Erin Binal of Bicome finished his lecture on Thielnet by stripping off the front grillw on the small, two-way, IP-addressable, powered SCS4D loudspeaker. There are twin ports above and below the coaxial driver. With the grille on or off, the SCS4D is rated with a frequency response of 48Hz–20kHz, ±3dB. Pricing was not specified. And yes, those are WiFi antennae.
Thiel's press conference at the Sands Convention Center on Day One of the 2008 CES opened with a detailed critique of the complexities and challenge of installing a home theater system. Ekin Binal, Vice President, Product Development, of BICOM, an IT company partnering with THIEL to address these issues, spoke in detail about the complex, labor intensive, time-intensive, cost-intensive installation of multiple speakers and channels. Furthermore, updating such a home theater system is never simple nor convenient, nor is moving a system from an old house to a new house either simple or inexpensive. Because installation is custom work, there is no universal package a single manufacturer can create that can fit most domestic locations.
"Our Asian and Pacific clients were strongly requesting it," said Mark Levinson's Walter Schofield, VP of Sales and Marketing, "so we designed an amplifier in the older Mark Levinson tradition with external heats."
While Day 1 at the Venetian was all hustle and bustle, the atmosphere at the Las Vegas Hilton was something different, was almost contemplative. Navigating the Venetian halls was an exercise in agility. I found myself weaving in and out of massive traffic with a skill perhaps common only to a weary New Yorker, making quick and random stops to chat friends and colleagues. But when I arrived at the Hilton, the silenceas we like to saywas palpable.
The prototype speaker I shamelessly coveted at the 2007 RMAF, the Harbeth 40.1, resurfaced in final form at THE Show’s Alexis Park location. Paired with Resolution Audio’s exceptional-sounding components, it again made my mouth water. Now positioned on new, lower stands (which, in my not-so-humble opinion, look far more attractive, and far less like a funeral casket, when not draped in black cloth), the full-range 40.1 monitors have an immensely detailed, beautifully layered, extremely controlled midrange whose harmonic richness is hard to resist. Toed-in toward the listener, the speakers' high end was equally compelling.
KEF would begin their multi-room demo with their small, but surprisingly room-filling, KHT home theater range and work their way up from there. The stunning KEF Muons would be the great and final attraction of the KEF event, and they were all I was looking forward to, really. However, the highlight of the show turned out to be the brilliant sound of the Reference 201/2 stand-mounted speakers ($6000/pair). I was instantly reminded of the remarkable performance of the much larger Reference 207/2s, which I recently experienced in JA's listening room and which are now gracing our February cover. The music brought forth was captivating, seductive, gorgeous.
The KEF Muon, dreamed up by idiosyncratic industrial designer, Ross Lovegrove, is unlike any other speaker I know. At $140,000/pair, it should be special. KEF's Marketing Director, Johan Coorg, explained that the Muon started out as an attempt to create the absolute best possible speaker, and evolved into something more"a work of modern art, like a Henry Moore sculpture."
"It's the finest two-way loudspeaker we've built to date, "said B&W's Chris Smith," as he stood next to the short white tubular Signature Diamond. "We've decided to make it a special edition of just 500 pairs, each pair numbered." I was very interested because the previous two-way model, the John Bowers Silver Signature, was very well-reviewed by Stereophile back in 1994 and became John Atkinson’s reference for many years.