CES 2006

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Wes Phillips/Jon Iverson Posted: Jan 09, 2006 7 comments
This is Vegas, so you'll understand that when I say that Jon Iverson and I were simply rolling the dice when we entered Audiona's room at T.H.E. Show, I mean that in a good way. "Want to hear some actively crossovered, four-way loudspeakers?" Brian Quick asked us. Well, yeah, that's what we do.
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Wes Phillips Posted: Jan 09, 2006 6 comments
Small seems to be the next big thing—the new black, maybe. Viola Audio Labs introduced its 9" W by 4.3" H by 16" D 75W Forte monoblocks ($10,000/pair). Like its big brothers, the Forte has a minimum of internal wiring, which along with its compact dimensions, keeps signal paths short. It has a 1M ohm input impedance, making it easy to drive, and this is said also to improve HF performance and transient response, according to designer Tom Colangelo's colleague Paul Jayson. It uses minimal negative feedback and a choke input filter power supply.
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Wes Phillips/Jon Iverson Posted: Jan 09, 2006 0 comments
Jon Iverson and I walked into Studio Electric's room at T.H.E. Show not knowing what to expect and stopped short. Whoa, this was different.
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Wes Phillips/Jon Iverson/Larry Greenhill Posted: Jan 09, 2006 0 comments
Technical Audio Devices, better known as TAD, was showing a speaker that looked disturbingly familiar. It was the same size and seemed to feature the same drivers as TAD's Model-1, but it lacked that speaker's silver hood and upper front baffle. That's because Andrew Jones had come to Vegas with TAD's Model-2, which he said would come in between $35,000 and $40,000/pair.
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Robert Deutsch Posted: Jan 08, 2006 Published: Jan 09, 2006 5 comments
The fabled Threshold Stasis amplifier is back. The S/350 reissue, built in China by Threshold International Ltd., is said to have the same circuit as the original, but with updated components. The original cost $3900 in 1992, so for those who long to own this famous amplifier, the S/350 reissue at $2000 is a bargain!
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Robert Deutsch Posted: Jan 08, 2006 Published: Jan 09, 2006 2 comments
Silverline Audio's new Prelude is a slim floorstander combining an aluminum-dome tweeter with two 3.5" aluminum/magnesium-alloy mid/woofers. Designer Alan Yun was running the speakers with a pair of Pass X600s (600Wpc), an unusual combination intended to show the speaker's potential for dynamics and bass extension—and it certainly did that. Nice, smooth sound, too. The Prelude seems like a real bargain at $1200/pair.
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John Atkinson Posted: Jan 08, 2006 0 comments
We reported a couple of weeks back about the management buyout at English digital specialist dCS. CES saw the first public showing of the new products we wrote about, including the Verdi Encore SACD transport, which upsamples CDs to a DSD stream to feed a dCS DAC, such as the Elgar Plus seen here beneath the transport with both clocked by the dCS Verona that I reviewed a year ago. The rest of the dem system was a pair of Verity Parsifal speakers driven by a VTL S-400 amplifier and VTL's new TL-6.5 line preamp: the sound on a cut from the new Jackson Browne CD that Robert Baird writes about in the January 2006 Stereophile was effortlessly smooth, analog-like in the ease of musical communication. And on the top of the Encore is the award we presented to dCS at CES for the original LaScala transport being one of our two Joint Digital Products of 2005.
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Wes Phillips Posted: Jan 08, 2006 4 comments
Walking through the halls of T.H.E. Show, Jon Iverson and I were caught by John DeVore as we tried to cruise the halls quickly. "You've got to hear this," he gushed. "This is probably the worst sound and the best music you'll hear at the show."
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Wes Phillips Posted: Jan 08, 2006 2 comments
Amphion's Anssi Hyvönen was happy to demo his tiny Ions ($1350/pair). The diminutive two-ways sport a 1" titanium tweeter and a 4.5" midrange/woofer, and weigh an easy to lift 10.5 pounds. They sound pretty darn big, though. I enjoyed them in a system with a T+A 1535 surround sound receiver and T+A SADV 1245 R DVD player, finding them spacious and three-dimensional. Then HeadRoom's Tyll Hertsens walked into the room and asked, "How do they sound as desktop speakers?"
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John Atkinson Posted: Jan 08, 2006 0 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.
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John Atkinson Posted: Jan 08, 2006 1 comments
Toward the end of the final day in Las Vegas, I found Kalman Rubinson entranced by the sound of Shirley Horn singing and playing piano in the Audio Research room at T.H.E. Show. A pair of the new Mk.2 version of the Wilson Sophia speakers was being driven by ARC's Reference 210 monoblocks, a Reference 3 line stage, the Minnesota company's new Ref CD7 player, with cables from Shunyata and Cardas and AC conditioning by Richard Gray. I was equally entranced.
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Larry Greenhill Posted: Jan 08, 2006 2 comments
High-end amplifier guru John Curl, well-known for his early designs at Mark Levinson Audio Systems and for the Vendetta phono preamplifier—some regard this as the finest head amp ever made— was at the Alexis Park to discuss his latest design for Parasound, the JC-2 preamplifier. [The price of the JC-2 has not been determined yet, but will be somewhere in the vicinity of $3200.] John was particularly pleased to point out that he had worked with the same circuit-board designer from the Vendetta days. He also pointed out the preamp’s "D-core" power transformer, which has an oval core at right angles to the winding. John believes that this is much quieter than a conventional toroidal transformer. However, he had persuaded Parasound to omit a phono stage because even the D-core transformer wasn't quiet enough for him. That brought up an obvious question—would he reintroduce the Vendetta? Although nothing was definite, he noted, "I'll probably have to do something because everyone is bugging me to bring it back."
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Wes Phillips/Larry Greenhill Posted: Jan 08, 2006 0 comments
VTL's Luke Manley was glowing with some tube warmth himself. "These are the Autobias 450 monoblock amplifiers ($13,500/pair). They have an auto bias circuit, fault monitoring, regulated screen power supply, fully balanced input drivers with their own power supplies, and trickle-current on mute—which keeps you from 'poisoning' your cathode." This last feature prevents you from stressing your tubes on mute and power up, without subjecting them to the stress of hard off and on—"which is a very nice feature. This is a thoroughly modern tube amp."
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Stephen Mejias Posted: Jan 08, 2006 0 comments
I weeble-wobbled my way upstairs, following the sounds of The White Stripes', "My Doorbell."
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Wes Phillips/Jon Iverson Posted: Jan 08, 2006 6 comments
"What's new?" we asked Halcro's Philip O'Hanlon. He ushered us into a room with the brand new ("North American premiere") dm88 250W monoblocks ($40,000/pair). Also in the room were Hanlon's own pair of Classic Audio Reproductions T-3s ($16,500/pair and up, depending on finish)—updated reproductions of James B. Lansing's Hartsfields.

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