Budget Component Reviews

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Robert J. Reina  |  Sep 19, 2004  |  First Published: Sep 01, 2004  |  0 comments
Attending a Consumer Electronics Show is enjoyable, productive, nerve-racking, and exhausting. Too many components, so little time. One has to prioritize to ensure sufficient time to cover everything intended. One needs to avoid certain rooms, such as those with new, unremarkable designs from companies whose designers would love to talk—for half an hour or more—with each audio reviewer who makes the mistake of sauntering in. There are also many rooms in that middle region—rooms on neither the Must Hit nor the Must Avoid list.
John Atkinson  |  May 22, 2004  |  First Published: May 01, 2004  |  0 comments
"Ah, I see what the problem is. Your ear canals are larger in diameter than normal."
Robert J. Reina  |  Apr 18, 2004  |  First Published: Apr 01, 2004  |  0 comments
It was 20 years ago that I began audio reviewing as a second career. It was also 20 years ago that I made my first very expensive audio purchase: a pair of Infinity RS-1b speakers. The RS-1b was a landmark speaker in its day, and very costly for the time at $5500/pair. (I think my dentist has just spent more than that on a TV.) In retrospect, the RS-1b was an extraordinary value. With four large towers, more than 30 drivers, and a servo network and a passive crossover, the Infinity RS-1b resolved a significant amount of detail, was capable of large dynamic swings, had pinpoint image specificity on a wide, deep soundstage, and was capable of reproducing a convincing bottom octave in the right room when paired with the right associated equipment. Its main weaknesses were a relative lack of coherence due to its use of three different types of drivers to cover the various frequency ranges, and both the midrange/tweeter towers and woofer columns were picky about amplifier matching.
John Atkinson  |  Feb 15, 2004  |  First Published: Feb 01, 2004  |  0 comments
Bob Reina has been doing more than his share of reviewing inexpensive speakers in the past couple of years. I thought it only fair to shoulder some of the load, therefore, by reviewing a small design that had sounded interesting when I heard it at a press preview, the Klipsch RB-15.
Robert J. Reina, Michael Fremer  |  Jan 30, 2004  |  First Published: Jan 30, 2005  |  0 comments
I don't know Gram Slee from Gram Parsons, or which House he was in at Harry Potter's Hogwarts School, but let me tell you: If you'd just been listening to a bunch of budget phono preamps, as I had, then came upon the GSP Audio Era Gold Mk.V, you'd think someone had switched out not just the phono preamp but your entire system. You might think you were listening to a different pressing or a different cartridge. How can this be?
Art Dudley  |  Jan 25, 2004  |  First Published: Jan 01, 2004  |  0 comments
Like most people, I'm not interested in long, windy essays about audio reviewing, having barely enough time and interest for audio itself. But I do perk up when the debate turns to the audio reviewer's purpose in life: Should I write about everything that crosses my path, or should I limit my attention to those products that interest me, and that stand a chance of being good?
Art Dudley  |  Jan 25, 2004  |  First Published: Jan 01, 2004  |  0 comments
Like most people, I'm not interested in long, windy essays about audio reviewing, having barely enough time and interest for audio itself. But I do perk up when the debate turns to the audio reviewer's purpose in life: Should I write about everything that crosses my path, or should I limit my attention to those products that interest me, and that stand a chance of being good?
Robert J. Reina  |  Jan 18, 2004  |  First Published: Jan 01, 2004  |  0 comments
Roy Hall, of Music Hall, US distributor of the Creek and Epos brands, called me one day a few years back. He was hawking review samples of Epos speakers.
Wes Phillips  |  Oct 05, 2003  |  0 comments
It was John Atkinson, that legendary ornithologist, who first pointed it out: "Have you noticed how frequently you see women using the iPod?"
John Atkinson  |  Aug 24, 2003  |  0 comments
While audio writers find the siren song of cost-no-object components an ever-present temptation, I do ask Stereophile's reviewers to be on the lookout for affordable products that sound better than they have any right to. So when I listened to an inexpensive system based on Monitor Audio's Silver S2 loudspeaker and Musical Fidelity amplification at Home Entertainment 2002, held at the Manhattan Hilton in May 2002, I followed my own instruction and asked the US distributor of this English model to send me review samples.
Art Dudley  |  Apr 13, 2003  |  0 comments
We were having trouble with the power in our home—the wall current, I mean, not the dynamics of our marriage—so I called the local utility. While the technician was here, he let me watch what he was doing. I had a chance to look inside our meter box, which is the junction between the utility's power lines and the circuit-breaker box in the cellar.
Robert J. Reina  |  Mar 16, 2003  |  0 comments
In my review of Polk Audio's RT25i loudspeaker (September 2001, Vol.24 No.9), I was mightily impressed with Matthew Polk's execution of this $320/pair design. Although it has since been replaced by the RT27i, with slightly modified cosmetics and a different tweeter, the RT25i remains my favorite loudspeaker costing less than $500/pair.
Brian Damkroger  |  Jan 26, 2003  |  0 comments
One of the nicest surprises at any audio show is encountering a new—to me, at least—manufacturer whose products seem to stand out from the competition. At the 2002 Consumer Electronics Show, one such standout was the Kirksaeter line of loudspeakers from Germany. I spent quite a few minutes listening to and enjoying the performance of these modestly sized and priced speakers, but since my writing assignment was electronics, I tucked the experience away in the back of my mind and moved on.
Robert J. Reina  |  Nov 30, 2002  |  0 comments
I first met NHT co-founder Ken Kantor in 1975 when we were both undergraduates at MIT. Kantor was sponsoring an extracurricular class entitled "Musical Ideas." The concept was to stick a dozen or so musicians in a classroom for free improvisation and hope to create music à la Miles Davis' Bitches Brew. The result was a mess; although talented guitarist Kantor meant well, there was no common vision or consistency of musical talent. Nevertheless, I had a blast trying to simulate a tamboura drone with a Hohner Clavinet, phase shifter, and volume pedal.
Robert J. Reina  |  Sep 15, 2002  |  0 comments
I had mixed feelings about reviewing the $189/pair Paradigm Atom loudspeaker. Although in the past I've been favorably impressed with Paradigm's speakers—the $600/pair Reference Studio/20 remains one of my favorite affordables—Budget Bob tends to get a bit nervous when a speaker's price drops below $250/pair. In my experience, even when the most talented speaker designers attempt to make a speaker to sell at such a low price, the result is often a very small cabinet with limited bass extension and inferior high-level dynamics.

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