The Cary spokesperson suggested I think of the TL300d as a standard tube preamp with a digital section added. There are four analog inputs and five digital inputs including aptX Bluetooth capability and streaming on the USB input. Like Cary Audio's new DAC 200ts, there is DSD 64/128/256 and PCM up to 32/384 and the company's Trubit Upsampling, allowing you to choose between seven upsamping rates.
If you still have a pile of CDs but want to move firmly towards the modern age, this may be the Cary Audio product for you. In addition to the disc spinner, the DMC 600se can stream via USB or aptX Bluetooth and you can also connect other digital sources via the various inputs on the back.
Like the DAC 200ts, there is DSD 64/128/256 and PCM up to 32/384 and the company's Trubit Upsampling, allowing you to choose between seven upsamping rates as well as a switch on the front panel for choosing between the tube or solo state output stages on the se version for $7,995. There is also a non-se version of the DMC 600 that omits the tube switching feature for $5,995. Both available now.
Peachtree has several new digital products of note this year, one being the sanaDAC which will retail somewhere south of $1,500. It features native 36 bit architecture to process both PCM and DSD and has both balanced and unbalanced analog outputs on the back. There are a complete set of five digital inputs on the back as well as 1/4 inch headphone jack on the front backed by a 800mW (8 ohms) amp.
There will be more products in the series, such as a sanaAMP around the $1k range.
Aimed at the power portable user, the new Shift should be appearing in April for approx. $399 and features a luxurious leather covering on the case that attaches it to your portable. Can be used with a PC or phone, and can even charge an iOS device if needed.
Another portable player in the $1k range is Sony's latest offering which includes the proprietary DSEE HX process to "upscale" music while streaming. Files up to 24/192 and DSD are supported and there is 128GB of built-in memory, as well as micro SD card slot, Wi-Fi, Bluetooth and about 30 hours of HD playback per battery charge.
Sporting beautiful casework for relatively modest pricing, Burson's Conductor Virtuoso will be shipping in two versions: one with a Sabre ESS9018 DAC chip for $1,995 and the other with the BurrBrown PCM1793 for $1,495. Inside is a 4 watt headphone amp section along with PCM processing up to 24/192.
On the back are digital inputs for USB, SPDIF and optical and also analog RCA jacks. Also on the back are the digital and analog outputs
and on the front a 100-step volume control and 1/4 inch headphone jack. Remote control is included.
Replacing the HM901, the new s version has a redesigned aluminum body, tweaked analog section and quicker power up and down cycles. This is another premium player in the $1k price range and like the others, handles both PCM and DSD and features nice build quality. There is an SD card slot for up to 256GB of storage and stepped volume control on top. The new model should be appearing in the second quarter of 2015.
My assignment at CES 2015 was to report on speakers costing less than $10,000/pair, so when I went into each room my first task was to see if they had any new (or at least new-to-me) speakers that met this criterion. I found one in the KEF room that appeared to fit the bill: the sign on the speaker identified it as the Reference 1, priced at $7500/pair. Johan Coorg of KEF explained to the assembled visitors how the design of this speaker utilized knowledge gained in designing the Blade.
Monitor Audio's Dean Hartley told me that he's been busy, revising the Gold Series (ranging in price from $2000/pair for the Gold 100 to $3500/pair for the Gold 300). He described the changes a "facelift rather than a complete revolution."
An enterprise founded by brothers Trevor and Todd Ryan (left to right), Ryan Speakers proudly proclaims that their loudspeakers are "handcrafted in California." Looking at the Ryan 630 ($5000/pair), I remarked on the presence of felt around the tweeter, a technique pioneered by the late John Dunlavy. "Oh, yes," said Todd Ryan, "felt around the tweeter, offset mounting drivers; we use all the old tricks."
What a difference a tweeter makes! Elac makes a small bookshelf speaker, the BS 73, which costs $850/pair. They make another, even smaller, bookshelf speaker, the BS 312, which costs $2800/pair. The BS 312 is shown in the center of the photo, with the BS 73 flanking it (I'm not sure which one). There are some obvious differences in construction (the BS 312 has a metal cabinet), but the greatest difference is probably the tweeter: the BS 73 uses a dome tweeter, whereas the BS 312 uses what they call a JET tweeter.
Like many (most?) audiophiles, I've tended to turn up my nose at in-wall and on-wall loudspeakers. I normally assume that there must be major sonic compromises in designing speakers that fade into the background. I was then most pleasantly surprised by the sound of the Totem Tribe V ($6000/pair) at CES 2015. This is an on-wall speaker, but that sort of mounting is not possible in a hotel environment, so the speakers were stand-mounted, as close to the wall as possible. The sound was clean, open, and dynamic, with a firm bass foundation.
Epos and Creek have long been associatedEpos loudspeakers seemed to work particularly well with Creek electronicsbut the connection became more solidified in 2014, when Mike Creek acquired total control of Epos and appointed his son, Luke, to be the Epos brand director. The first result of this change of ownership is the new Epos K-Series, which importer Roy Hall describes as being more "lifestyle-oriented."
Wharfedalewhich now bills itself "Britain's Most Famous Loudspeaker. . .Since 1932"introduced the Diamond 200 series at CES 2015. The series includes the model 210 and 220 bookshelf monitors, model 230, 240 and 250 floorstanders, model 220C center-channel speaker, and model WH-D8 and WH-D10 subwoofer.
While his multipurpose integrated amp lurked in the background, I took immediate notice of Dan D'Agostino's hulky 6U form-factor multichannel amplifier, the Cinema Standard. Available with two ($12,000) and three ($15,000) channels, it offers 250Wpc into 8ohms and doubles down to 500 into 4 and 1000 into 2, at 0.1% total harmonic distortion! Now that's dynamic headroom.