CD Player/Transport Reviews
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Thomas J. Norton Jan 25, 1997 0 comments
We are now well past the era in which every review of digital playback equipment had to begin with an apology for the medium. CD replay performance may, in fact, now be bumping up against a glass ceiling. But that doesn't discourage high-end audio manufacturers from trying to advance the art, and tempt audiophiles (at least those among us who are not hopeless digiphobes) out of our minds.
John Atkinson Oct 26, 1996 0 comments
If there is a component category that causes the "objectivists" in the audio community to splutter uncontrollably over their cups of herbal tea, it is the high-end CD transport. For in their "bits is bits" world, all a transport is required to do is recover the digital data from a disc—much like a grown-up cousin of your computer's $25 floppy-disk drive. The thought of paying up to $10,000 for something so humble—and, in their eyes, unnecessary—typifies what these blinkered folks regard as the insanity of the High End.
John Atkinson Oct 01, 1995 Published: Oct 01, 1986 0 comments
"A thing divine—for nothing natural I ever saw so noble."
Sam Tellig, Various Jun 30, 1995 Published: Jun 30, 1994 0 comments
"You are not going to believe this."
Jonathan Scull May 18, 1995 0 comments
Fantasy review time. I first heard about the C.E.C. TL 0 in the May '94 Stereophile (Vol.17 No.5), in Audio Mogul Richard Schram's Manufacturer's Comment to my review of the C.E.C. TL 1. I wasn't sure if he was kidding when he threatened the world with a cost-no-object $17,500 CD transport. Just what we all need!
Robert Harley Jan 28, 1995 Published: Jan 28, 1992 0 comments
When the Compact Disc was first introduced nearly ten years ago, many were critical of the sound quality from this medium that promised "Perfect Sound Forever." To many sensitive listeners digital playback was a travesty that paled by comparison to even modestly priced turntable/arm/cartridge combinations. Ironically, those listeners who first praised CD sound have been forced to recant when confronted by the huge improvements in digital to analog conversion (and A/D conversion) seen in the past few years.
J. Gordon Holt Jan 23, 1995 Published: Jan 23, 1983 0 comments
Our long-awaited laser-audio disc player (usually called the CD, for "Compact Disc") finally arrived, along with a real bonanza of software: two discs—a Polygram classical sampler of material from Decca, Deutsche Grammophon and Philips, and a Japanese CBS recording of Bruckner's 4th Symphony, with Kubelik.
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