With Super Audio CD and DVD-Audio four years old as established media this fall, the two-decades-old Compact Disc medium is still well-established as the primary carrier for recorded music. (Yes, it is experiencing a significant threat from downloadable music files, but that is outside my bailiwick as a hardware reviewer.) Stereophile has therefore been paying attention to the high-performance one-box CD players that are available. In May, I wrote about my positive experiences with the $2950 Ayre CX-7 and Brian Damkroger favorably reviewed the $2999 GamuT CD1, after having followed up his April 2001 review of the $5495 Simaudio Moon Eclipse player in April 2003.
With hindsight, one of the sideways steps taken by the High End in the early 1990s was the splitting of CD players into separate transports and processors. There were good reasons for this development, not the least of which was the flowering of creativity it engendered in high-end audio engineers. Having open access to the digital audio data also made possible effective digital equalizers and room-correction processors, but in the rush to increase a system's component count, it was overlooked for too long that keeping everything in one box offered certain advantages.
I was in a jam. John Atkinson was gently reminding me of rapidly approaching deadlines, and my longtime reference CD player, the Simaudio Moon Eclipse, had just been recalled for an upgrade. This wouldn't normally have been a problem, but I was also in the middle of relocating from New Mexico to California, and all of my backup gear was either in storage or on a moving truck somewhere.
Back in 1984, when I still had all my hair and began listening to digital audio (wait a minute...), I was disappointed with the compact disc. Most of that disappointment came from the format's musical performance, which was poor, but a portion of my dismay came from realizing that my days as a hands-on hobbyist were numbered: I was used to selecting and setting up my own turntable, tonearm, and cartridge, but a CD player defied such involvement. Plugging it in and playing it were all that I or most anyone else could do.
Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking. One can choose from standard "Red Book" CDs (16-bit/44.1kHz), DVD-As, DADs (24/96 DVD-Vs), SACDs, combination audio-video players and changers, upsamplers, oversamplers, and every possible agglomeration of the above. As the audiophile-grade universal player remains vaporware, if you want to keep moving forward you have to choose among the various format combinations. Ayre Acoustics' Charles Hansen made his decision back in 1998—DVD-Video—and has spent the last four years refining the end result, now known as the D-1x.
How much fun can you have with an audio component? Fun for me is having a Nakamichi BX-300 analog cassette deck running into Musical Fidelity's evolutionary, revolutionary CD-Pre24 preamplifier, with the unit's digital output feeding the Alesis Masterlink hard-drive-based digital recorder, and being able to monitor the digital loop through the preamp once again in the analog domain.
When a well-respected analog disc-mastering veteran like Stan Ricker says that the Alesis MasterLink ML-9600, a hard-disk-based digital recorder/CD burner, is "the best tool in my mastering bag...done right it can sound better than all but the absolute top drawer analog," you take the endorsement seriously. Progress is possible. Mastering tool, CD burner, 24-bit/96kHz recorder, audio reviewer's best friend—the versatile MasterLink is one of the coolest products I've ever had my hands on.
My life is characterized by periods of relative calm interrupted by huge transitions. This last year has been a doozie, with changes in just about every aspect of my life: new cars, motorcycles, and guitars, new jobs and relationships, and, finally, the contemplation of a cross-country move. With a little bit of luck, all of this upheaval will end in a long period of relative calm.
What's next for you? Your last CD player? Your first SACD player? DVD-Audio? Looking forward to multichannel music? Still satisfied with two-channel stereo? Maybe you're waiting for an affordable combination SACD/DVD-A multichannel player, or for the format feud to shake out and leave a clear winner. So many options, so much excitement, so little software.
Every once in a while, a piece of super-esoteric gear crosses my path that, on the face of it, makes no sense whatsoever. Eventually, however, the component is revealed as being "merely" simple and elegant, begging the question: Must it always be done the way it's always been done?
Give an engineering team a blank page and a blank check and there's no telling what they'll come up with. At the Consumer Electronics Show in Las Vegas in January, for example, one company showed a $25,000 CD transport with laser-pickup mechanism that was separate from its disc drive—almost the cosmic equivalent of having the sun revolve around the earth.
Over the past two decades, enough advances in the high-end audio industry have trickled down to aspiring audiophiles that we now enjoy a level of high-value, high-resolution performance that would have seemed unattainable even just a few years ago. Still, immersion in a profound musical experience remains an ephemeral goal to potential converts, given the level of expertise that seems necessary to assemble a truly audiophile set of separates.
Although the Accuphase DP-75V looks like a conventional single-box CD player, it's actually a separate transport section and digital processor, each of which can be used independently. The transport is a 16-bit/44.1kHz mechanism, the datastream appearing on RCA coax and TosLink optical output connectors on the rear panel.