CES 2014

Though I was in the Avatar room asking about new digital products, somehow this one was missed, so thanks to Jason Serinus for coming up with a photo for me. There was also a little confusion about the name of the product, but we're going with Scaena Mainframe for now.

The company info says that the new server plays all formats of audio and video and features an aluminum enclosure with liquid cooling, Xenon processor, "error correcting" RAM, and a custom 7" touch tablet to run everything. The Mainframe also runs off of a lithium battery power supply that can go for up to 12 hours on a charge.

No pricing or availability info yet.

Soul Of the Music had their sMS-1000 media server on hand featuring the Vortexbox OS and the ability to handle PCM files up to 32/384 as well as DSD. The front panel has a slot for ripping both CDs or DVDs and pricing is dependent on type of output selected: $3,000 for both balanced and unbalanced analog outputs, $2,700 for coax, toslink, AES/EBU, and $2,500 for just USB 2.0

"I'm a full-time music lover and a part-time audiophile," Gary Koh declared while demming his new Genesis GRA1440, class-D, truly differentially balanced monoblock amplifiers ($22,000/pair). "Music is inherently balanced," he said, as he played the stereo LP version of Al Grey and The Basie Wing's The Last of the Big Plungers, and proved that modified Hypex class-D modules, when incorporated into amplifiers that output 1440Wpc into 4 ohms and include a full Genesis power supply, can yield totally welcoming, alive and colorful sound. There was absolutely no hard edge to be heard on this system.

Resolution Audio has yet to name or price its new 100W monoblock amplifiers, due in May, but they may come in around $9000/pair. Their push-pull design is licensed from English engineer Denis Morecroft. Build is distinguished by custom T-network caps and, in the company's words, "crazy careful attention to detail."

Gideon Schwartz of AudioArts NYC assembled an extremely fast system that delivered maximum color without any of the harsh, irritating edge that I encountered on many systems, both tube and solid-state, at CES. On Salvatore Accardo's well-worn Diabolicus in Musica LP of Paganini's solo violin music, as well as on a CD by the Musicians of the Nile, I was deeply impressed by the upward extension of the tone and the system's willingness to bathe music with the light it deserves. If the system wanted for the last iota of bass impact and clear delineation of low-lying lines, it nonetheless handled bass with a finesse that few hotel room set-ups offered, especially in the case of large loudspeakers sandwiched into small spaces.

Rogers High Fidelity's New York-manufactured, aerospace engineering-based system, which included the just-launched PA-1A six-tube phono preamplifier ($7100) (pictured on the right) and EHF-200MK2 KT150-based, 112Wpc integrated amplifier ($15,000), delivered extremely quiet, beautifully warm and lovely sound with Shunyata power conditioning, Kimber Kable, and Davone Grande loudspeakers. The two Rogers pieces also looked fabulous.