HE 2007

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Wes Phillips Posted: May 12, 2007 0 comments
Bob Silverman wowed a select but enthusiastic audience Friday with a concert that consisted of two Mozart sonatas (K303 and K300) and three Brahms piano sketches. He was playing a Steinway parlor grand that sounded wonderfully Mozartian.
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Wes Phillips Posted: May 12, 2007 0 comments
Hyperion Sound Design's Albert Wu holds up his SVF midrange driver. It's quite a piece of work. It has no spider, incorporates what Wu calls "rear pressure reduction," and the flat-carbon fiber plate that I took for a dust cap is really the transducer.
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Wes Phillips Posted: May 12, 2007 0 comments
The HT845 single-ended monoblock amplifiers ($2500/ea) were so new, Hyperion had no literature on them. They looked and sounded good, though.
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Wes Phillips Posted: May 12, 2007 1 comments
Art Dudley and I didn't so much enter Hyperion Sound Design's room as get dragged in by our ears. Standing in the Hyatt's hallway, we heard some close harmony quartet singing that sounded mighty darn real.
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Wes Phillips Posted: May 12, 2007 0 comments
Proclaim Audioworks' Dan Herrington had a revelation one day while sitting in the smallest room of his house. "I was reading old JAES papers," he said, "when I read a measured analysis of speaker radiation patterns based on cabinet construction. A sphere was extraordinarily close to the perfect form, but then you had to deal with using multiple drivers."
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Wes Phillips Posted: May 12, 2007 1 comments
Verity Audio had Nagra's CDP CD Player ($13,495) driving its P-LP line stage ($11,495) and pyramidal PMA mono amplifiers ($10,995/pr)—all connected with Silversmith Audio Palladium interconnects ("starting at $4000/pair). At the other end was a pair of Parsifal Ovation loudspeakers ($19,495/pair).
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Larry Greenhill Posted: May 12, 2007 0 comments
A tradition at HE SHows is the "bazaar: in one of the hotel's ballrooms, where record companies and accessory manufacturers do a brisk business. Here, Marcia Martin of Reference Recordings shows off their latest release Serenade, a recording of the same vocal group, the Turtle Creek Chorale, as in their best-selling Rutter's Requiem CD.
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Stephen Mejias Posted: May 11, 2007 3 comments
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Stephen Mejias Posted: May 11, 2007 3 comments
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Stephen Mejias Posted: May 11, 2007 1 comments
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John Atkinson Posted: May 11, 2007 0 comments
Free jazz quartet Attention Screen, which I recorded live at Manhattan's Merkin Hall in February, are performing a 60-minute set Saturday May 12 at 12:30pm, to celebrate the release at HE2007 of the resultant CD.
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Robert Deutsch Posted: May 11, 2007 0 comments
The press conference that I personally found the most exciting on the Show's first day was by Ralph Glasgal (left) on his Ambiophonics system. I knew about Ambiophonics (a signal-processing system designed to cancel out interference between a pair of loudspeakers, creating something akin to binaural listening but from speakers instead of headphones), but somehow I’ve never heard a demonstration, or at least not a convincing one. The demo setup at HE2007 was rather unusual, with a pair of giant Sound-Lab electrostatics at one end of the room, and another pair of floor-standing TacT speakers at the other end, the setup intended to demonstrate how the system works with these two types of speakers. I only heard the demo with the Sound-Labs, but I must say I was quite blown away with the huge soundstage, precision of imaging, and sheer ease of the sound. The Ambiophonic processing was performed by the latest TacT RCS 2.2 XP ($6000) which also functions as a full-feature preamp, a digital room correction device, and a D/A converter. Tact’s President and Designer, Radomir Bozovic (right), was also on hand to answer questions about the Tact system.
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Robert Deutsch Posted: May 11, 2007 0 comments
Outlaw Audio had a press conference, at which Peter Tribeman talked about all their new products in a way that effectively combined modesty with a not-inappropriate touch of blowing your own horn. He freely admitted that there are a number of companies making excellent speakers—naming several that he admired—but suggested that Outlaw Audio’s new speakers stand comparison with these industry standards. He said their aim was not to sell a boatload of speakers, but to use the best components and designs, tweaking the crossover of each speaker to produce true audiophile results. The speaker he’s holding up here is the prototype of their LCR ($700), which can function as a center-channel speaker in vertical or horizontal orientation, with switch-selected modification of the crossover, hence lobing pattern, to take into account orientation. All of Outlaw's speakers will be made in the USA.
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Robert Deutsch Posted: May 11, 2007 0 comments
For Stereophile writers, a show like HE 2007 is not just an opportunity to find out about new audio equipment, but also to meet their colleagues and catch up on the latest industry gossip. Here, by the booth selling Stereophile CDs (including the new Attention Screen Live at Merkin Hall) we have (from left to right) Stereophileassistant editor and primary blogger Stephen Mejias, Home Theater techical editor Geoffrey Morrison, illustrator Jeff Wong (known to readers for his cartoons in the www.stereophile.com forums), editor John Atkinson, and senior contributing editor Wes Phillips. Jeff subsequently took my picture; I wonder if it’s to help him work on a cartoon...
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Stephen Mejias Posted: May 11, 2007 4 comments

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