CD Player/Transport Reviews

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Art Dudley Posted: Jun 26, 2006 0 comments
You've heard it said that the early bird catches the worm, which is all well and good if you like worms. If you're more interested in music, you might want to follow the lead of Roy Gandy instead: He's the managing director of Rega Research, a 331/3-year-old audio company that was the very last of its kind to enter the CD market. Rega's first CD player, the Planet of 1996, was a success in virtually every way.
Robert Harley Posted: Jun 06, 2006 Published: Jul 06, 1993 0 comments
I find it astonishing that two products built on completely opposing engineering principles can both have musical merit. Design goals exalted by one company are considered anathema by another, yet both components produce superb sonic results.
John Atkinson Posted: Apr 09, 2006 0 comments
How to integrate a computer into a high-end audio system is a hot topic these days. I'm getting more and more e-mails from readers asking for advice, Wes Phillips wrote about transferring his LPs to audio files in his October and November newsletters, and a lively thread on this topic ran on the forum at www.stereophile.com.
Art Dudley Posted: Jan 22, 2006 0 comments
A week with the Cyrus CD 8x CD player
Wes Phillips Posted: Jan 22, 2006 0 comments
You can't always get what you want, but sometimes you get what you need—and Quad, bless its cockamamie heart, is the company that gave it to me.
Art Dudley Posted: Oct 16, 2005 0 comments
Is it a trend or just a fad? That's what some of us want to know when we stumble over a new way of doing things, the implication being that a trend is somehow better than a fad.
J. Gordon Holt Posted: Sep 04, 2005 Published: Feb 04, 1985 0 comments
Well, it was inevitable. Prior to the MCD, every CD player had been a product of a major Japanese or European manufacturer, and we all know what kind of audio electronics "major" manufacturers usually design: adequate, but rarely much better. The MCD is the first player from a small, perfectionist-oriented firm, and an English one at that (Boothroyd-Stuart).
Wes Phillips Posted: Aug 07, 2005 Published: Dec 07, 1995 0 comments
Walking through the circus that was WCES '95 was like undergoing total neural-synaptic overload. I felt hard-pressed to just keep my head above water separating good sound from bad. Trying to piece together a coherent picture of the show, I jotted down the components in the best systems that I'd heard, and a few items popped up with astonishing regularity. One of these was Audio Research's single-chassis CD player, the CD-1.
John Atkinson Posted: Aug 07, 2005 Published: Jan 07, 1990 0 comments
A strange disguise; still, write it down,
it might be read. Nothing's better left unsaid.
—Keith Reid
J. Gordon Holt Posted: Aug 07, 2005 Published: Feb 07, 1984 0 comments
What, a high-fidelity product from Magnavox? The company that 20 years ago had a reputation for building massive, polished-console boom-boxes and was scornfully referred to in audiophile circles as "Maggotbox"? Some important things have happened to Magnavox since those days. Mainly, it became a subsidiary of the Dutch Philips company, co-developer of the laser video disc and now the audio Compact Disc. The Magnavox CD players are actually made by Philips for US distribution by Magnavox.
Art Dudley Posted: Jul 24, 2005 0 comments
Here we are, back to the Arcam I know and love: a company that not only invents good products, but good product categories as well. Like the Arcam Black Box of the 1980s, which gave so many people fits at the time—yet which, once you heard it, made good musical sense. It made good marketing sense, too: With that one stroke, teensy, weird, nestled-away-in-the-English-countryside Arcam did nothing less than create the domestic market for outboard digital-to-analog converters.
Robert Harley Posted: Apr 10, 2005 Published: Jun 10, 1996 0 comments
All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.
Brian Damkroger Posted: Mar 20, 2005 0 comments
I've encountered a number of audio products over the years whose thoughtful design and intricate craftsmanship brought to mind the expression "built like a Swiss watch." As often as I'd thought or even written that phrase, however, I don't think I'd ever stopped to seriously consider what an audio component might be like if actually built by the nation that produces Rolex and Breitling wristwatches.
Robert J. Reina Posted: Feb 27, 2005 Published: Jun 27, 1996 0 comments
I have always been a dyed-in-the-wool vinyl fan, committed to the superiority of analog over current 44kHz/16-bit CD technology. Nevertheless, I have been surprised at how greatly the sound of CD has improved over the past 10 years. By 1994, digital had gotten much closer to analog than I had ever expected, which was a good thing, as 1994 also saw the disappearance of the LP as a medium for obtaining new releases of mainstream recordings. But over the last two years, I've noticed some interesting phenomena: More turntables, tonearms, and cartridges started to become available, at least in the high-end arena. Audiophiles and, to a lesser extent, segments of the general music-loving public, began clamoring for new vinyl releases. Specialty labels, such as Classic Records and Acoustic Sounds, started to reissue premium vinyl releases of classical, jazz, and pop classics at reasonable prices. And major labels again began to offer vinyl versions of major pop releases.
Art Dudley Posted: Nov 08, 2004 Published: Nov 01, 2004 0 comments
Naim Audio has a reputation for making products that are truer than most to music's temporal content: rhythm, pacing, the beat almighty. Beginning with their classic solid-state amps of the mid-1970s, Naim's designers have stressed, above all else, the reduction of distortions that puff up and pad the attack and decay components of musical sounds: Getting rid of those additives seems to clarify the timing relationship between different notes in a line, making music more compelling and easier to enjoy. That their gear has historically favored musical content over sonic attributes is no shock to the Naim faithful.

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