JA noted the new Weiss network player at Rocky Mountain, but this was the first time I had seen the production version. There are two options available: with DAC for $12,262 or without for $9,083. Either way the MAN301 uses an iPad app for remote control, has a CD slot on the front for ripping your discs, and the need for external storage.
Since this is a network player and not just a music server, the Weiss can handle internet radio and podcasts and has a variety of digital inputs. Both balanced and unbalanced analog outputs as well as digital complete the back panel.
Swiss company CH displayed the new $32,975 C1 DAC/controller with optional ethernet board ($5k) and USB board ($4k). The processor handles 24/192 PCM and will soon support DSD/DXD via ethernet.
The C1 is compact and beautifully made (unlike my photo) and has all the standard digital inputs as well as analog options and a variety of output options including balanced and unbalanced analog. The company says that the modular approach to the C1 makes it "future-proof" as they keep coming up with new boards.
In some rooms, spotting the new product or two can be tough without asking or taking time to carefully look at everything on display. Not the Oracle room. The BRIGHT yellow Paris CD 250 was screaming "look at me" the moment I crossed the threshold. Once my eyes had settled I could see Oracle had also brought the CD player and DAC in a few more color choices: black, white and red.
Using the same chassis design and color options, the CD player or DAC each run $3,500. The DAC features 24/192 SPDIF, Toslink and USB inputs as well as volume control.
I’ve mentioned NAD’s VISO HP50 headphones, but the company was also showing their new, smart-looking D Series digital components. From left: D 1050 USB DAC ($449), D 3020 digital DAC/integrated amp ($399), and D 7050 digital network receiver ($899).
The Solo Neo now has networking capabilities and uses an upgraded disc transport. At $2000, it might seem a little pricey to a young or beginning audiophile, but considering that it combines tuner, preamp, power amp, and disc player in a clean, stylish enclosure, the Solo Neo represents great value.
Harman International’s High-Performance Group’s exhibit featured a live demonstration of its most expensive equipment, including two Revel Rhythm 2 18" subwoofers ($10,000 each); two Revel Ultima2 Salons ($22,000/pair); a Macintosh MacBook Pro running Amarra software driving a Mark Levinson No.502 Sound Processor; a No.52 preamplifier ($30,000); two No.53 Reference monoblock amplifiers ($25,000 each); and Transparent power conditioners for the digital equipment and for the amplifiers. The rack also included a No.512 SACD player. The Revel Ultima2 Salons were crossed over to the subs at 80Hz with 4th-order slopes for both high-pass and low-pass filters. Listening to Diana Krall singing "I Used to Love You," I was struck by how all the loudspeakers and electronics disappeared leaving a holographic image of her voice, with a wide and deep soundstage.
Revel’s new Rhythm 2 subwoofer ($10,000) contains a pair of 2000W class-D amplifiers (said to offer 4kW on peaks); an 18" driver with a 4” voice-coil; over 114dB maximum acoustic output; high-resolution DSP room equalization; fully configurable electronic crossover; and PC or Mac setup via USB. Kevin Voecks, its designer, described how the subwoofer's highly sophisticated DSP engine can equalize both the subwoofer and the satellite speakers. The DSP-driven room equalization generates adjustments from one set of room measurements, correcting for as many as 10 modes in the frequency range of 20400Hz.
I'm so glad that Venture of Belgium and Singapore has a new line of cabling, because it gave me an excuse to hear Reference Recordings' "Pie Jesu" from the Rutter Requiem as I've never heard it before. I was blown away by the huge dynamics, room fixture-shaking bass, mind-boggling clarity of the massed voices, and sheer beauty of the sound. Gorgeous.
Crystal Cable, headed by Gabi Rijnveld, has just released a new cable line called Absolute Dream. The core is 100% mono-crystal silver, the braid mono-crystal silver-plated copper and gold-plated silver. Rijnveld (right), pictured with her husband Edwin of Siltech, claims that Absolute Dream is some of the fastest cable on the market.
The Margules electronics and loudspeakers brand, long established in Mexico, is poised to make a big splash in the US. Picked up by Tempo High Fidelity, the same folks who distribute dCS, Verity, and Musical Fidelity, Margules will open ears once people hear their U280SC tube amplifier ($3900). Shown with the company's principal/designer, Julian Margules, the U280SC is a 23-year old design that now uses new transformers and semiconductors. A full class-A design that is claimed to be nearly as efficient as class-A/Byou can touch the tubesthe amp puts out 80Wpc in ultralinear mode (or 160W if two are strapped for mono) and 40Wpc in triode mode. The amp is so versatile that you can even have one channel output ultralinear, and the other triode. No bias adjustment is necessary.
The Kimber Select line is sporting three new USB cables, whose prices are yet TBD: copper (approx. $500), hybrid (approx. $1000), and full silver (approx. $1500). Shipment is projected for late January. The cables, built entirely in Utah, feature a braided design, unique proprietary shielding, and a distinct ebony head shell chosen for its inert properties. Presumably, thoughts of the lovely sounds soon to be delivered by these new cables were enough to leave Kimber's photo-shy Nate Mansfeld smiling.
Surprise, surprise, at least for me. Pipeline, RadioShack's high-end cabling line, is manufactured by no less an entity than AudioQuest. Bill Boyer, Sr. VP (left) and Milton Perez, National Sales Manager (right), gave an idea of the price range when they explained that a 4 foot HDMI cable retails for $49.
Nagra of Switzerland debuted its new Jazz preamplifier complete with ACPS II power supply ($12,500). This replacement for the PL-L line level preamplifier, shown with the company's Hi-Fi Director Jean-Pascal Panchard, melds tube technology with an improved circuit design that is said to yield more open and detailed sound. As important, the input and output jacks are now on the back panel instead of the sides! A review of the Jazz is scheduled to appear in the April 2013 issue of Stereophile.