Williamsburg, Brooklyn, to attend a demonstration of the new Constellation and Spacemap systems installed there by Meyer Sound. According to Meyer Sound designer Steve Ellison, the two systems permit control of the space's acoustics (Constellation) and empower performers and sound designers to construct a soundscape (Spacemap) in which voices, instruments, and other sounds can be located virtually anywhere within as well as beyond the confines of the performance space.

Until about a week ago, I thought Classé Audio was out of business. Imagine my surprise when I discovered that Classé was not just alive but also kicking, with a new line of high-end electronics, which were being showcased, along with flagship products from Marantz and Polk Audio, at Montreal audio-video importer Sherpa Group's offices. What's more, it was happening tomorrow–that is, the day after I found out about Classé's resurgence.