Mystère hosted a sneak preview of its forthcoming ma21 power amplifier ($TBD). Available in March, this mono version of the pa21 ($2995) boasts automatic bias, and can work with EL-34, KT-88, or KT-120 power tubes.
Magico's MRack ($30,000$50,000, depending upon configuration) absorbs and dissipates energy with the same constrained-layer damping mechanism employed in the Magico QPod equipment supports that Michael Fremer raved about in his June 2012 "Analog Corner" column, and that I use under my transport and DAC. Constructed of 500 lbs of aluminum, copper, and damping compound, the MRack is a byproduct of the R&D Magico put it into their Q series of loudspeakers. "Think of the MRack as a giant QPod," says Magico's Alon Wolf.
Lew Johnson of Conrad-Johnson announced a new stereo amplifier, which he considers priced in "the sweet spot for sound per dollar." The CP125sa ($8250 in base version, $10,000 upgraded) outputs "roughly" 125Wpc, and uses the same circuit as the top-of-the-line ART, albeit with less expensive parts in all but the most critical places.
Resolution Audio, based right across the Bay from our humble casa in East Oakland, has just introduced the Cantata C-50 2.0 integrated amplifier ($4495). With a revised power supply with new customized T-Network capacitors, the 50Wpc C-50 2.0 also includes a discrete front end and FET output stage and the company's own eddy current reduction technology. Resolution Audio claims "greater detail and transparency" for the 2.0, to which original version owners may upgrade ($495).
MIT has a lot of new goodies on its plate. With hopes that I got everything right in my notes, the Oracle MA-X SHD (super high definition) interconnects ($19,999/1m pair) include 125 "poles of articulation"the most MIT offers in an interconnect. Their familiar and substantial boxes include an "articulation control" knob, adopted from hearing-aid technology. A complement to the company's SHD speaker cables (which have up to 145 poles of articulation), the cables are designed so that the box sits on either the floor or equipment rack, thereby relieving strain from the cable itself and the components to which it is connected.
Will the Deity ($5900/8 ft pair), DH Labs' new top-of-the-line speaker cable, deliver the heavenly sounds its name implies? Only those who listen will know for sure. Not yet listed on the Florida-based company's website, the US-made cable contains twelve 20-awg solid-core silver conductors, each in a tape-wrapped Teflon-foam dielectric. There are also two 14-awg silver coated OFHC copper conductors running down the center of the cable. Overall, the Deity is an impressively attractive and substantial 9-awg cable.
Amidst the glorious sound of Scaena loudspeakers and Veloce's battery-powered electronics (among other goodies) ran Rick Schultz's new High Fidelity cables. Alan Eichenbaum of Scaena reports that when the Schultz sent him some samples, he gave them a try and thought they were "quite good." I'll say. Only available with RCA terminations, Eichenbaum used them as interconnects and speaker cable in his demo, mating them with Nordost Odin power cables. If you judge cables by the company they keep, High Fidelity's are surely upper class. Although Schultz was not present, I later discovered that his Texas-made cables are distributed in the US by Brian Ackerman of Aaudio Imports pictured above.
Ted Denney's Synergistic Research has enlarged its already large line with its new entry-level Core Series ($245 to under $1000). "Distilling Synergistic technology to its essence" is how Denney describes the complete line, including computer audio and digital cables. The new Transporter Ultra ($1995) and Transporter Ultra SE ($2295) is a single unit that replaces all the individual wall warts used on various Synergistic products. There is also the Core Ethernet Active ($345/1m) and Core Ethernet Active SE for Synergistic Research's digital power tools, and new Element Series power cords composed of copper, tungsten and silver. I'm not certain, but I believe this cord is shown draped over one of the company's fabulous Tranquility Bases.
Given that the folks at Pass Labs have never made a big deal about cabling, it's significant that they've given a major thumbs up to Silent Source Audio cables. Calling them "the best cables you've never heard," they use these hand-built-in-Texas cables to voice their products.
Named for the Italian word for "wave," three-year old Onda Cables of Calgary, Alberta, Canada has announced its top-of-the-line Onda Riptide ($5800/1m pair). The cables have their own proprietary solid-core silver pin in their RCA terminations, and a combination of 13, 14, 16, and 10-gauge wire. Their Riptide power cord ($5800/5 ft) combines 8 and 16 gauge wires for maximum speed, rhythm, and pace. Onda's Riptide speaker cable ($8900/8 ft pair) uses 9-gauge conductors, augmented with 13 and 16. Owner and designer Greg Kozokowsky learned a lot of his technology from his work as an engineer in Canada's oil sands.
Among Cardas' new goodies at CES was the 3455R IEC plug ($49.95), with pins of solid ultra-pure copper with silver/rhodium plating, and the 3455R-US wall plug ($49.95), whose pins are made of the same material. Cardas is now substituting these for Furutech terminations on their power cables. National Sales Director Brian Von Bork reports that they're also re-launching the Cardas Ear Speaker 5813 ($425), aka ear buds with bloom.
In one of the 14 rooms at CES using Kubala-Sosna cabling, Joe Kubala showed me one of his three forthcoming Distribution Instrument boxes ($TBD). Variously named Quartet, Sextet, or Octet for the number of outlets, this high-end power distribution system is, in Joe's words, "the most neutral way we know to distribute power to our cables." The case is Corian, and each outlet boasts a direct path back to the 20 amp IEC connector. Expect an official unveiling at AXPONA Chicago in early March, which Stereophile will cover room-to-room.
It’s difficult to tell from my poorly shot photograph, but Audio Electronics’ range of affordable products seem to offer the same high level of fit and finish one would expect from their more ambitious parent, Cary Audio.
M2Tech is seen here showcasing the new Joplin ADC which can convert analog signals to anything up to 32/384. You can convert line level inputs and there is also a built in phono stage with 16 preset EQs built in for compatibility with various manufacturers. Price is $2,499 and there are AES/EBU, SPDIF, Toslink and USB outputs. There is also a single SPDIF input.
Arriving in the US next month, the new Cambridge follow-up to the 751BD has a retail price of $1299. Arcam's Dan Poulton was quick to point out that though it has a similar feature set (most disc formats supported as well as streaming services), this is not just an Oppo in a Cambridge box.
Audio is upsampled to 24/192 using Cambridge's Adaptive Time Filtering (ATF) system and allows the user to set the digital filter from several options as with the company's DacMagic.