Stephen Mejias
Stephen Mejias Jan 27, 2012 0 comments
Sheriff Truman: Jelly donuts?
Dale Cooper: Harry, that goes without saying.

The beast is now in the careful, capable hands of our copy editor, Richard Lehnert. I sent it to him last night, only six days after I began creating this latest collection of “Recommended Components” blurbs—the last six months of equipment reports, follow-ups, and column coverage distilled into 150-word gems. Six months squished into six days: less time than it took to create the universe.

Stephen Mejias
Stephen Mejias Jan 27, 2012 0 comments
Last night, before giving in to sleep, I listened over and over to the Dirty Three’s upcoming record, Toward the Low Sun, the band’s first release in seven years and their first for the great Chicago label, Drag City.
Robert Baird
Robert Baird Jan 26, 2012 2 comments
Being “old school” can be either a compliment or a nasty put–down depending on who’s doing the talking.
Ariel Bitran
Ariel Bitran Jan 26, 2012 5 comments

When we first started posting, the Stereophile team was unsure of what would be the result. Would more people buy Attention Screen CDs? Would we get more members to our forums? Or would we just be totally ignored?

Robert Baird
Robert Baird Jan 20, 2012 2 comments
Publishing has a way of keeping you humble. Many years ago, after a scheduled show by her had been abruptly canceled, a club owner told me that Etta James had died.
CES 2012
Stephen Mejias Jan 20, 2012 27 comments
Photo: John Atkinson

It looks sort of pretty, doesn't it?

Imagine how much prettier it would be if it were real. Imagine again how much prettier it would be if those bridges and roads and towers weren't there at all.

Every time I stepped from the slow elevator and onto the casino floor at Harrah's, where Stereophile's editors spent their sleepless nights, my hatred for Las Vegas was revitalized. This was like some kind of bad joke, some kind of post-modern torture. Oh, god, I am still here. I would turn right and see the same flashing lights, the same low ceilings, the same people who had been there the night before, still sitting, still smoking, still hoping, still staring blank-faced into spinning screens of cherries, spades, and jokers, and I would wonder why.

Why? Most people who visit Las Vegas seem to be looking for money, sex, drugs, or simple escape. Why are we here?

CES 2012
John Atkinson Jan 20, 2012 4 comments
At the previous Shows where I had auditioned it, MBL's extravagantly excessive (or should that be excessively extravagant) X-Treme system had been set-up in inappropriate rooms, Finally, at the 2012 CES, this 4-enclosure system, which basically comprises two of the true omnidirectional upper-frequency modules of the Berlin-based company's 101E Mk.2 speaker (to be reviewed by Mikey Fremer in the April 2012 issue) with two man-sized powered subwoofers, each using six 12" drivers mounted three on each side to cancel mechanically induced vibrations, was set up in a room worthy of it. (The Venetian room was 31' by 22' with a 10' ceiling.) Bi-amped with four file-cabinet–sized MBL 9011 monoblocks—the total system cost was $565,000!—the X-Treme produced a big-bottomed sound that was indeed extreme when required but also delicate when appropriate. Oh my!
CES 2012
John Atkinson Jan 20, 2012 6 comments
Source Interlink Media's Home-Tech Group's self-styled "Web Monkey" Jon Iverson (center) focuses his attention on the new Vivid G3Giya loudspeaker ($40,000/pair), which is scheduled to start shipping in April. Driven by a Luxman amplifier and hooked up with Kubala-Sosna Emotion cables, the G3Giya is a 2/3 scale version of the G1Giya that so impressed Wes Phillips in July 2010, with twin aluminum-cone 7.5" woofers loaded by the same proprietary ported transmission line, this time curled over more severely because of the speaker's reduced height. (The G1Giya used 11" woofers.)
CES 2012
John Atkinson Jan 20, 2012 0 comments
Here's a closer "glamor shot" of the new G3Giya loudspeaker, though it doesn't do justice to the deep gloss maroon finish of the speaker. Note how the fact that the tweeter and upper-midrange unit have to be mounted higher up the curve of the "tail" means that the transmission lines loading these drive-units have become a styling feature rather than buried within the enclosure.
CES 2012
John Atkinson Jan 20, 2012 0 comments
Costing $165,000/pair, Magico's new Q7—shown here with AudioStream.com editor Michael Lavorgna for scale—embodies everything the Californian company knows about speaker design: a proprietary beryllium-dome tweeter, nano-fiber–sandwich-cone midrange unit and woofers, housed in a sealed all-aluminum enclosure weighing 750 lbs! With the prototype Audeeva music server, Pacific Microsonics DAC, a Spectral preamp, MIT cables, and unidentified amplifiers hidden behind a curtain, the Q7s threw an enormous soundstage on a 176.4kHz/24-bit file of a Reference Recordings orchestral recording, with bass-drum blows that pressurized the room without obscuring a low-level bassoon that was playing at the same time—macro and micro-dynamics.